Posts Tagged ‘Genesee Valley’

Genesee Valley Ranch Agreement Brings Major Publishing Credits

December 28th, 2020

Forbes Magazine, Food & Wine and Others Publish David Leland Hyde Photographs With Articles About the Genesee Valley Ranch

Ranch Manager Connecting With Wagyu Cows, Winter, Genesee Valley Ranch, Sierra Nevada Mountains, California by David Leland Hyde. A print of this photograph appeared in the exhibition, “Agriculture West and Midwest” at the Plumas County Museum. It has also been the most widely used photograph in articles and other PR efforts on behalf of the ranch. Special thanks to Ranch Manager Michele Haskins and to the Palmaz Family. (Click 3X to See Large.)

Living in the Lost Sierra Northern California paradise that I do, I am fortunate to be surrounded by forests and mountain valleys where agriculture operates on a small scale. Here ranchers raise cattle and other livestock nearly all grass fed, the meat produced is “all natural” by default, and ranchers and farmers use zero to far fewer pesticides and other poisons, GMO or growth hormones such as rBGH and rbST.

This does not mean mountain valley living and agriculture are idyllic by any means, as many of the benefits mentioned above make the business more challenging in many ways, especially on small ranches in remote areas. In addition, profitable enterprises here not only have all the challenges found elsewhere, but must deal with the difficulties of cold, snowy winters, long and distant supply chains, sometimes unreliable food supplies, rugged terrain, inclement weather and far away veterinarian services.

Agrarian entrepreneurs in the mountains must innovate or die. As a result, here in Northeastern California, farms and ranches have developed and combined different approaches than used anywhere else in the world. For example: many of our producers are involved in a combination of farm-to-table and more traditional distribution models.

Many Plumas and Sierra County ranchers winter their cattle at lower elevations, often in the San Joaquin Valley or Sacramento Valley. This requires unusual partnerships and lease arrangements.

Surprisingly, with more people getting out of agriculture than into it, the Palmaz Family, known for the Palmaz Heart Stent, invented by Julio Palmaz, and Palmaz Vineyards in Napa, among other enterprises, in 2016 purchased Genesee Valley Ranch, just a few miles up the road from my home. The Genesee Valley Ranch was first homesteaded as the Hosselkus Ranch. The Hosselkus Ranch was historically significant to the area during the California Gold Rush as a stage stop and way station for travelers across the Sierra to the Central Valley and the rest of the California Gold Country. It was a cattle ranch predominantly, but also raised other livestock such as goats and hogs. The ranch changed hands a number of times after the original Hosselkus family owned it. Charles Clay and his family owned the ranch for most of the second half of the 20th Century, with Paul Neff purchasing it in 1992. It has been leased to cattle grazing off and on, but not run as a cattle ranch since the 1800s.

Cousins of the Napa Palmaz Family have been in ranching in South America since the 1940s. Julio Palmaz’ son Christian Gastón Palmaz said as a family they had always seen ranching as a healthy happy way to live. Christian remembers his time on ranches as a boy as some of his fondest memories. As a family they wanted a place to get away to and wanted to get back into ranching, but to do it differently than most commercial spreads and more like other small operations in the High Sierra. More importantly, Palmaz Vineyards had become known for sustainable and ecologically friendly practices at the Winery in Napa. The family wanted to continue that tradition by raising organic grass-fed and grass-finished beef, followed by potential diversification into other organic livestock and crops. In researching cattle breeds, they ran across Japanese Wagyu, a.k.a. Kobe Beef Cattle. One main advantage to Wagyu cows is that they are hearty and do well in cold and snow. This means the Genesee Valley Ranch does not have to send cows out to winter elsewhere. Wagyu is just catching on in the US. So far it is more popular in the Rocky Mountain States and in the Midwest. As of yet there are still few purveyors on the West Coast.

Besides the Wagyu Beef, Genesee Valley Ranch Manager, Michele Haskins, has a five-year rollout plan for a community gardens and a diversity of farm animals and other “natural” interdependencies and intercropping that will help fend off disease and other pests naturally. The Genesee Store, right on the ranch property, has now been completely converted into a full-service fine dining restaurant, with a state of the art kitchen, bathrooms, ADA access and other amenities. The Genesee Store serves Genesee Valley Ranch Grass Fed Beef, the main ingredient of many items on the menu. Ranch plans also include renovating the barns, creamery, stables and other outbuildings. Eventually they hope to make cheese at the Genesee Valley Ranch to be sold at the Palmaz Vineyards in Napa.

Genesee Valley Ranch is evolving to be just as high tech as the winery, which hosts the world’s first sustainable high tech wine cave with zero water waste. GVR uses aerial infrared technology to monitor pastures to move the cattle around thereby evenly grazing the native grasses and naturally keeping pests such as Star Thistle at bay. Meanwhile, the ranch hires local experts, cowhands and restaurant staff. Despite this focus on helping the local economy, directly benefiting local workers and letting local emergency EMTs and EVAC Helicopters land and take off at the GVR helipad in emergencies, a small handful of people in Genesee opposed the Palmaz use of their helicopter to travel to and from the ranch and to do their infrared pasture mapping. This minor dust up has all been resolved now. If you want to read more about it, you can do that elsewhere. I wrote a defense of the family myself in the local paper and in Plumas News. By far, the majority of people in Plumas County and in Genesee itself support the Palmaz Family and their cattle ranching outfit.

After I professed my support of the ranch and the family’s organic approach, the family invited me out to the big ranch house for more than one meal. Christian Palmaz and I went to lunch at Young’s Market in Taylorsville and other local hangouts as well. At one of our fun meet ups, I showed Christian my raw files that I had just photographed of the ranch. He was impressed. He also read and shared with the rest of his family one of my articles about my father Philip Hyde and his conservation photography that helped make many of the national parks of the West. Julio Palmaz sent me a photograph of himself reading Drylands: The Deserts of North America by Philip Hyde. How fun and cool is that? Meanwhile, when Christian saw my raw files and read my article about Dad, he said he wanted me to photograph for the ranch. He also wanted to acquire a license to use my previous landscape photographs of the area. I have been photographing Genesee since 2009. I was more than happy to have my images put to use for a good cause. Little did I know what a win it would be for my career, as well as for the ranch. The Palmaz marketing staff put my photographs up on the Genesee Store, Club Brasas Food and Wine Society and Genesee Valley Ranch websites. They also often use my images in other outreach and in articles in the mainstream press.

Genesee Valley Ranch has now been written up in a good number of national magazines and my photographs have been the main visual compliment to the articles. Forbes Magazine did a beautiful feature you can read online called, “How Tech Developed for a Vineyard Is Helping This Grass-Fed Cattle Ranch Grow,” by Bridget Shirvell. Two of my photographs appear in the piece, one as the header image. Foodie magazine favorite Food & Wine did an article headed with my photograph of the ranch manager connecting to the Wagyu cows (see above). Food & Wine appropriately titled the feature, “The Cattle at This Zen California Ranch Basically Run the Joint: Genesee Valley Ranch Takes Every Possible Step to be Extremely Respectful of Their Cows,” by Kristy Mucci. Southbay Magazine’s feature article, “Raising the Steaks” cannot be found online, but write-ups about it appear on the Palmaz Vineyards Blog, Genesee Valley Ranch Blog, Club Brasas Blog and on Moontide Media online. The luxury lifestyle magazine, Iconic Life, recently ran an article titled, “A Choice Cut: The Best of American Wagyu Beef,” by Laura Baddish. Iconic Life used five of my photographs of Genesee Valley and the Genesee Store. Golden State magazine also used four of my photographs in their article, “In the Hills That Sparked the Gold Rush, Genesee Valley Ranch Is Raising a Special Breed of Cattle.”

At the Genesee Store, when it opens inside again after the Covid-19 pandemic settles down, you can also view my landscape photographs of the ranch on slow rotation on a giant closed circuit TV while you enjoy their choice prime cuts of organic beef and other delicious natural and organic fare in sight of the mountains and green pastures where the Wagyu roam. Stop in some time at 7201 Genesee Road and have a bite or currently get a meal to go. You will be very glad you did. Call the store for hours and reservations at 530-280-0300. During the pandemic you can get curbside takeout and take and bake as well by calling or visiting Geneseestore.com.

Top 20 Photographs of 2019 – Year-End-Retrospective

December 27th, 2019

Top 20 Photographs of 2019

Year-End-Retrospective

This year I focused more on marketing and PR than making new photographs, which is starting to pay off some. Solid publishing credits through my licensing agreement with Genesee Valley Ranch and the Genesee Store included several images of mine appearing in an article for Forbes Magazine and others in a feature for Food and Wine Magazine.

In the decade from 2010 to 2019, I made the most photographs in 2015, the fewest photographs in 2010 and the second fewest in 2019. In my opinion and according to others as well, in 2019 I still made as many portfolio quality images. My goal is to continue this trend of decreasing the quantity and amount of time invested, while maintaining quality. Besides publicity, press relations, print sales and other marketing, I am focusing more energy on longer writing projects. I also need to develop and place more major museum exhibitions of the work of my father, pioneer conservation photographer Philip Hyde.

I ventured out to photograph only twice in early 2019 during the winter. One of the rare photo sessions was during a storm clearing when the power went out at home in the wilderness of the Sierra Nevada Mountains. Spring found me out a few more times, looking for green pastures, snow-capped peaks and traditionally grass-fed, hay-supplemented cows raised on year-around zestful mountain valley living and small ranches. The cattle in our neck of the woods in the Lost Sierra tend to fatten up after the leaner, colder days end. I made a set of images in June for possible real estate marketing of the Hanley-Openshaw Ranch off of Deadfall Lane in Indian Valley near my home in the upper Indian Creek watershed, part of the Feather River Region, also known as the Lost Sierra at the farthest eastern edge of the California Gold Country. For some time I had wanted to regain access to this beautiful piece of ranch or farmland with spectacular views of Grizzly Ridge and Grizzly Peak from its spring green pastures along Indian Creek.

I have been going to the annual Taylorsville Silver Buckle Rodeo off and on my whole life and have attended a few other rodeos. However, I never photographed a rodeo until 2017. The Taylorsville Silver Buckle Rodeo only allowed one photographer for many years, but an opportunity opened up that allowed a number of us to bring in our cameras for the action in 2019. Rodeo Queen Emma Kingdon asked me to capture her two ceremonial rides in the rodeo. Quick note to animal activists: in my experience, ranchers, cowboys, cowgirls and other cattlemen care for their animals very well, much better than anyone without the same close ties to the land and to making a living from it.

After the rodeo, I walked down to “the river,” the local nickname for Indian Creek. People of all ages, especially teenagers, after the rodeo customarily ride horses bareback into the shallow water on a quiet stretch of the creek that extends about half a mile upstream from the Taylorsville Bridge. There I met a lady who was building a website for her neuroscience-based therapy business. We agreed on a trade for photographs for her online platform. It was a fun fashion-style photo shoot, but the images were perhaps a bit too contrasty for web branding purposes, though I feel they may be good samples for a potential future fashion portfolio.

Other photo excursions took me back to Sierra Valley several times to track down a number of the historic ranches I could not get to in other visits. Sierra Valley is the largest mountain valley over 5,000 feet in elevation in the world. I also revisited Greenhorn Creek near Quincy, California for the first time since 2012. One of the highlights of my lighter year in photography was capturing the Middle Fork of the Feather River for the first time.

My photographs below are all single-exposure, single-image capture with no bracketing, no HDR and no blends. I use Photoshop CC as my digital darkroom to develop and print my photographs with similar aesthetics to traditional film photographers. I do dramatically change some images, most of which are readily recognizable as altered from “reality.” I do the usual dodging and burning, also known as lightening and darkening. I control contrast, as well as shadow and highlight intensity, vibrance and saturation, making subtle shifts that bring out the natural attributes inherent in the scene. I only remove or move objects within the frame if they are small distractions with only a small effect on the overall integrity of the photograph. For many decades photographs have been considered one of the truest ways of re-creating a “real-life” scene. I chose not to risk breaking the public’s trust and expectation that photographs represent “reality.” However, I do enjoy approaching that line and playing with it. I also am starting to make art that goes on traditional photography. Stay tuned. 🙂

Blog Project Posts From Years Past:

Best Photographs of 2018

Best Photographs of 2017

Favorite Photographs of 2016

My Favorite Photographs of 2015

Best Photographs of 2014

Best Photographs of 2013

My 12 “Greatest Hits” of 2012

Best Photos of 2011

My Favorite Photos of 2010

Grizzly Peak From Stampfli Lane, Indian Valley, Winter, Sierra Nevada Mountains, California by David Leland Hyde. (Click Image Twice to See Large)

Sunlight Through Clouds, Mt. Hough, Wagyu Cattle, Genesee Valley, Spring, Sierra Nevada Mountains, California by David Leland Hyde.

Indian Creek and Grizzly Peak at Hanley-Openshaw Ranch, Indian Valley, Spring, Sierra Nevada Mountains, California by David Leland Hyde.

Four Cows and Indian Head, Indian Valley, Winter, Sierra Nevada Mountains, California by David Leland Hyde.

Barbed Wire Fence, Three Posts and Reflections Detail, Snowmelt Fields, Sierra Valley, Winter, Sierra Nevada Mountains, California by David Leland Hyde.

Chet, Angela and Cattle Herd in Pouring Rain, Hanley-Openshaw Ranch, Indian Valley, Spring, Sierra Nevada Mountains, California by David Leland Hyde.

“Wrangler,” July 4 Taylorsville Silver Buckle Rodeo, Taylorsville, California by David Leland Hyde.

Daniella With Flag Shawl, July 4 Taylorsville Silver Buckle Rodeo, Taylorsville, California by David Leland Hyde.

Two Generations Feeding Cows, South Side T. Dotta Ranch, Sierra Valley, Winter, Sierra Nevada Mountains, California by David Leland Hyde.

Bronco Bucking off Cowboy Blur, July 4 Taylorsville Silver Buckle Rodeo, Taylorsville, California by David Leland Hyde.

Sunset, Hay Harvest, Deadfall Lane, Indian Head in Distance, Indian Valley, Summer, Sierra Nevada Mountains, California by David Leland Hyde.

Two Main Barns From the South, Van Vleck VV Bar Ranch, Fall, Sierra Valley, Sierra Nevada Mountains, California by David Leland Hyde.

Sierra Wave Cloud Over Hosselkus Creek, Genesee Valley and Kettle Rock, Spring, Sierra Nevada Mountains, California by David Leland Hyde.

Fly Fisherman at Riffle on Middle Fork, Feather River, Fall, Sierra Nevada Mountains, California by David Leland Hyde.

Grasses, Shadows, Cliff Reflections, Middle Fork, Feather River, Fall, Sierra Nevada Mountains, California by David Leland Hyde.

Yellow Indian Rhubarb and Mossy Boulders, Greenhorn Creek, Fall, Sierra Nevada Mountains, California by David Leland Hyde.

Frozen Stream, C.C. Guidici East Barn, Hyde Van, Sierra Valley, Sierra Nevada Mountains, California by David Leland Hyde.

Old Wagons, Main Barn, Granary, Dellera M. Guidici Ranch, Beckwourth Peak Across Sierra Valley, Sierra Nevada Mountains, California by David Leland Hyde.

Grace and Beef Steer, Plumas-Sierra Junior Livestock Auction, Plumas County Fair, Quincy, California by David Leland Hyde.

Rodeo Queen Emma Kingdon Prepping Tack, July 4 Taylorsville Silver Buckle Rodeo, Taylorsville, California by David Leland Hyde.

 

 

 

 

 

 

 

 

Best Photographs of 2017

January 4th, 2018

David Leland Hyde’s Own Favorite Photographs of the Year

The end of 2017 blasted right by and I almost missed the 11th Annual Blog Project: Your Best Photographs of the Year hosted by Jim Goldstein at JMG Galleries Blog. However, having participated every year since 2010, I refuse to quit now. At least this year most of my best images are lined up in select folders, making them easier to gather. Soon Jim will be making his follow-up blog post with the list of all of the “best of the year” blog posts from all of the participating photoblogs. I believe one year there were over 300 blogs participating.

My photographs below are all single-exposure, no bracketing, no HDR, no blends. I am not against these processes per se, but I find I do my strongest, simplest work without them. Particularly when photographing people, in the field I work intuitively, often slowly, but with faster lurches when necessary. My nature images come from a deeper, tranquil place, though I am developing a rougher and quicker approach to post-processing and in time plan to present work with more grain and noise, especially in street, industrial and some abstract scenes.

I develop my work in the digital darkroom much the way traditional film photographers like my father, conservation photography pioneer Philip Hyde, did in the wet darkroom. I alter most images little, doing the usual dodging and burning, or lightening and darkening, plus controlling contrast, shadow, highlight intensity, vibrance and saturation as mildly and tastefully as possible with similar aesthetics to traditional darkroom methods. However, I generally have much more control over all areas of the image and the resulting archival color or black and white prints.

Grizzly Peak From Near Nelson Street Bridge, Northern Sierra, California.  I have been photographing this view for many years. With a digital camera in this spot it is a bit challenging to get both the whole field and mountain sharp. Though still not completely perfect, this is one of the more pleasing and most appealing in print form of the photographs I have made here. The black and white prints also look good.

Indian Head Across Indian Valley, Northern Sierra, California. In early April, we had a beautiful snowfall of about 8-10 inches combined with spectacular clearing storm clouds. I spent most of the day photographing around Indian Valley, but this photograph near the end of the day when most of the clouds were gone I liked best.

Sunset, Ridge Lakes, Lassen Volcanic National Park, Cascade Range, California. After checking out the annual summer art show at the Visitor’s Center, I took this short, steep hike to catch Ridge Lakes after they had calmed for the evening, but lingered a bit too long and had to finish the end of my hike back to the Sulphur Works in the dark.

Eclipse Day Sundown and Catamarans on the Shore of Bucks Lake, Bucks Lake Wilderness, Northern Sierra, California. I have intended to photograph Bucks Lake for some time. The day of the eclipse, not long after the Minerva Fire, the light was unusual. I explored a number of areas around Quincy including downtown, Spanish Creek, Greenhorn Creek and finally up through Meadow Valley to the Bucks Lake Wilderness.

Aspens in Breeze, Thompson Lake, Bucks Lake Wilderness, Northern Sierra, California. Later in the evening on Eclipse Day, I stopped at Thompson Lake and made a few images before sunset and then stopped again later after sunset for this photograph and a few others in twilight.

Ranch on North Side of Sierra Valley, Northern Sierra, California. This photograph was another from a full day of great clouds from a clearing storm in Sierra Valley. I photographed a number of the ranches, found some unusual perspectives of the valley and wound up at sunset at the Beckwourth Barn complex.

Kettle Rock, Hosselkus Creek, Genesee Valley, Spring, Northern Sierra, California. Late in 2016, the Palmaz Family, new owners of the Genesee Valley Ranch, gave me an assignment to photograph the Genesee Store ‘Before’ and ‘After’ historical renovation. While working on this assignment and having the family acquire other images as prints, I began making many more images of Genesee Valley from angles and locations I had not yet tried. Fortunately, between these photographs and the many I have made going back to 2009, I was ready when the Palmaz Family began asking me for images to use in promoting the renovated Genesee Store, Genesee Valley Ranch, Brasas Beef Club and Genesee Valley in the Palmaz Vineyard in Napa, California. This is just one of many of my photographs the various Palmaz brands will use online, in social media, print advertising and for other promotional uses.

Fall, Indian Rhubarb in Spanish Creek, Northern Sierra, California. Finally this year I made quite a few Indian Rhubarb images worth keeping.

Evening Sun, Grizzly Ridge Across Genesee Valley, Northern Sierra, California. This was one of the photographs that the Palmaz Family liked both as an archival fine art digital print they hung in the winery and to license for use in promoting Palmaz brands.

Creamery, Tall Grass, Genesee Valley, Spring, Northern Sierra, California. One lazy summer day while wandering around in the pasture photographing cows with the mountains as backdrop, I discovered this view of the Creamery between the apple trees in late afternoon light. It will add a bit of a historic feel to my California Barns Portfolio.

Genesee Store, Front Entrance, Winter, Genesee, California. I processed this image into a number of versions that each make it look old in a different way. The designers made the new Genesee Store logo from this photograph.

‘Skute or Die’ Boxcar, Sky and Sage, Sierra Valley, Northern Sierra, California. On the same special clearing storm day in Sierra Valley, I found a string of old boxcars newly “painted” by graffiti artists.

Lady Looking and Boy With Camera, Palace of Fine Arts, San Francisco, California. After spending the night in San Francisco’s Marina District nextdoor, I arrived at the Palace of Fine Arts just after sunrise. An advertising film crew already set up in the middle of the main arch were chewing up pixels of two models together: an early 30s lady and a boy around eight years old. The director kept telling the boy to point and make photographs, or for the lady to point and the boy to make photographs, but the poses they made naturally were much better than “the look” the director was going for, whatever that was.

Jeep and View From Kettle Rock, Northern Sierra, California. My lifetime friend and next door neighbor took two of his sons and a few of their friends and me in his jeep up to the lookout on Kettle Rock. When we left the Jeep to hike the last several hundred feet, the Jeep with mountains all around it, looked like the ideal Jeep advertisement.

Steer Riding, Taylorsville Junior Rodeo, Taylorsville, California. Having grown up around the Taylorsville Silver Buckle Rodeo, for years I have wanted to try photographing the rodeo. My chance came when I heard the Junior Rodeo was on at a time I could get away. I made a lot of photographs of the people around the rodeo, but getting good action photos proved more challenging. This is one that came out fairly well, though I wish I had been more in front of the steer. Notice the only thing not in motion in the whole frame is the rider’s boot. There will be other rodeos other years for practice.

Two Bareback Riders, Indian Creek, Taylorsville Junior Rodeo, Taylorsville, California. During the Taylorsville Junior Rodeo the smoke from nearby forest fires was thick, which made the light good for photographing the young people riding bareback in the river.

Cowboy Leading Horses, Indian Creek, Taylorsville Junior Rodeo, Taylorsville, California. The July forest fire light helped make this photograph and others as an assortment of rodeo participants and observers paraded in and out of the water to cool off their animals.

 

 

 

 

 

 

My 12 “Greatest Hits” Of 2012

January 3rd, 2013

My Personal Favorites Or 12 Top Picks Of 2012, Whatever You Want To Call Them

Oaks, Grizzly Ridge, Fall, Northern Sierra Nevada, California, copyright 2012 by David Leland Hyde.

Oaks, Grizzly Ridge, Fall, Northern Sierra Nevada, California, copyright 2012 by David Leland Hyde. Nikon D90.

One of my neighbors, who I grew up with, has told me from time to time that he had to quit photography because he became too obsessed with it. It came out that he spent enough money on gear, gasoline, printing, matting and framing to put himself and his large family into debt. That was the destructive aspect, not the obsession with the art itself.

Cloudy Sunset, Genesee Valley, Northern Sierra Nevada, California, copyright 2012 by David Leland Hyde.

Cloudy Sunset, Genesee Valley, Northern Sierra Nevada, California, copyright 2012 by David Leland Hyde. Nikon D90.

When we were young men I admired the same neighbor for his focus, determination and tireless effort that made him a success in sports, a large and strong weight lifter and an airline pilot. I contend that any endeavor of meaning, especially in the arts, for excellence to be attained, requires an obsessive dedication.

This is why I thought I could never be a photographer. I still sometimes do not consider myself one. My father, pioneer landscape photographer Philip Hyde, had the passion and drive for excellence and the results to prove it, but until 2009 I had been lackadaisical about photography for 35 years. I will share more on my artistic journey below, but first I must tell you about the photographs here. Also, a big thank you to Jim Goldstein at JMG Galleries for putting this “best of the year” blog project on each year. I feel he’s a genius for inventing it.

The photographs in this blog post are all single image capture, though I do bracket for the eventual future date that I may possibly have the time to learn how to blend

Grasses, Indian Creek Below Indian Valley, Northern Sierra Nevada, California, Fall, copyright 2012 by David Leland Hyde.

Grasses, Indian Creek Below Indian Valley, Northern Sierra Nevada, California, Fall, copyright 2012 by David Leland Hyde.

or even, gasp, make High Dynamic Range or HDR prints. I do minimal post-processing, though I do use Photoshop to the degree that it is essentially equivalent to the darkroom. On most images I use Photoshop “Levels,” “Curves” and “Hue/Saturation” Layers. On “Pool, Cascade, Red Clover Creek” I used the Healing Brush to remove two prominent bird droppings on the center boulder that distracted and crapped up the photograph. On “Dawn, American River From Fair

Fog, Rocky Promontory, Pacific Ocean, Mendocino Sea Coast, California, copyright 2012 by David Leland Hyde.

Fog, Rocky Promontory, Pacific Ocean, Mendocino Sea Coast, California, copyright 2012 by David Leland Hyde.

Oaks Bluffs,” I also used the Healing Brush to remove a sunspot. Fortunately the sunspot backdrop against the even textured and dark toned, shadowy beach enabled this easy approach. I doubt I could have pulled off some of the more complicated methods of removing sunspots in Photoshop CS4, without spending many hours on the learning curve. I saw the video on removing sunspots in CS5, which takes one tenth the time with the use of Smart Fill. Made me lust after

Pool, Cascade, Red Clover Creek, Plumas County, Northern Sierra Nevada, California, copyright 2012 by David Leland Hyde.

Pool, Cascade, Red Clover Creek, Plumas County, Northern Sierra Nevada, California, copyright 2012 by David Leland Hyde.

newer versions of Photoshop software, but for now I will remain chained to my forced frugality of a full-time learning photographer and use my CS4, which is just fine.

Photoshop is a much more precise and powerful tool than any darkroom ever. I still, however, believe that we photographers have a contract with the general public that photographs traditionally are expected to represent “reality.” Nobody is arguing that photographs are “real.” Therefore, from time to time I do

Twilight, Indian Creek, Vertical, Plumas County, Northern Sierra Nevada, California, copyright 2012 by David Leland Hyde.

Twilight, Indian Creek, Vertical, Plumas County, Northern Sierra Nevada, California, copyright 2012 by David Leland Hyde.

amp up the post processing way beyond what looks “real” just to be sure that the viewing public knows I have been up to something. Meanwhile, especially with landscape photography, I’ve discovered that most of the time a RAW file does not look like the scene I photographed. Usually it is less saturated, for one thing, and usually has much less range of color and tones and much less shadow and highlight detail. This can all be partially or completely solved with Photoshop and thus I do espouse it, just as I prefer to use a good hammer more than a rock to pound in nails. I’m sure I will eventually use plugins and other add-ons, just as a professional carpenter, to compete these days, needs an air compressor driven nail gun. In the near future, look for my new “Sierra Nevada Portfolio,” that will contain large versions of these images and many others, to be posted after the 17 portfolios of Dad’s photography and below my “Portfolio One” on philiphyde.com. Also, to see more of my photography and philosophy see the blog post, “David Leland Hyde Archival Prints Pre-Launch,” or “Best Photos Of 2011.”

Ice Plant, Mist, Duncan Cove State Beach, Pacific Ocean, Sonoma Coast, California copyright by David Leland Hyde.

Ice Plant, Mist, Duncan Cove State Beach, Pacific Ocean, Sonoma Coast, California copyright by David Leland Hyde.

In 2009, I first came into the digital era and bought a Nikon D90 DSLR. Until then, I had used a Pentax K1000 35 mm film camera that my father gave me around 37 years ago when I was about 10 years old. I immediately loved making photographs with the Nikon D90 digital camera because it seemed easy to obtain decent results. I would like to graduate to a better camera one of these days for the purpose of making better big prints. I purchased my camera at Costco on special.

Rocks Along Spanish Creek, Plumas County, Northern Sierra Nevada, California, copyright 2012 by David Leland Hyde.

Rocks Along Spanish Creek, Plumas County, Northern Sierra Nevada, California, copyright 2012 by David Leland Hyde.

They had a package that included two lenses, a camera bag, strap, an 8 MG SD Card, a video and a few other little photo items that gave me everything I needed for pro-sumer photography. The larger lens that I don’t use very often is a Nikkor 55-200 mm, 1:4-5.6 lens. I make 95 percent of my images with the wide-angle lens, which is a basic Nikkor 18-55 mm, 1:3.5-5.6 lens. I would like to buy more lenses, but cannot justify the investment until my print sales pay for the new gear.

Community Church, Taylorsville, Plumas County, Northern Sierra Nevada, California, copyright 2012 by David Leland Hyde.

Community Church, Taylorsville, Plumas County, Northern Sierra Nevada, California, copyright 2012 by David Leland Hyde.

Before 2011 especially, and even now, I have little time for my own photography, but this year I still indulged in and enjoyed the making of over 10,000 images. Meanwhile, I have other goals and responsibilities including the development of my father’s large format and medium format photography in the digital era, expanding the presence of his vintage photographs in major museums and my own long, grinding, slowly developing writing career. Until 2012, I still had many frustrations with photography and still get lividly annoyed with Photoshop today.

Currently, due to several delays and complications I am blessed and cursed to be where the main subject is the wilderness landscape of the Northern Sierra Nevada. This has given me much joy, but also frustration in that I intend to photograph more people, street scenes, disasters, cultural events and other art and quasi-journalistic subjects. I would have loved to be the first photographer to arrive at the BP Gulf Oil Spill or in Japan at the Fukushima Daiichi Nuclear Disaster.

Dawn, American River From Fair Oaks Bluffs Near Sacramento, California, copyright 2012 by David Leland Hyde.

Dawn, American River From Fair Oaks Bluffs Near Sacramento, California, copyright 2012 by David Leland Hyde.

Port Of Stockton, Great Central Valley, California, copyright 2012 by David Leland Hyde.

Port Of Stockton, San Joaquin River Deep Water Tidal Channel, Great Central Valley, California, copyright 2012 by David Leland Hyde.

Regardless, I had several breakthroughs in 2012. I improved technically. I became clear that even though I will keep my own photography as a sideline for now, at some point I will incorporate it into my primary work. I also caught the photography bug. I am bitten and camera smitten. Though it is an investment in the future, I photograph “too much” in that at this stage the extra time away from representing my father’s vintage work is costing me and threatening my solvency. Because of photography, I am trying to do “too much.” However, my own photography has saved me in some ways. I wrote about this in a recent blog post reviewing 2012 and introducing a poem about my mother, Ardis Hyde, who wrote most of the Hyde Travel Logs: “Happy Holidays…?…!” Besides keeping me fit and serving as an outlet, my own work has brought me more fulfillment and peace. It entices me out of the house and out from behind the desk and computer

Indian Creek And Forest From Above, Fall Snow, Northern Sierra Nevada, California, copyright 2012 by David Leland Hyde.

Indian Creek And Forest From Above, Fall Snow, Northern Sierra Nevada, California, copyright 2012 by David Leland Hyde.

screen. Landscape photography has helped me feel the light on the mountains, smell the woods, hear the lulling water and expand into the spirit of open spaces. I am rooted and connected to nature more often. Yet for me any genre of photography, photography without borders, without labels or definitions, pre-planned or visualized, observed quietly or full of surprises and experimentation, any and all of it is a hoot and an inspiration. Now after almost four decades of carrying a camera off and on, I can finally say, it is an obsession.

Please share which images you like most here and which you like least…