Posts Tagged ‘35 mm camera’

New Release: Matterhorn With Cirrus Streamer, Zermatt, Switzerland

April 20th, 2011

New Release: Matterhorn With Cirrus Streamer, Zermatt, Swiss Alps, Switzerland, 1994

Matterhorn With Cirrus Streamer, Zermatt, Swiss Alps, Switzerland, copyright 1994 by Philip Hyde. Photographed from the hotel window in Zermatt. Never before published or printed.

(To view the photograph full screen Click Here.)

In June 1994, Ardis and Philip Hyde ventured to Europe by way of transatlantic flight to begin the first in a series of Swiss Hiking Trips. Ardis Hyde was 69 years old and Philip Hyde was 73. They flew from Sacramento to Chicago where they met the trip organizers Bill and Barbara Bickel and the 19 other participants of the Swiss Hiking Trip adventure. The group then embarked on an overnight flight to Zurich, Switzerland on a Boing 767 airplane.

Ardis and Philip Hyde sat next to the galley. They became acquainted with the flight attendant, named Janis, in charge of the kitchen. They loaned Janis their book about the Normandy Invasion. Ardis Hyde wrote in her travel log that the flight attendant, “gave us a bottle of wine and generally ‘bonded’ with us.” The Swiss Hiking Trip resulted in many such pleasant encounters and new friendships between the participants that lasted for some of them the rest of their lives.

The Swiss Hiking Trip concept simply brought various retired people together and provided them with an organized, yet leisurely itinerary whereby they could progress in various divisions and subdivisions of the group, hiking at their own pace between mountain inns and chalets in the high Swiss Alps. Philip Hyde brought along only his 35 mm camera on the first trip.

In Zurich, the group boarded a train to Kandersteg, Switzerland. In a little over three hours they arrived in Kandersteg under cloud wreathed peaks and walked to their hotel. The room was spacious with three windows and a balcony that “looked out at the range of peaks without any obstruction.” Ardis and Philip Hyde strolled through Kandersteg, bought topo maps and returned to the hotel for showers, dinner and an early bedtime.

The next day, the first of many days hiking, took them by the Kander River and Selden, Switzerland where they met back up with the group for “soup at a long table in the yard.” The highlights of the hike were an infinite variety of wildflowers all at peak and a stop at Waldhaus at the bottom end for apple strudel and hot chocolate. The next four days consisted of more hiking in the Kandersteg area and beyond, with frequent rides on steam and electric trains, aerial trams, cog trains, gondolas and cable cars. Seven members of the group took a side trip to Locarno, Italy. Ardis Hyde wrote in her travel log:

It was a verdant route traversing steep gorges with fast dropping streams below. In Locarno about lunch time we walked from the new train station down to Lake Maggiore and around the landscaped edge faced by continuous restaurants. We picked one, Al Pozz, and sat down for a good green salad and pizza. We hurried back for the return train and train change at Domodossla, Italy, headed for Brig, Switzerland. At Brig we changed to the cog train to Zermatt. While making 35 mm camera photographs Philip almost missed the cog train. The doors closed and the train began to move as he became aware. Cathy, one of our party inside the train, asked the conductor to let Philip on. The conductor stopped the train, opened the doors and Philip got on board.

The train progressed on up to Zermatt, which from the entry direction was not especially impressive. We could not see any high mountains in the surroundings right away. We checked into the Excelcior Hotel. In our room number 52, we crossed to the window and there was the Matterhorn in all its glory. We could see it while in bed too. The room windows also looked out over the town and down onto three old barns with slate roofs. We walked down four flights of stairs to the dining room for dinner. The Matterhorn was still out at sundown.

The Matterhorn was fully out all night. We watched the sunrise and the light and clouds change on the mountain. A beautiful cirrus streamer appeared as if it came out of the peak itself. Philip made a 35 mm photograph of the Matterhorn from the hotel window.

For the first time ever, Philip Hyde’s 35 mm photograph is now offered as an archival fine art digital print. In the film era, Philip Hyde did not consider his 35 mm images printable, but with digital print processing, high resolution drum scans of 35 mm film photographs can be blown up and printed up to 24X30 while retaining comparable print detail and quality to prints made from drum scans of 4X5 color transparencies.  For a limited time, “Matterhorn With Cirrus Streamer, Zermatt, Swiss Alps, Switzerland, 1994” will be available at Special Introductory New Release Pricing.

Monday Blog Blog: Lewis Kemper

February 14th, 2011

Master Landscape Photography And Photoshop Teacher Lewis Kemper

What in the world is “Monday Blog Blog? Find out in the blog post, “Monday Blog Blog Celebration.”

Backlit Icebergs, Jokalsarlon, Iceland, 2007 by Lewis Kemper.

After I wrote the blog post, “Monday Blog Blog: Photoshop For Pros,” I had a strange feeling that I had forgotten at least one or perhaps more professional photographers who are important to mention in any discussion about Photoshop or Photoshop training. Sure enough, one of those who I inadvertently left out was landscape photography master Lewis Kemper.

Lewis Kemper lived in Yosemite National Park for 11 years. From 1978 to 1980, he worked at the Ansel Adams Gallery. This gave him the opportunity to meet many influential photographers of the time including Philip Hyde. In the summer of 1979, Philip Hyde led the Color Landscape Photography Workshop for the Ansel Adams Gallery. His two assistant instructors were Jeff Nixon and Lewis Kemper.

“It was a dream come true to meet and teach under one of the photographers I had admired since I was a kid,” Lewis Kemper said. He continued:

I remember growing up looking at Sierra Club Books, Philip Hyde and Eliot Porter’s photographs, Navajo Wildlands, Slickrock, and the Sierra Club Calendars. Prior to Philip Hyde and Eliot Porter, landscape photography was limited to the big general scene. Eliot Porter sort of stole the title for ‘intimate landscapes’ but that was what I admired about Philip Hyde’s work too: the close-ups and the smaller and mid-sized scenes. Originally landscape photography was about trying to photograph everything. Now the Sierra Club photographers were showing us that you could take pictures of part of everything and still convey everything.

Part of what landed Lewis Kemper the job at the Ansel Adams Gallery was his B.A. in Fine Art Photography from George Washington University. In photography school, Lewis Kemper studied black and white photography and the zone system, but even earlier, starting in high school, he was more drawn to color. While helping Philip Hyde teach the Ansel Adams Gallery Color Landscape Photography Workshop, Lewis Kemper showed the lead instructor his Color Cibachrome prints of “Sand Dune,” “Cedars In Snow” and others. See more of Lewis Kemper’s photographs at LewisKemper.com.

“Philip liked my prints,” Lewis Kemper said. “He kept saying, ‘I can’t believe you’re getting this with a 35 mm camera.’” Subsequently, with a friendly push from Philip Hyde, Lewis Kemper began to use a large format 4X5 view camera. Listen to Lewis Kemper’s podcasts that mention Philip Hyde’s influence at the bottom of the page here. Later, in the early 1990s, Lewis Kemper bought an Imacon Scanner and began making high resolution digital scans of his 4X5 transparencies. He learned digital printing with the first 25 inch pigment printer, the Epson 7500. The Epson 7000 had been an ink printer, whereas with the advent of the Epson 7500, digital printers began using pigment. Lewis Kemper also printed commercially for other landscape photographers.

In 1992, Photoshop came out with version 2.5.1. Lewis Kemper said he remembered the instruction manual being very hard to follow. He said, “I had been screaming and struggling for 45 minutes with the clone tool and the instructions that came with Photoshop 2.5.1, when my wife came in to help. She started pushing buttons with the mouse and playing with the keyboard and all of a sudden the program cloned. I asked her, ‘What did you do?’ She said, ‘I don’t know.’ Then she tried to repeat the steps she had made when it cloned and it cloned again. Finally we had figured out how to make the clone tool work.”

Lewis Kemper began teaching photography workshops including Photoshop classes in 1995 at the Palm Beach Photographic Center, the same year Photoshop came out with version 3.0, the first version with layers. Read more of Lewis Kemper’s articles and tips: go here. When Lewis Kemper first started writing for PC Photo Magazine, he was using a small point and shoot digital camera, but through his work with the magazine he became enthusiastic to step up to a Canon 1DS, which had an 11 megapixel sensor. Lewis Kemper made his first serious digital capture with the Canon 1Ds in January 2004. He now represents Canon as one its Explorers of Light, an elite group of only 62 photographers around the world including Art Wolfe, Barbara Bordnick, John Paul Caponigro, Adam Jones, Robert Farber, George Lepp, Tyler Stableford, Rick Sammon, David Hume Kennerly and Douglas Kirkland. Lewis Kemper currently uses a Canon iPF 6300 24 inch printer and his two main cameras are a Canon EOS-1Ds Mark III for landscape photography and a Canon EOS-1D Mark IV for wildlife and outdoor sports.

Lewis Kemper first taught classes through BetterPhoto.com in the Fall of 2003. He has also taught at the Santa Fe Workshops, Light Photographic Workshops, Aspen Workshops, and George Lepp Digital Institute. He is the author of The Yosemite Photographer’s Handbook, The Yellowstone Photographer’s Handbook and his latest Photographing Yosemite Digital Field Guide, which was voted in the top 20 of all such field guides. He also produces the acclaimed Photoshop training DVD’s, The Photographer’s Toolbox for Photoshop. His photographs have been published in numerous other books including those published by the Sierra Club, The National Geographic Society, Little and Brown, Prentice Hall and many others. Besides having his photographs appear on the cover of many of the best magazines, currently Lewis Kemper is a contributing editor for Outdoor Photographer and Digital Photo magazines and NANPA Currents magazine.

Denali National Park, Alaska Travel Log 9

January 12th, 2011

Denali National Park, Alaska Travel Log: June 14-September 14, 1971 by Ardis Hyde

(Ardis, David and Philip Hyde in Their Camper. Continued from the blog post, “Denali National Park, Alaska Travel Log 8.”)

Part Nine: Layover at Reid Inlet, Glacier Bay National Monument

 

Rocky Promontory, Early Morning, Glacier Bay National Park, Alaska, 1971 by Philip Hyde.

Friday, July 2, 1971: We heard the patter of rain all night and it was still raining when we left the tent late, Philip at 8:00 am and David and I at 9:00 am. Philip and I built a fire in the cabin, which heated up fast. We sat at the tiny table by the window for breakfast. Then with all of our rain suits over warm undergarments we started out for Reid Glacier at the upper end of Reid Inlet, following the water’s edge.

The going was very slow and painful to rubber booted feet over loose rocks and through runoff streams. At each crossing, David wanted to step in the deepest water. We went back to our system of ferrying him across to prevent him doing this and getting his feet soaked. The rock weed showed up brilliant orange as the tide receded. Stranded icebergs made good photographic subjects. Philip had his 4X5 view camera, I carried his 35 mm. It took 2 ½ hours to from 11 am to 1:30 pm to reach the high domed point of land near the glacier where we stopped for lunch. We saw a National Geographic Society marker here with a note that Reid Glacier is under study. Diane and Dave Bohne’s names were in the register. Looking toward the mouth of Reid Inlet, we saw a small craft in Glacier Bay nearing the inlet. We guessed it to be a National Park Service patrol boat. They didn’t land or pay any attention to our waving or signals. After just entering Reid Inlet, they headed back out again.

After lunch we walked right up to the glacier face and above it on a snow slope. It rained off and on all day. The cloud ceiling was very low and we never heard a single airplane go over. We turned back for the long walk home. We had to eat dinner inside the cabin tonight, as the rain was too frequent to eat outside. After dinner David went right to bed. I walked around bird watching. I made my way out to the water where I could identify Harlequin ducks. On my way back the gulls swooped on my. It is an intimidating experience. They give a fierce war cry as they dive very close. Suddenly I was being sprayed with a thin water jet from behind. To my surprise it was a gull shooting the water stream at me and hitting a bullseye. While Philip wiped off the water, I spotted the perpetrating female gull on her nest not too far from where I had been. David had talked about this happening to him the first day we were here, but we thought he was making it up. The rain increased again and we retreated to bed. It rained off and on during the night.

Saturday, July 3, 1971: There was no rain in the morning. So we got up earlier. We had breakfast in the cabin and finished by 9 am. It was time for me to write in the travel log. David played nearby and Philip took off with his 4X5 view camera up the side hill of the inlet after the views. Before Philip set off, we all watched the Mariposa steam past Reid Inlet toward Johns Hopkins Inlet. The Mariposa looked unusually large out on the water from water level. Two hours and 40 minutes later we watched it return. By then we had climbed above the side wall above and the ship looked much smaller from there. Philip went on about an hour ahead of David and I, to photograph with his 4X5 view camera up on the first step I described in an earlier log entry. David and I followed after eating some lunch and brought Philip his. We found him up the slope from the first step, surrounded by budding willows. As we climbed a little fledging chick came tumbling down across our path, while the mother Fox Sparrow fluttered nearby. David and I napped and waited for Philip. As we all descended David flushed another Fox Sparrow on her nest of eggs. The weather and visibility were improving. There was no question that Guildersleeve, our pilot, would be able to come for us as planned. We had an early dinner, our last in the cabin, struck the tent and were all ready to leave.

Our pilot showed up right on time. We decided with the cloud ceiling as high as it was that we would take some extra flying time to see more of Glacier Bay. Anticipating to see where this might be, we were delayed by the need to make two trips to bring all our duffel to the plane. Philip made a photograph of David there before we left. We flew over Johns Hopkins Glacier, Lamplugh Glacier and a number of others.

As we arrived back at the lodge dock, the sun began to shine in this area as it had in some others on our flight. At first the sun was faint, but it came on stronger until we had a real sunset with colors and a show that continued for several hours. We made the long haul from the dock to the campground down the beach about ¾ mile. The space for a tent was in the bordering spruce forest on moss. The National Park Service provided a bear proof box hoisted by pulley into the trees. It was not only provided, but apparently needed as we saw fresh bear tracks on the road. There was a kitchen and fireplace in an open space just outside the forest and above the beach.

We raised the tent and put David to bed. We walked to the Inn and visited until 11 pm. I had to shade my eyes from the sunset glare pouring in the windows. Our conversation was with Robert Howe, Park Superintendent and Howard Freiss, the Hotel Manager. We met Jack Calvin with his party of 10 Sierra Club group on two boat trips in the area and to the South to Chichagoff Island, a proposed wilderness area. We went to bed around midnight. We realized we did not bring a flashlight on this part of the trip, but we never missed it.

Birds Seen At Reid Inlet:

Oyster Catcher
Canada Geese
Harlequin duck
White winged Scoter
Semipalmated Plover
Herring Gull – nesting
Herring Tern – young and adults
Golden Crowned Sparrow
Fox Sparrow – with fledgling and another on a nest of four eggs
Snow Bunting
Barn Swallows on nests
Black Guillemot
Yellow Warbler

Book: Wild Flowers of Alaska by Christine Heller

Flowers at Reid Inlet:

Dryas Drummondi
Roses
Soapberry
Russet shrub leafing out

Continued in the blog post, “Denali National Park, Alaska Travel Log 10.”

Denali National Park, Alaska Travel Log 8

December 8th, 2010

Denali National Park, Alaska Travel Log: June 14-September 14, 1971 by Ardis Hyde

(Ardis, David and Philip Hyde in Their Camper. Continued from the blog post, “Denali National Park, Alaska Travel Log 7.”)

Part Eight: Juneau to Glacier Bay National Monument (now National Park) and Reid Inlet

Looking Back At Johns Hopkins Inlet, Glacier Bay National Park, Alaska, 1971 by Philip Hyde. This boat ride to Johns Hopkins Inlet will be featured in a future blog post. It comes up a little later on the same Alaska trip.

Thursday, July 1, 1971: Our alarm went off at 5:45 am. We had to get up in time to catch the 7:00 am Alaska Air Lines Twin Otter prop jet at the Juneau Municipal Airport where we had spent the night. We took our duffel and chute bag full of camping gear over at 6:30 am, ate a hurried breakfast and walked on the plane about 2 minutes before 7:00 am. Our prop jet flew nice and low, only about 2,000-3,000 feet up. In just 20 minutes we came in on an old military runway at Gustavus Airport on Glacier Bay National Park and Preserve.

The Glacier Bay Lodge van took us into Bartlett Cove where National Park Superintendent Howe greeted us. Philip and the Superintendent talked while David and I walked around. We were waiting for Mr. Guildersleeve, our pilot, to fly us to Reid Inlet out on Glacier Bay. David and I explored the interior of Glacier Bay Lodge, bought a wild edible plant book and took the nature trail through the forest of spruce carpeted with moss to Black Pond and out to the Beach near the dock. The spruce tree and moss carpet is distinctive following a glacier in the area, compared to dwarf muskeg forest in older non-glaciated areas. As we drove across the berm on the road into the lodge we crossed the dividing line between older and new forest. Succulent wild flowers flourished around Glacier Bay Lodge: Black lily, budding paintbrush, others, while at the airport there was a carpet of lupin, paintbrush and shooting star. Both the paintbrush and the shooting star were the same shade of magenta. Wintergreen bloomed on the moss carpet along the nature walk. At the beach Nagoonberry was also in magenta bloom and the wild strawberries were blooming too. David and I waited on the dock where two Park Service inboard motor boats were tied up, then we moved over to the beach.

We finally got away about 10:20 am from Bartlett Cove in a small single engine five passenger Cessna float plane. David was very impressed with having two plane rides in one day. We stayed about 1,000 feet above the water, which gave us a good view as the ceiling was not high enough to reveal all the peaks. We were told that this was good weather for Glacier Bay, especially with little or no wind and fair visibility. We could see miles of beautiful wild Glacier Bay shoreline, untouched forests, pond-dotted muskeg, raw glaciated terrain and a few glaciers. Reid Inlet looked the most desolate of all as we came into it. Very few icebergs in the inlet made it easy for Mr. Guildersleeve, our pilot, to set down on the inlet side. Mr. Guildersleeve paddled the pontoons close to shore and jumped across to dry land ferrying our duffel. We stepped ashore, over 40 miles from civilization in one direction and hundreds of miles in the other directions. We were three tiny dots on the glacial moraine, alone in the wilderness for what would be six days. After the float plane took off and its motor sound receded, an immense solitude settled in, except that we were surrounded by birds and their outcry at our invasion of their home. We landed a long way from the cabin and thus had a hauling job over large cobbled gravel “beach,” or more accurately glacial moraine. Large groups of birds whirled and roosted on the scrub covered headlands and water. A group of baby chicks, perhaps they were Tern young, down covered, waddled, careened, bumbled and baubled their way up the shore from us. We hauled our gear into the tumbled down miner’s cabin and set up our tent for sleeping quarters near a shrubby hummock. As it started to sprinkle, we all crawled into our cozy tent for a nap.

When we woke up we explored our glaciated environment. Reid Inlet is short as Glacier Bay inlets go, with Reid Glacier meeting the water at the upper end. The face of the glacier is perhaps two miles from the cabin at the mouth end where Reid Inlet meets Glacier Bay proper. The amount, size and color of the icebergs in our surroundings varied day to day. Sometimes the icebergs were black when they originated from the top and side margins of the glacier. The bluer and whiter icebergs came from deeper in the glacier. We heard the “groaning” of the glacier ice regularly. The tide left many of the icebergs stranded on the beaches. Everywhere there were marks of old beach lines as the land and water rose and fell in relation to the glaciers of the area. Philip Photographed the landing area in the late afternoon.

Most local flair and animation came from the birds which we saw in great variety, on land and sea, and at quite close range. It was nesting season. Terns and seagulls swooped in alarm over us and Semipalmated plovers put on a diversion act. The flora was in its early spring stage, some leafing beginning as well as some flower buds and a variety of willow catkins.

Debris from the previous mining operation included a big barge which David immediately dubbed his “jet.” He had a great time re-enacting his recent flights. We found a stack of peeled and rotting logs and cut up a few lengths for our fire. We ate a Weiner roast dinner outside between rain showers. After dinner we climbed up the steep bank of the inlet wall to the first shelf depression above. We found fascinating flora up there: ground cover of Yellow Dryad in the rose family, which matted over all the plucked rocks of the glaciated surface and made the going much easier. Philip took many 35 mm photographs of the various willow catkins and twisted, dwarfed trunks and branches near bursting with soon to bud new foliage. In the process, he flushed out a ptarmigan. Earlier I had surprised and flushed one or two grouse from a nest on the scrubby headland, revealing a feather lined nest with at least eight eggs in it that were buff color with no speckles. Beautiful small reflection ponds dotted the natural shelf. Philip said he wanted to return up there with his view camera. We descended about 9:30 pm and put David to bed. We did the same ourselves soon as the rain began again. We were snug and warm in our down bags in our little orange tent. We were glad we brought all of the gear we did. After the first day we knew we would need all our warm clothes and rain gear in this windswept wilderness on Glacier Bay.

Continued in the blog post, “Denali National Park, Alaska Travel Log 9.”

Denali National Park, Alaska Travel Log 4

July 12th, 2010

Denali National Park, Alaska Travel Log: June 14-September 14, 1971 by Ardis Hyde

(Ardis, David and Philip Hyde in Their Camper. Continued from the blog post, “Denali National Park, Alaska Travel Log 3.”)

Part Four: Ketchikan to Wrangell, Alaska

Forest of Snags, Chichagof Island, Alaska, 1971 by Philip Hyde.

June 24, 1971: I woke up at 7 am and announced sunshine, our first since Victoria six days ago. Philip broke out his 4X5 for the first time on the trip and headed out towards Ward Lake on the nature trail. He was happy to get the ground dogwood on 4X5. From there we retraced our route, stopping at the Lilly Pad lakes for a photograph with the mountain background reflected. Back to town for food shopping while David and Philip scrambled along the rocks of the rip-rap.  Drove up the hill to a small community college where the Bald Eagles were abundant. Went to the Ferry landing to check in at 12 noon.

(Note: The photographs mentioned have not yet been drum scanned for fine are digital printing or to appear here or on the Philip Hyde website.)

We had a long wait before boarding. Finally we drove onto the Ferry but it didn’t get underway until about 3:15 pm. Skies were still clear with clouds in streaks across the heavens but not in the way of the brilliant sun. The ferry this time was called the Matanuska, smaller than the Wickersham and easy to find our way around in with a central stairwell next to which the camper was parked. The ferry was late starting and late to arrive in Wrangell, Alaska. David found a boy his age to play paper airplane with. While I took a pay shower, Philip made 2 ¼ pictures of the route. Totem Bight Park was visible in the distance.

The scenery became more interesting as we entered Stikine Strait. As we approached Chichagof Pass, part of Wrangell was visible with the highest mountains yet, visible on the skyline. Some were smooth white domes of snow. One in particular was a jagged rock crest, probably Castle Mountain. We rounded Wronski Island and the mountains almost ringed the horizon in nearly every direction, with their splendid white summits. It was beginning to really look like Alaska. Philip took a 120 photograph of Boundary Peaks.

After docking around 8:45 pm, we backed off of the Ferry among the first. The light was low and mellow and it was warm and beautiful as we drove off. Philip made the first photograph at Shakes Island. His composition contained another Indian Ceremonial House surrounded by flowering trees and Totem poles. At low tide then, mud flats surrounded the island. Bright fishing boats crowded the harbor docks. The town seems tiny with many older frame houses retaining some degree of charm. Heavy moss grew on some shingle roofs. Totem poles erected here and there around town. New looking Stikine Lodge on filled ground at the water’s edge. Two lumber mills operating in town and another south of town. Proceeded out south to Pat Creek Campground. Houses occasionally all the way, forests cleared on the water side, logging stumps on the other. Not much hint of wilderness left.

June 25, 1971: We woke up late at 7:45 am. Rain again after only one day of sunshine. The gloomy skies lifted by 1:30 pm, though. We spent the morning leisurely doing chores, Philip packing film to mail, David building a Lego chainsaw and logging. Then he changed to being captain of the Wickersham with his raincoat and billed hat on, passing out “waterproof tickets” that were pieces of his raincoat material found in his pocket. We had popcorn and hot chocolate for lunch. After pulling out of this logged-over Forest Service Campground, we stopped at the roadside to look at tiny flowers. Philip made close-ups with his 35 mm camera of a heather-like plant, lichen, fern fronds, and other ground cover. We made more stops on the route back to town. David was asleep and the rain stopped. Then we stopped at the water’s edge where the forest curtain is still intact. We walked out on the beach to discover it was very different from Ketchikan. Here large boulders of fine grain granite are imbedded in a ground of small rounded rocks that are white, grey and dark slate. At this spot Philip took pictures of the beach rocks and their backdrop of forest, which is an abrupt wall that begins at the high tide mark. At the next picture stop, Philip caught some light, wispy waterfalls at the road edge.

A brief stop for groceries in town after we looked in vain for petroglyphs a mile south of the city park as stated in Milepost. No trouble finding the petroglyphs at the north end of town location at the end of the boardwalk. We had help from a neighborhood boy, Lance Koenig, who came up to the car and asked, “May I be of service?” He took us right to the petroglyph rocks. Then he and David had a marvelous time throwing rocks at tin cans they set up on boulders, knocking them into the incoming tide. This tide had covered we didn’t know how many of the petroglyphs, but Philip took photographs of those still out. An old rusty carpenter’s plane was resting on a drift log. David brought it back to the camper and set about at dinner to plane everything around. He was also absorbed in being the captain of a cruise ship, Philip and I being his crew. He got himself all decked out in navy blue jeans, raincoat and Davy’s old ski hat. (Davy refers to David Lee Hyde who was Philip Hyde’s brother and David Leland Hyde’s namesake. He was killed in the Korean War.) After petroglyphs, we drove out airport road as far as we could for more photographs of the dwarf forest with ponds in the foreground and peaks behind. At the Ferry dock we found out we couldn’t board the next Ferry because it was the Wickersham, which was too large to load vehicles at Wrangell. We walked around the docks, put David down, then walked some more. We heard the high school band coming from somewhere. Turned out they were escorting and welcoming the cruise ship Arcadia that was circling the outer harbor because it was too big to land. A very festive and lively scene with assorted small craft maneuvering across the horizon as well. Tried to wake up David but not possible. Philip made more photographs around the breakwater and as we went through a dripping jungle of thimble berries.

June 26, 1971: Glad to see some breaks in the sky and faint sunlight early in the day. Bought a half pound of fresh pink shrimp from the cannery right from the man loading them into cans to be frozen…

CONTINUED IN THE BLOG POST, “Denali National Park, Alaska Travel Log 5.”

New Philip Hyde Releases At Mountain Light Gallery Exhibition

May 4th, 2010

New Philip Hyde Photographs Never Before Seen By the Public Make A World Premier In The Exhibition At Galen Rowell’s Mountain Light Gallery

Waiting For The Train, Oaxaca Train Station, Oaxaca, Mexico, 1990 by Philip Hyde. Never before printed or published.

(See the photograph full screen Click Here.)

Philip Hyde’s “Waiting For The Train, Oaxaca Train Station, Oaxaca, Mexico” photographed in 1990 will be part of the “Pioneer Photography of Philip Hyde Exhibition at Mountain Light Gallery” in Bishop, California opening May 8 and running through August 31, 2010. (See also the announcing blog post, “Photography Of Philip Hyde At Mountain Light Gallery” and the related blog post,  “Galen Rowell, Philip Hyde And Outdoor Photographer Style.”) The people photograph, “Men of Oaxaca” breaks the pattern of the typical Philip Hyde landscape photograph. Philip Hyde made a good number of people portraits but rarely published or printed them. “Waiting For The Train, Oaxaca Train Station” is also unusual for Philip Hyde in that it was photographed with a 35 mm camera. While “Waiting For The Train” can be viewed on the Philip Hyde Website, several other new releases in the exhibition are not even on the website yet and have not been printed or published for many years or ever.

One release that is new to archival fine art digital prints is a 1968 photograph called, “Base of Havasu Falls, Havasupai Indian Reservation, Arizona.” Philip Hyde made only two dye transfer prints of this image that are long gone. It was never publicly exhibited as far as the records show. This will be the first gallery exhibition for this photograph. The restoration of this image was very time-consuming because the original Kodak E-3 transparency has deteriorated significantly. The raw drum scan of the original transparency had an orange-magenta caste overall with concentrated streaks, fingerprints and other blotches in the water throughout. Carr Clifton spent over 10 hours working on this one photograph. His process I will write up in another blog post, but suffice now to say that it involved a complex combination of the lasso tool, hue, saturation, color adjustment, color balance, select color, edit-fill, and several other general tools in Photoshop to get all of the flaws out and make the white water look right.

Another photograph that will appear in the Mountain Light Gallery Exhibition that Philip Hyde never printed but that was published by the Sierra Club is “Mt. Jefferson, Jefferson Wilderness Area, Oregon Cascades, Oregon” made in 1959. This photograph the Sierra Club published as a beautiful postcard in 1961. The original transparency and drum scan of it show large, dark forested areas. In the digital age, we were able to lighten the nearly black forests without changing the character of the photograph. As an archival fine art digital print this image has become more beautiful than ever. The lightening of the dark areas has brought out remarkable features in the finished print that could never have been achieved with any older printing process. Philip Hyde had a packer guide he and Ardis Hyde’s gear into the Jefferson Wilderness Area by horseback, while Ardis and Philip Hyde hiked in on foot. Philip Hyde went in to get photographs of the Jefferson Wilderness Area because it had been part of a proposed Oregon Cascades National Park that had some renewed interest in 1959 but not enough to go beyond speculation.

Pioneer Basin, Fourth Recess, John Muir Wilderness, Sierra Nevada High Country, California, 1970 by Philip Hyde. Never before printed or published.

Philip Hyde photographed “Pioneer Basin, Fourth Recess, John Muir Wilderness, Sierra Nevada High Country, California” in 1970. This beautiful photograph sat in the files and was never published or printed. In 2008 it was drum scanned and sat in digital form for another year and a half. Finally near the end of 2009, in search of more good California photographs, particularly of the High Sierra, and considering another image of Kearsarge Lake, I showed “Pioneer Basin, Fourth Recess” to Carr Clifton and he agreed that it ought to be prepared for printing. We printed an 8X10 proof that needed work. Carr Clifton is the Photoshop genius, but I sit in with him sometimes and make suggestions. We at times disagree, but that makes for good discussions and usually better results. I greatly respect him and his photography and he respects my work ethic and how dedicated I am to doing what my father would like. In the case of “Pioneer Basin, Fourth Recess” after we fixed a few technical problems and made another 8X10, it turned out beautifully. Then we printed an 11X14, Wow. We were so enthused about the image that I decided to put it in my 11X14 portfolio book that I take everywhere to show. I decided that we had to print a 16X20 and put it in the Mountain Light Gallery Exhibition. I put it on the website for a while but took it down to await a special announcement like this.

The three new releases that are not yet up on the website will remain off the website and only viewable at Mountain Light Gallery until the exhibition is over at the end of August. In addition to the four prints mentioned above that will be completely new, the exhibition will include 14 images that have never been exhibited before this Century. That makes 18 new prints that will be shown for the first time since Philip Hyde passed on.

Besides new prints, the Mountain Light Gallery Exhibition will include an original black and white silver print of Philip Hyde’s iconic “Minarets From Tarn Above Lake Ediza, Ansel Adams Wilderness, Sierra Nevada, California, 1950.” This photograph of the Minarets Ansel Adams said he liked better than his own. Also in the show will be an original color Cibachrome print of  “Ice On Continental Divide, Yoho National Park, British Columbia, Canada, 1992.” This newer Canadian Rockies image is of sheer rock peaks with forested foothills. Come see all of the new imagery.

Read a Recent Interview of me by Richard Wong regarding my work with Philip Hyde Photography: Son of Environmental Photography Pioneer David Leland Hyde Interview.

Pioneering Photography of Philip Hyde Exhibition
May 8 Through August 31, 2010

Talk and Opening Reception May 8

Galen Rowell’s Mountain Light Gallery
106 South Main Street
Bishop, California
760-873-7700