Posts Tagged ‘U.S. Highway 50’

New David Leland Hyde Portfolio Prints

February 2nd, 2012

Unveiling 24 New Archival Digital Prints Added To The David Leland Hyde Portfolio At Philiphyde.com

To begin this exciting announcement, from the blog post, “Best Photos Of 2011,” four new Lightjet archival fine art digital prints are now part of the David Leland Hyde Portfolio:

Fountain, Main Courtyard, Sauk Institute, La Jolla Shores, San Diego, California, copyright 2009 by David Leland Hyde. Nikon D90.

– “Curved Shadow On Cliffs, Drakes Beach, Point Reyes National Seashore”

– “Thistle Heads And Pines, Northern Sierra Nevada,”

– “Tents, Dutton Hall Financial Aid, Fountain, Occupy UC Davis, Davis, California”

– “Grain Processing Plant At Night, Great Central Valley”

Additional NEW IMAGES added to the David Leland Hyde Portfolio at Philiphyde.com are:

– “Juniper Tree Skeleton Near Eureka, Nevada”

– “Panamint Mountains Near Panamint Springs, Approach To Death Valley National Park”

– “Granite, Pool And Maple Leaves At Indian Falls, Northern Sierra Nevada”

– “Daisies, Cracking Adobe Wall, Carmel Mission, Carmel”

– “Bicycle Church, Barrio Anita, Tucson, Arizona”

– “Historical Mansion, Downtown Santa Cruz, California”

– “Graffiti And Wall Art, San Francisco, California”

– “Self Realization Fellowship, Pacific Palisades, California”

– “Fountain, Main Courtyard, Sauk Institute, La Jolla Shores”

– “Wheelbarrow, Adobe Wall, Fall Leaves, Santa Fe, New Mexico”

– “Bell Tower, San Juan Bautista Mission”

– “Tokopa Falls, Kaweah River, Sequoia National Park”

– “Summit Sunset, Loveland Pass, Rocky Mountains, Colorado”

– “Sunrise And Volcano Along US Highway 6, Nevada”

– “Reflections Detail, Manzanita Lake, Lassen Volcanic National Park”

– “Hay Bales, Pacific Ocean, Santa Cruz County North Coast”

– “Foothills Of The Rocky Mountains Front Range Near Eldorado Canyon State Park, Boulder County, Colorado”

– “Ghost Ranch In Snake Valley, Snake Range, Near Milford, Utah”

– “Sierra Wave Cloud Over Bodie, Eastern Side Sierra Nevada, California”

– “Tufa, Mono Lake, East Side Sierra Nevada Near Lee Vining, California”

– “Tide Pool Rocks, Point Lobos State Natural Reserve, California”

– “Tokopah Falls, Sequoia National Park, Southern Sierra Nevada, California”

– “Bell Tower, San Juan Bautista Mission, California”

– “Foothills Of The Rocky Mountain Front Range Near Eldorado Canyon State Park, Boulder County, Colorado”

– “Snow And Grass Detail Near Angel Fire, Sangre De Christo Mountains, New Mexico”

View the photographs: “David Leland Hyde Portfolio.”

Please share which new photograph(s) you like best of the group and which you like least…?

Winter Snow On Desert Landscapes

March 7th, 2011

Angular Boulders, Snow Covered Mesa, San Rafael Swell, Utah, 2009 by David Leland Hyde. Nikon D90.

A road trip across the Western United States can take many courses. Often when driving from the Denver area to Northern California people travel north on Interstate 25 into Wyoming, then take Interstate 80 west into Utah and Nevada. This route is the fastest by a little over an hour, but it is more developed and goes through flatter, less interesting country than other alternatives. The route I like is direct and nearly as fast, but much more scenic and remote. I take Interstate 70 west from Denver over the Rocky Mountains, down into the Colorado River canyon, through Grand Junction and into Utah’s Canyon Country, past the turnoffs for Moab and Canyonlands National Park, Arches, The Grand Canyon, Capitol Reef, Bryce and Zion National Parks, over the San Rafael Swell, until Interstate 70 meets Interstate 15. To read more about one special trip to some of these destinations see the blog post, “Earth Day Celebration Of Ardis And Philip Hyde And Canyonlands.” I then go south on Interstate 15 a short way to Beaver, Utah, turn west on Utah State Highway 21, go through Milford and into Nevada, onto US Highway 50, the “Loneliest Highway in America,” past Great Basin National Park and Wheeler Peak, through Ely, Eureka, Austin, Reno and into California.

Wheeler Peak With Snow Streamer, Great Basin National Park, Nevada, 2010 by David Leland Hyde. Nikon D90.

This itinerary takes me on a traverse of one of the world’s most majestic mountain ranges, the Rocky Mountains, climbing to over 11,000 feet at the top of Loveland Pass. It winds through the enchanting headwaters and upper canyons of the Colorado River and the verdant foothill farmland of the Rocky Mountains’ West Slope. From the great heights of the Rockies, Interstate 70 drops all the way to 4,075 feet when it crosses the Green River in Utah. It then rises again to cross the plateaus, canyons, hoodoos, monuments, bluffs, arches and other spectacular formations of the Colorado Plateau of Southern Utah. With all of this breath-taking scenery left behind, many people consider Nevada plain, but Nevada has an elusive beauty of its own with the roller coaster traverse of Basin and Range, mountains and valleys. Nevada is one of the places where the West lives up to its reputation for wide open spaces. With up to 80-mile straightaways, Highway 50 crosses huge dried up prehistoric glacial Pleistocene lake beds, sometimes still in the form of mud flats, sometimes sprinkled with sage, sometimes lush with grasslands and ranches. Then the “Loneliest Highway In America” roller coaster ride makes a few turns and rises over mountain ranges between the giant valleys. Each mountain range sequesters its own secret old mines, ghost towns, rugged canyons, forests, mountain meadows, rushing streams, snow-capped peaks, small settlements, ranches and mineral deposits. US Highway 50 is a road tripper’s dream, but its beauty is somewhat hidden and subtle, it does not blare at the traveler, but whispers like the ghosts lurking on its dusty side roads.

Juniper Tree Skeleton Along US Highway 50, Nevada, 2010 by David Leland Hyde. Nikon D90.

In the winter any route from Colorado to Northern California is susceptible to sudden storms, icy roads, blizzards, bitter below zero daytime high temperatures, heavy snows and snow drifts. Driving is risky with few guard rails on the steep, winding, approaches to the passes over the many mountain ranges that run north-south and all but block passage to the unprepared traveler. Any venture through this near wilderness, must not be taken lightly in the winter season and must be planned around the weather. Such adventures must be well-timed to avoid heavy winter storms that pass from West to East across the open expanses and often leave unwary motorists stranded for days in their vehicles waiting for assistance that may never come, or at the least may come too late.

So far I have been fortunate most of the time to have good traveling days even in the winter, with only minor snow or rain showers while on the road. One time I drove in horizontal snow with up to five inches on the pavement, not able to see far beyond the front of the hood, just trying to limp to the next town with a motel. In mid November 2010, a low pressure system hit the Western states. This storm system produced heavy snows and temperatures as low as -15 degrees Fahrenheit in mountain towns in Northern California and in Boulder, Colorado, as well as -25 degree weather on the Colorado Plateau in Utah. The roads were treacherous enough to question making any kind of journey at all, but according to the Doppler radar a window of opportunity opened up where it looked as though I could leave Boulder, Colorado and make it over Loveland Pass, out of the Rocky Mountains and down into lower terrain in Utah before the next major rack of clouds and snow hit. Sure enough I made it over the Rockies and into Utah by evening sailing clear. I imagined that I would drive as far as I could before the storm hit, find a good place to stop and wait out the system’s passing over night.

Dried Desert Flowers In The Snow, Along US Highway 50, Nevada, 2010 by David Leland Hyde. Nikon D90.

As I breezed through Green River, Utah the sky was still completely clear and full of bright stars and moonlight. From Green River it is about 104 wide open empty miles to the next town of any kind, Salina, Utah. About half-way to Salina the wind started to blow much harder and clouds began to dot the sky. Within another 10 miles tiny flakes of snow mixed in with the high winds. I was still about 40 miles from Salina. As I drove directly into the storm, the snow fell heavier and heavier. Soon it was piling up on the pavement. Fortunately, I was in my truck, which is four-wheel-drive and good at negotiating snow, unless the roads are also icy due to cold temperatures as was the case that night. By this time I was about 30 miles from civilization in Salina, the snow had become very heavy and the road was obliterated beyond recognition, even though Interstate 70 is a four lane freeway in that area. I thought about stopping, but decided I would press on because I didn’t want to get buried in snow on the side of the road. Needless to say, the last 25 miles were very slow and half the time I was merely hoping I was mostly on the road. Apparently the locals and other travelers had turned off for the night and retreated from the storm. I was nearly alone on the Interstate. Then far ahead I spotted a lone big rig truck plowing its way through the mess. I drove up behind and used the big truck’s taillights as a guide, hoping that his sense of the road would prove accurate. This went on for what seemed like hours and then we came up on a snow plow. The truck and I had been going about 10 miles an hour, but the snow plow was going about five miles an hour. The last 12 miles took 2 1/2 hours. I have never been more happy to see a freeway off ramp than that night in Salina. As I slowed even more to nose down the off ramp, my truck began to slide to one side. Fortunately I was able to correct and stay on what was left of the off ramp. I fish-tailed to the right, across and up what looked like the driveway to a local motel. The cheesy, low-budget room with internet access, color TV, half-broken wooden veneer furniture and musty bedding seemed like the coziest room I had ever slept in.

Rabbit Tracks And Shadows Along US Highway 50, Nevada, 2010 by David Leland Hyde. Nikon D90.

Morning came quickly as I had arrived late and hit the hay around 2:00 am. I dragged myself to the 1970s era window curtain, pulled it open and beheld a new world. There was about six inches of new snow, but the skies were blue. I waited until around 9:30 am to get rolling, hoping that by then the snow plows would have made a few passes. Once I made it onto the freeway, both lanes were clear and the slow lane was even half dry. I didn’t loose any time as I drove off down the Interstate at near normal travel speed. Driving late into the night was now taking its toll on my body, but my persistence paid off as I had smooth sailing nearly all day except some snow patches on the road on the high passes and some slow-going around Ely, Nevada where there was still a lot of snow on US Highway 50. The real payoff came in the form of the gorgeous scenery freshly covered with new snow. I was on a deadline and couldn’t stop too often, but I did allow myself to stop for as many photographs as I possibly could dare. I made it to my meeting late, but it was quite a day photographing along the “Loneliest Highway in America,” well worth driving one evening in a blizzard and risking getting stuck on the side of the road in the middle of the high desert in the snow.

My Favorite Photos Of 2010

January 7th, 2011

Mirror Lake, Mist, Winter, Yosemite National Park, Sierra Nevada, California, 2010 by David Leland Hyde. Nikon D90.

For the next 10 or more years, in some ways the rest of my life, I have my work assignment: representing my father, prominent Western landscape photographer Philip Hyde. Also, you may or may not notice from this blog, but I consider myself a writer first and a photographer as a sideline, at least for quite some time to come.

Edward Weston’s Darkroom, Wildcat Hill, Carmel Highlands, California, 2010 by David Leland Hyde. Nikon D90.

My secret to making it into print in the past was to edit several more times than I do when I write blog posts. However, I haven’t made any print or online magazine submissions recently.

Fall Color, Summit County, Rocky Mountains, Colorado, 2010 by David Leland Hyde. Nikon D90.

Even though I am still interviewing people for my book, I hope to get a chance to do more regular magazine writing this year. Perhaps I will even write about other interests besides my father, his photography and life, as is my focus here and during the majority of days.

Mission San Miguel De Arcangel, Paso Robles, California, 2010 by David Leland Hyde. Nikon D90.

Meanwhile, I have been inspired by photographer and fellow blogger Jim M. Goldstein, who seems to have instigated nearly every photo blogger in the photo blogosphere to post their “Best Photos of 2010.” To see more “Best Photos of 2010” from all around the web see Jim M. Goldstein’s blog post, “Top 10 ‘Top Photo Lists.'” Also, the Nature Conservancy just posted a great slide show of its, “Best Nature Photos of 2010.”

Neighbors, San Francisco, California, 2010 by David Leland Hyde. Nikon D90.

I am discovering that I greatly enjoy the photography blogosphere. The community is diverse yet generally friendly and helpful to each fellow blogger. Each photo blogger benefits from the network and contributes as well. Each blogger has something to teach and something to learn. Like minds tend to come together and those who differ widely also cross-pollinate methods and ideas and friendships develop. Through the process I am catching a more serious case of the photography bug all the time. I make photographs in my spare time, about five minutes a month.

Reflection Detail, Manzanita Lake, Lassen Volcanic National Park, California, 2010 by David Leland Hyde. Nikon D90.

I photograph a combination of subjects and do not limit myself to a certain genre or type of photography like many “experts” suggest. My father knew how to specialize. His type of landscape photography was ideal for him. His work was also part of one of the biggest changes in photography to come along, besides perhaps what is happening now and when negatives changed from glass plates to film. Digital photography today, besides being much easier than film, is also more freeing, providing the flexibility and opportunity to pursue various branches of photography and often combine them in new ways.

Fast Food Traveling Band, Travel Stop On Interstate 5, Northern California, 2010 by David Leland Hyde. Nikon D90.

The Road To Mt. Hough, Northern Sierra Nevada, California, 2010 by David Leland Hyde. Nikon D90.

I was fortunate to grow up in the wilderness. I find because natural surroundings are my roots that I naturally photograph the natural scene. However, I also notice that I am drawn to photograph people, and people in nature. I am attracted to social activism as well as environmental activism. If I were to pursue photography full-time rather than writing, or more than writing, the ideal life for me would be as a freelance photojournalist. I would be on the plane as soon as news broke of the BP Oil Spill, down there right in the oil slick with the workers and dead birds. Or I could see photographing inner city poverty and homeless people, or the dot com collapse, hurricanes, earthquakes, environmental disasters, as long as I wasn’t sensationalizing other people’s misfortunes, but doing something to help them.

Colorado Cleanup Demolition, Downtown Denver, Colorado, 2010 by David Leland Hyde. Nikon D90.

These photographs show where my vision is at this time after making digital photographs for just under two years and film photographs off and on for most of my life. Most of the images here are camera raw or close to it with only a few minor adjustments. One of my favorite photography quotes not by my father is, “To see color as form means looking at the image in a new way, trying to free oneself from absorption in subject matter.” –Cole Weston. This quote is part of what I’m about in my photography and will substitute for my own artist’s statement until I write one.

Summit Sunset, Loveland Pass, Rocky Mountains, Colorado, 2010 by David Leland Hyde. Nikon D90. I remember the evening I made this photograph. I had just that morning been commenting that sunsets are cliche and voila: one of the most amazing sunsets I have ever seen was waiting for me just as I emerged from the Loveland Pass Eisenhower Tunnel. I was in the fast lane and literally skidded to a stop in about a foot of snow and flying powder on the center median to make this photograph. Fortunately I was in my 4X4 truck or I would not have made it back onto the pavement without a tow.

“Freeing oneself from absorption in subject matter,” is nearly the opposite of what my father was doing with a camera. His photography was primarily about place and as Emerson put it, “the integrity of natural objects.” I would expand my statement to include the integrity of all objects, as well as the breakdown, disintegration and rearrangement of all objects. Not to mention the celebration of place without attachment to place or to subject matter in the photograph.

Another photographer, I don’t remember who, said something else I like that applies, “Photography is not about what objects look like, it is about what objects look like when photographed.”

Snow Cornice Detail Along Highway 50, Nevada, 2010 by David Leland Hyde. Nikon D90. Sometimes it pays off to be out driving across several states after a fresh snowfall. Amazingly, even though I drive back and forth from California to Colorado a few times a year, I still drive fewer than 8,000 miles a year, significantly less than the average American at just over 12,000 miles a year.

Whiz Burgers, San Francisco, California, 2010 by David Leland Hyde. Nikon D90. Something about fast food, the Catholic Church and all those electric wires powered by San Francisco’s electricity grid set me onto going for an apocalyptic sky look.

As long as I’m borrowing phrases from other photographers I will quote my favorite pioneer landscape photographer and hero, my father, from his Artist’s Statement to close this post. To me this is one of the wisest statements he ever made and part of what drives me, “A mind at peace may be found in any individual or people who have kept touch with what the land is saying and who lack the benefits of instant dissemination of the human troubles that make news. After reading Gandhi, I see that what we need now is a peaceful environmental revolution. The Earth will survive, but will man survive on the Earth?”

To read an introduction to what else I learned from my father see the blog post, “Memories Of Finally Working With Dad.” For more of my photographs see the blog posts, “David Leland Hyde Archival Prints Pre-Launch” and “Best Photos Of 2011.”