Posts Tagged ‘Sierra Club High Trips’

New Releases Time & Prints Running Out

November 17th, 2010

All 2010 New Release Specials Will Increase To Regular Prices On January 1, 2011…

Below see also the story of the making of “Pioneer Basin, Fourth Recess, John Muir Wilderness, Sierra Nevada High Country, California, 1970″…

Base Of Havasu Falls, Havasupai Indian Reservation, Arizona, 1968 by Philip Hyde. In 2010, we printed this image for the first time since the late 1960s. It took over a dozen hours of restoration work taking red-orange splotches out of the water all over the raw tango drum scan. The damage is caused by ongoing degradation of the early Kodak Ektachrome E-3 film that can only be halted or nearly halted by a very expensive particular method of deep freezing.

There is still time for Holiday shopping. However, the photographer authorized archival fine art digital prints by Carr Clifton and David Leland Hyde are also running out. Only two archival digital prints are left at the New Release Price of each of these photographs:

“Base Of Havasu Falls, Havasupai Indian Reservation, Arizona, 1968”

(See at left and full screen Click Here.)

“Pioneer Basin, Fourth Recess, John Muir Wilderness, California, 1970”

(See below and full screen Click Here.)

Four new releases for 2010 were lowered to special sale pricing on June 28, 2010, effective through the end of the year. For details, figures and number of prints available through the special see the blog post, “New Releases Now At Special Introductory Pricing.” After the New Releases go up to regular prices after five of each image sell or January 1, 2011, which ever comes first, the New Releases will go up every time 10 prints sell just like all of the other Special Edition archival fine art digital prints. For more on archival digital prints go to About Archival Digital Prints or go to PhilipHyde.com and About Archival Digital Prints under the INFO tab.

The Story Behind “Pioneer Basin, Fourth Recess, John Muir Wilderness”

This photograph was never printed or published before 2010. My father Philip Hyde made the photograph on August 15, 1970 on his 49th birthday with a Hasselblad 2 1/4″ camera. The Pioneer Basin High Sierra Pack Trip started on Sunday, August 9, my mother Ardis Hyde’s 45th birthday, just two weeks before my fifth birthday. My father earned his place on the trip by making photographs for the Sierra Club. Mom paid for her trip by working on the kitchen crew. In my mother’s words:

Pioneer Basin, Fourth Recess, John Muir Wilderness, Sierra Nevada High Country, California, 1970 by Philip Hyde. Never published or printed until 2010.

The Commissary woke up before 6:00 am. We served breakfast and then moved gear and cars over to the Pack Station where we left them. Philip got a ride to Mosquito Flat Campground while David and I waited for our horses. They put David on a child’s saddle with stirrups that his feet reached to and fit in. David’s horse was named “Friday”and mine was “Pugusee” meaning fish in Paiute…. We were 11 guest riders led into the high country by a cowgirl at each end of the string… We passed Philip on foot well up the climb to Morgan Pass. Flowers appeared everywhere along the path until we reached timberline. The Pass was at 12,643 feet elevation and well above any trees. On the way up we looked down into Little Lakes Valley, a long string of lakes, and up the head of that valley to Bear Creek Spire. Flanking the East wall of the glacial valley rose Mt. Morgan and Morgan Pass… Our route seemed to be skirting a contour around Mt. Starr and over Mono Pass. It was like a high altitude desert. Below the granite peaks the soil consisted of all course granite sand with no flowers visible except one small hidden garden of columbine among some boulders…. Scarcely any snow on the pass…steep decent to Golden Creek and into timber again. When we arrived at Pioneer Basin base camp, Philip had already made it before us, as we had stopped for lunch and on several other occasions. Mountaineer Norman Clyde, age 85, had arrived in camp also ahead of the pack train with other hiking guests and the staff to set up…

The travel log described the base camp, day hikes, day packs to satellite campsites, all among mountain meadows, streams, granite boulders and walls, wildflowers, waterfalls, me playing with sticks and rocks, in the streams and tarns and with the other children on the trip. On Saturday, August 15, Dad’s birthday, we had stayed in base camp with about eight other travelers. My mother continued:

After a leisurely breakfast and late start we decided to walk around the East side of Pioneer Basin. Philip took his Hasselblad only and planned to photograph until the late afternoon and then start back. Philip’s first pictures were flowers at a stream’s edge in a meadow where David picked a dead fish carcass out of the stream and cherished it a long while before throwing it back in. It didn’t seem to smell at first but his hands did. He said he would not do that again. We climbed a little and came to a beautiful little tarn with trees, reflections and a grassy edge. Everywhere wafted the scent of Lupin and housewort growing together. After Philip made a photograph with distant mountains in the background, David undressed except for his shirt and played in the water. Clouds began to obscure the sun and a breeze made it cool. David and Philip played a game of throwing rocks in the water. David would throw a rock in and then Philip would quickly without being seen echo David’s rock. David loved it of course and kept it going. We ate an early lunch and Philip left to climb to another larger lake above. David and I napped as the sun came back out and it got much warmer. Nice views with lakes or tarns in foreground and peaks heading the Recesses beyond. Philip said he heard and then saw quail above. I think that is what I saw at our little lunch lake too.

Dad made the photograph from the lower small tarn with the Lupin and housewort blooming,  and with the reflections and small trees. The stories behind the other Special Releases in blog posts to come…

Cedric Wright And Philip Hyde On The 1950 Sierra Club High Trip

May 25th, 2010

Split Boulder Near Lake Ediza, Minarets Wilderness, Now The Ansel Adams Wilderness, Sierra Nevada Mountains, California, 1950 by Philip Hyde. This photograph that went on to be widely collected and published and was part of the famous Perceptions Show in San Francisco, was made on the 1950 Sierra Club High Trip with David Brower and Cedric Wright.

(See also the blog post on, “A Credo For Mountain Photographers” from the book Words of the Earth by Cedric Wright.)

In 1950, David Brower invited Philip Hyde to join the Sierra Club High Trip that David Brower led in the high country of Yosemite National Park. Cedric Wright was also on the trip as a veteran wilderness photographer to serve as high country photography mentor to the young Philip Hyde just out of photography school, who would also act as ‘official photographer.’

Even in 1950, Philip Hyde was no stranger to the Sierra Nevada High Country. He had been backpacking and exploring it since he was 16 turning 17 years old in 1938. Nor was he new to outdoor photography. During the years from 1946 through 1950 while he was enrolled in photography school at the California School of Fine Arts now the San Francisco Art Institute, Philip Hyde spent every summer in the mountains. The previous summer of 1949 Ansel Adams had helped Philip and Ardis Hyde land the caretaking job at the Sierra Club’s Parson’s Lodge in Tuolumne Meadows. The young couple, just married two years, lived in the rustic McCauley Homestead cabin all summer and scrambled all over the nearby peaks and domes. While Philip Hyde photographed, Ardis Hyde had plenty of peace and quiet to study for her teaching credential and identify birds and flowers. More about this special summer in a future blog post.

By the time Philip Hyde went on his first Sierra Club High Trip, he was seasoned by a summer in Tuolumne Meadows and 12 other summers in the High Sierra. However, as soon as he met Cedric Wright, he knew that this man had a depth of knowledge about wilderness travel and wilderness photography of which he had only dreamed. Here was the ideal teacher and companion.

Cedric Wright was a childhood friend of Ansel Adams. They met through piano playing. Both of them were in training to be concert pianists but ended up as landscape photographers. Ansel Adams wrote the forward to Cedric Wright’s book, Words of the Earth, one of the early volumes in the Sierra Club Exhibit Format Series:

His work reveals a strange and compelling beauty; it is not obscure, oblique, mechanical, or intellectual, but is the evidence of a great insight and intuitive power. It moves the spirit; then, because it is so simple and direct, it moves the mind and conscience… What is offered here is not merely a collection of nostalgic and beautiful pictures and poetic text, but a profound revelation of a most uncommon man, who, despite avalanches of problems and distractions, held fast to the essential dream. I regret there must be a date on this work, because in essence, it is timeless.

“That first 1950 High Trip in the capacity of ‘official photographer’ was a very important trip for me,” Philip Hyde said in 2004. “I look back now and still feel that the photographs I made on that trip are among some of my best. All I had to do was sleep, eat, make photographs and walk 10-12 miles from one camp to another, unless there was a layover.” The trip started in the northeast corner of Yosemite National Park and journeyed along the Sierra Crest to Tuolumne Meadows and beyond out of the national park and into the Minarets Wilderness Area that is now the Ansel Adams Wilderness. In those days the backcountry was little traveled. Philip Hyde shared more about Cedric Wright:

One of the things I remember about Cedric is that he had certain little systems because he had been on so many High Trips, maybe 20 or more. He had special ways of pitching a tarp. Sometimes he would give lessons to other people who didn’t know how. He also had a little practice of making it to the first camp early. When the first group of hikers would arrive, he would have hot tea waiting for them. Another time he had a number 10 can full of hot water and he would bathe people’s tired feet in hot water. One time we found a note from Cedric, ‘Be sure to go out and look at this view,’ and he wrote directions. Cedric took me under his wing and taught me all his intricate details. Some were a bit overboard, like shaving off the handle of his toothbrush to save weight. He was kind of a nut about saving weight, even though he did not carry much. His outfit was a little square box about 6″ X 6″ X 15 inches that contained his extra lenses and extra film. He was shooting black and white film pack. I didn’t get into film pack on that trip. I was still using 5 X 7 cut film, a single sheet film you load into a holder in a changing bag. The holder takes two sheets on each side, for a total of four. I think I carried 18 holders and several lenses on metal plates that I could interchange. I carried a 5 X 7 camera with a 5 X7 back on a big wooden Reese tripod that I still have. I thought I was going pretty light, but my outfit was a lot heavier than Cedric’s.

More about the Summer 1950 Sierra Club High Trip in a future blog post…