Posts Tagged ‘Olsen Barn’

Renowned Photographers Son Carries on Historic Legacy With the Art of Small Agriculture

August 2nd, 2018

For Immediate Release

August 2, 2018

Contact Info:

Scott Lawson or Paul Russell
530-283-6320
pcmuseum [at] psln [dot] com

David Leland Hyde
530-284-7434
info [at] hydefineart [dot] com

Renowned Photographer’s Son Carries on Historic Legacy With the Art of Small Agriculture

Dogs, Farm Hand, Horse, Overlees Farm Near Franklin, Nebraska, 2015 by David Leland Hyde. (Click on image to see large.)

Even if some Americans today do not recognize his name, most are familiar with Philip Hyde’s iconic 1960s and 1970s natural landscapes that appeared in a solo show at the Smithsonian, spearheaded conservation campaigns to establish many US national parks and helped popularize the large coffee table photography book. With Bob Moon, Philip Hyde also co-founded the Plumas County Museum, which now fittingly will host the first show of David Leland Hyde’s exhibition, “Agriculture West and Midwest: Visual Stories of a Fading Way of Life from 17 States with Special Emphasis on Sierra County and Plumas County,” from September 7 through December 29, 2018.

David Leland Hyde set out to make historically significant, yet aesthetic and artful photographs to preserve the memory of barns, farms and ranches that are vanishing all over the country. He also has brought out some of the differences between industrial agriculture and more sustainable or traditional methods. The art of agriculture is also a rich tradition itself, particularly going back to the Dust Bowl and the Great Depression. Hyde said one of his father’s teachers from photography school, Dorothea Lange, has had a profound influence on his work and on the genre. Ansel Adams, who founded the photography program at the California School of Fine Arts, now the San Francisco Art Institute, Minor White, the lead instructor and other renowned guest lecturers such as Edward Weston and Imogen Cunningham photographed agriculture. Also another Adams protégé, Morley Baer photographed barns in California particularly well, as did Carr Clifton, a neighbor and protégé of Philip Hyde.

Philip Hyde himself photographed cauliflower field’s and other agrarian subjects in a number of Bay Area Counties as early as the mid 1940s. By 1948, Philip Hyde photographed barns and ranches for the first time in Plumas County. He also gave his only son a Pentax manual only film camera and taught him the basics of how to use it when David was just 10 years old. For decades the younger Hyde made no more than a few hundred images. However, after 2009 when he bought a Nikon digital camera, David Leland Hyde has made over 80,000 images, more than one third of which depict agricultural subjects. He produces archival prints in limited editions of only 100 from single capture master files. He uses Photoshop mainly for the same adjustments film photographers like his father used in the darkroom.

D. H. Day Barn From North, Sleeping Bear Dunes National Lakeshore, Michigan, 2015 by David Leland Hyde. (Click on image to see large.)

“I strive to observe mundane scenes, everyday objects and simple beauty in an unusual and more present, mindful way,” Hyde said. “I look not just for light contrast, but psychological. I look for redemption in ruin, rebirth with decay, tolerance next to hate, yin within yang.” In 2015, he traveled over 10,000 miles around the US Heartland photographing for three months in a 1984 Ford van his dad converted when new from a cargo van to a specialized field photography camper. In the Midwest a reporter told him the state of Minnesota alone loses more than 300 barns a year. Meanwhile, in the West it has become common to use chutes to hold calves still for branding. However, David photographed local ranchers this year in Indian Valley who still do it the old way, roping and rustling the calves by hand.

Restoration has stabilized the base of the Olsen Barn in Chester, preventing potential collapse under heavy snow or wind. However, many old farm structures no longer get much use to justify the high costs of maintaining them. Hyde hopes his project can bring awareness and funding for historical restoration efforts. Additional shows of his agricultural work and a book are also in the works.

“We are excited to have a fund-raising exhibition here,” said Scott Lawson, Plumas County Museum Director. “It is noteworthy that David’s work will be displayed on the Mezzanine Gallery near his father’s 40×50 darkroom prints which have graced our walls since 1969.” David Leland Hyde plans to donate to the museum half of all proceeds from the sale of his fine art prints and other collectibles. Please enjoy the show and support the museum. The first 50 people to arrive at the opening will receive a keepsake gift.

Details:

Opening Reception: First Friday, September 7, 5 to 7 pm

Artist’s Talk: 6 pm, September 7

Exhibition: September 7 through December 29, 2018

Plumas County Museum
500 Jackson Street
Quincy, California
530-283-6320
pcmuseum [at] psln [dot] com

 

More Photographs From the Show:

Amish Teenage Brothers and Horse Cart Near Holton, Michigan by David Leland Hyde. (Click on image to see large.)

Cloudy Sunset, Olsen Barn, Lake Almanor Near Chester, California, Sierra, copyright 2015 David Leland Hyde. This photograph has been actively used by Feather River Land Trust in the Olsen Barn Campaign. (Click on image to see large.)

Elijah Filley Stone Barn and Masonic Temple, Filley, Nebraska, copyright 2015 David Leland Hyde. Stone barns are far more rare than round barns, except in New England. (Click on image to see large.)

Fresh Round Hay Bales Near Ogallala, Nebraska, copyright 2015 David Leland Hyde. A high humidity muggy day in the Midwest. Trees and greenery along the roadside are more lush than Wyoming or other Western states. (Click on image to see large.)

Horses on the Run, Central Wyoming, 2016 by David Leland Hyde. (Click on image to see large.)

Ranch on North Side of Sierra Valley, Plumas County, California, 2017 by David Leland Hyde. (Click on image to see large.)

Heart K Barn and Fruit Trees in Fresh Snow, Genesee Valley, California, Winter, 2016 by David Leland Hyde. (Click on image to see large.)

Old Car and Barns, Genesee, California, Winter, 2016 by David Leland Hyde. (Click on image to see large.)

Farm Workers, Strawberry Fields Near Oceano and Guadalupe, California, 2014 by David Leland Hyde. (Click on image to see large.)

Broken Gate Shadows, Willow, North Barn, Lemmon Canyon Ranch Near Sierraville, Sierra Valley, California, 2018 by David Leland Hyde. (Click on image to see large.)

Amish Horse & Buggy, Menno-Yoder ‘Brown Swiss Dairy’ 12-Sided Concrete Barn, Shipshewana, Indiana, 2015 by David Leland Hyde. (Click on image to see large.)

Fritz & Andy Roping, MH Branding, Openshaw Ranch, Mt. Hough, Indian Valley, California, 2018 by David Leland Hyde. (Click on image to see large.)

Old Farm Machines, Outlaw Trail Ranch Near Escalante, Utah, 2014 by David Leland Hyde. (Click on image to see large.)

Keith Round Barn Under Tornado Skies, North Platte, Nebraska, 2015 by David Leland Hyde. (Click on image to see large.)

Favorite Photographs of 2016

January 2nd, 2017

David Leland Hyde’s Personal Favorite Photographs of 2016

Jim Goldstein at JMG Galleries Blog first started this group photoblog project in 2007. The blog project has run every year since. I have participated each year since 2010. The concept is simple: each photography blogger who wants to take part, near the end of each year, puts together his or her “best” or “favorite” photographs from that year. Once each respective photoblogger posts a blog post of his best photographs of the year, he then fills out a small form on Jim Goldstein’s blog. After a certain date, Jim then makes another blog post containing a list of all of the “best of the year” blog posts along with a link to each of them.

During the year 2016, while I concentrated on writing and other projects, I made fewer exposures than in any other year since 2009 when I switched to digital. I made about 10 percent or less of the number of images I made in 2015. Not only did I photograph less often, I made far fewer images each time I went out. Still, I discovered that not only did the overall quality go up, I made a much higher ratio of portfolio worthy or near portfolio worthy images than ever before when I was less selective. My hard drives and extra disk spaces are thanking me. It is satisfying and confidence building to know you do no have to make hoards of images to “get the shot,” or to make meaningful photographs, whichever of the two you prefer.

The below photographs are all single-exposure, no bracketing, no HDR, no blends. I am not against these processes per se, but I find I do my strongest work without them. Particularly when photographing people, in the field I work intuitively, more often quite slowly with faster lurches when necessary. My nature images come from a deeper, tranquil place, both outside and within, but even with landscape photography, I like a less-perfected, rougher and quicker approach to post-processing. I do bracket for exposure, but rarely end up using the resulting files in combination. I often find a single image within the bracket works just as well in much less time, or I end up using a different photograph.

I replace the traditional film darkroom methods of dodging and burning, that is, lightening and darkening certain areas, by using Photoshop for post-processing. I control contrast, shadow and highlight intensity with Photoshop levels, curves and a hopefully tasteful limited application of vibrance and saturation. In this way, I use the tools of the digital darkroom for similar purposes as film photographers use traditional post-processing. However, I generally have much more control over all areas of the image and the resulting archival chromogenic and digital prints than even the old large format masters like my father, conservation photography pioneer Philip Hyde. For more information about each image and to see them even larger visit my new website: Hyde Fine Art at http://www.hydefineart.com/ . Not all of these “Sweet 16 for 2016” photographs are up on the site yet, but they all will be soon.

Mt. Lassen From California Highway 89, Winter by David Leland Hyde. I have always wanted to make a photograph from this spot, but this was the first time I could get up there after a fresh snow and under the right conditions for a decent image. I was on my way to a meeting and stopping to make a few exposures made me late, but it was a “now or never” situation.

Fall on Spanish Creek Near Quincy, California by David Leland Hyde. I love roaming Spanish Creek and Indian Creek with or without camera in the autumn of the year. Fall in Plumas County in the headwaters of the Feather River is like no other place on Earth. Certainly there are no other “California rivers” quite like Spanish and Indian. As much as I love it, my life is usually in high gear coming out of the summer and I often miss the peak Indian Rhubarb moment, which lasts just a few days and varies as much as a week or two on arrival each year. This year I caught it a little past the peak, but the bright colors were still going strong and worked well with the dogwoods, willows and alders that were already turning. This year more than others, everything seemed to peak at different times, so this idyllic blue sky day on tranquil Spanish Creek represented the happiest medium possible. If there was ever a place to get lost in time and drift away to another world, this was it and will hopefully long be it. It has changed little since the days of the California Gold Rush.

Empowered at the Waterfall on Ward Creek, Sierra Nevada Mountains, California by David Leland Hyde. One of my best friends I grew up with and two of his boys and a friend of theirs went on a secret hike near my home. I say “secret” because it is on gated, fenced private property that nobody else can enter, unless you know the owner. We hiked past a spooky old falling down mine we used to visit as kids to the waterfall on Ward Creek, a tributary of Indian Creek. I photographed the group standing in front of the waterfall, the waterfall by itself and the boys in various poses and clowning around. At one point Landon stepped up onto that rock in the center and made a pose facing the camera, then turned and faced the waterfall. Though the falls were so loud in the narrow gorge that none of us could hear each other, Landon clearly had a feeling come over him as he faced the falls. His pose here was the spontaneous result.

Yoga-Like Poses, Bonneville Salt Flats, Great Salt Lake, Utah by David Leland Hyde. Towing a U-Haul trailer loaded to the gills with fire safes and stuff from Colorado to Northern California, I stopped for a much needed rest from the road at this rest stop on Interstate 80. At first I had my camera on my tripod photographing the salt flats and the distant mountains. However, I soon got more interested in the people who kept walking out on the jagged rough salt and making all sorts of stretching and other strange motions. This group was off to the far side, but started doing exercises like pilates or yoga. I panned back and forth making a series of images of the various tourists against the white lake bottom background.

Wild Mustangs, Hazy Morning, Tall Grass, Central Wyoming Open Range II by David Leland Hyde. Somewhere in Central Wyoming this herd of wild horses grazed peacefully along the freeway. I stopped and walked back toward them with camera off my tripod and ready for action photographs. At first they were skittish and ran a little ways away, but slowly and seemingly curious, they came back toward me as I waited in silence. I made my best attempt at horse whispering to get them to walk toward me. After a little time went by, they were playful in front of the camera and acted as though they were familiar with being photographed. I was able to make some exposures of them walking, standing, grazing and on the run. Thank you Wyoming and my new four-legged friends. This was a special gift because throughout my summer 2015 17-state, 10,000 mile trip to the Midwest photographing farms, I came back with only a few photographs of horses. Though these Wyoming wild mustangs’ coats were a little scrappy and their tails had burrs, they were big and lean and more muscular than most domestic animals.

Storm Surf, Point Pinos, Pacific Grove, Monterey County, California Beaches by David Leland Hyde. With only an afternoon left in Monterey, a local large format photographer recommended I check out Point Pinos. The surf turned out to be larger than usual, which made for a number of interesting frames.

Fall Alders, Indian Creek and Grizzly Peak From the Taylorsville Bridge by David Leland Hyde. One afternoon coming home from Quincy and having photographed fall color on Spanish and Indian Creek most of the afternoon, as I crossed the Taylorsville Bridge, I saw what could be a keeper image. This is probably one of the most, if not the most photographed place in Indian Valley. My father made a number of large format photographs here in different seasons, going back as far as the early 1950s. If I was going to stop, it had to be good. I still would like to get a lot of snow on the mountain with fall color sometime, but the timing here turned out well with the interesting light and shadow in the middle distance and the lines and shapes that echo from the foreground beaver dam, beach and reflection to the distance.

Fields of Flowers With California Poppies, Mokelumne River Near Jackson, California, Sierra Nevada Foothills by David Leland Hyde. Though my father was crazy for photographing wildflowers, I have not been big on it so far, though flower photography is growing on me. This year a photographer friend in Jackson who helped me scan some of Dad’s collection, also showed me the wildflower mother lode near town. People say this type of photograph makes good wallpaper or large wall decor. Maybe this could even work for a matted and framed fine art photography presentation as well…

Olsen Barn and Meadow, Evening Sierra Mist, Winter, Lake Almanor, Chester, California by David Leland Hyde. This photograph has special meaning to me because I am a member of the Stewardship-Management Group for this Feather River Land Trust property. I made this photograph as a plume of smoke or Sierra mist came in low across the meadow just after a cloudy sunset several hours after a meeting of our committee at the barn. I made several images over the space of about 10 minutes and suddenly the mist or smoke was gone.

Wall Murals, Detour Sign, Carpet Warehouse, Oakland, California by David Leland Hyde. One morning driving out of Alameda I saw this wall mural on a carpet store and had to stop because of the vivid colors. I made quite a few exposures of details and from different angles, but this one stood out most. I wonder if a certain photographer friend who lives in Alameda has photographed this store…?

Fund Raising, Haight-Ashbury Neighborhood, San Francisco, California by David Leland Hyde. I love street photography. Here I just roamed up and down the Haight and surrounding streets at night with camera hand-held, photographing whatever I liked. This young hippie couple had obviously just eaten. He was reading the Bible and she was rocking the electric guitar… and I do mean rocking. She started out very slow with acoustic-like finger picking and gradually built up energy until she was standing up and blasting the neighborhood with her bell-clear voice and grungy bar chords. What a great smile too. All the time I was connecting with her and making a lot of photographs, her companion hardly moved, but just kept his head down reading away.

Hippie With Coffee and Phone, Haight-Ashbury Neighborhood, San Francisco, California by David Leland Hyde. This man had a warm smile and agreed right away to let me make his photograph. What a scene with the cafe windows, colors, coffee, red chairs, his backpack and the gray, spot stained sidewalk. I wish I had talked to him more. He seemed as though he had great tales to tell, like a Hobbit, Elf or some other traveler from distant lands.

Sunset Clouds, Carmel Mission a.k.a. Mission San Carlos Borromeo del río Carmelo, Carmel-by-the-Sea, California by David Leland Hyde. This trip I arrived at the Carmel Mission less than half an hour before closing. By the time I got in, made a donation and started photographing I had 15 minutes to catch what I could of the Basilica interior and grounds of the Mission. I thought to myself that I could chose to get stressed out, cry, moan, complain, swear a lot, leave without trying or think of it as an exercise. Ok, 15 minutes, go… I was off. I made quick decisions, photographed the key subjects and most important angles. Surprisingly enough, all of my images were strong with few throwaway frames between. All in all a good exercise. Try it sometime. It is important to note that this approach is the exact opposite of what I typically use or recommend. However, mixing it up now and then, shaking up the routine, breaking all rules, including your own, builds not only photographic skills, but character and a sense of humor as well.

Sunset, Barn Skeleton and Playground Equipment, San Mateo County Coast, California by David Leland Hyde. I saw this rundown barn silhouetted against the setting sun, but there was no place to stop or turn around. I had to jog back over half a mile while the sunset was in motion. Still, all turned out ok. I even made it further down the coast to San Gregorio for more photographs before daylight faded all the way to night. Anyone who believes online jpegs do photographs justice compared to prints is probably looking through the wrong end of the kaleidoscope of history, or at the very least the distorted viewpoint of a throwaway device. Possibly they are being fooled by new screen technology on a computer with a perpetually outdated updating agenda.

Twilight, San Gregorio State Beach and Lagoon, San Gregorio, California by David Leland Hyde. I arrived at San Gregorio Beach with little more light than an orange glow on the horizon. I kept going for longer and longer exposures as I photographed the beach and lagoon from different angles into complete darkness. The people on the beach were the biggest challenge and asset to the images. I tried to catch them while standing still, but some exposures show them in motion on the whole spectrum from slightly blurry to transparent ghost figures.

“You Are Beautiful,” Central Wyoming by David Leland Hyde. Somewhere in Central Wyoming off Interstate 80 there is a lonely service exit with some road building materials and a good wide gravel area to park for a nap when tired on a long drive. I slept for a few hours from around 4:00 am to daybreak. I photographed the sunrise over a corrugated shed and saw this scene behind my van just before getting back on the road. It reminded me of the beautiful cinematography and hand-held imagery of a plastic bag blowing in the wind in the film American Beauty. To me this scene contains warmth in coolness, humanity in loneliness and beauty in the mundane. It is a reminder to find beauty in yourself and in even the most plain or “ugly” of places. Ugly is only in the eye of the judge. It is not “real” in any sense, except that given to it.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Blog Project Posts From Years Past:

My Favorite Photographs of 2015

Best Photographs of 2014

Best Photographs of 2013

My 12 “Greatest Hits” of 2012

Best Photos of 2011

My Favorite Photos of 2010

My Favorite Photographs of 2015

December 29th, 2015

Jim Goldstein at JMG Galleries Blog has once again put together his blog project for hundreds of photoblogs to show a selection of photographs from the year. Last year I labeled my review blog post, “Best Photographs of 2014.” For that year, “Best” fairly described my picks because I did review every image in each genre and ran them off against each other to select what were best in my opinion. However, “Best” does not always apply to images that you choose yourself. Perhaps a stock agency or a magazine or a gallery would choose “better” images than you would yourself. Whether it is a stock agency, magazine or gallery doing the choosing, may be more the point. Each of these uses would chose different images that would be “best” in its particular situation. Different uses demand a different selection.

In a year like 2015 where I approached 10,000 total exposures, there may be several “10 best Photographs,” lurking within the 10,000 made, depending on the project and purpose. Therefore, this year I have called these “My Favorites.” Early in 2015 I gathered more images of the Northern Sierra, specifically Eastern Plumas County, to round out my Sierra Portfolio that will split into a Northern and Southern Sierra Portfolio as I begin to assemble portfolios and build a new website for my own photography. Currently I have just two portfolios on PhilipHyde.com after the 25 Image Portfolios of my father’s well-known photography that influenced more than one generation of landscape photographers.

My old friend Topher called me to announce he would marry Kori on the Blue Moon at the end of July on the white sandy shores of Lake Michigan at Meinert Park Beach. I decided to drive up to the West Coast of Michigan for the wedding and continue to photograph barns around the Midwest as I had started to do in Northern California. Every country is only as strong as its heart. I traveled to the heartland to take our pulse as a country and to photograph barns, farms and the dying small farm culture that is leaving small towns heartless across the land. Industrial cities are also in ruin in the midwest, but besides ruin and decay, hope, rebirth and rebuilding are also evident across our agrarian and rust belted center. My trip filled up with obstacles and small and large disasters, to the point where “A Drive Through the Heartland” makes a good travel narrative, currently in progress, as well as a series of informational blog posts about various sections of my trip or stories I discovered along the way. As soon as I have one draft of my travel journal, I will get back to directly working on my book about my father’s life and work in conservation photography of our national parks and wilderness.

Near the end of the year back home in California I photographed more landscapes for my Portfolio One and other portfolios, as well as more historical barns and round barns to upgrade my California Barns Portfolio to be revealed in 2016 with my new website. In 2016, I plan to take the emphasis off of making photographs and put it on marketing them more.

Misty Sunrise, Millpond, Graeagle, California by David Leland Hyde.

Misty Sunrise, Millpond, Graeagle, Eastern Plumas County, Northern Sierra, California by David Leland Hyde. Photographed this sunrise on the way to the Lakes Basin Recreation Area, but got caught here a bit too long and missed the best light up at Lakes Basin.

 

 

 

 

 

 

 

 

 

 

D. H. Day Barn From North, Sleeping Bear Dunes National Lakeshore, Michigan West Coast by David Leland Hyde.

D. H. Day Barn From North, Sleeping Bear Dunes National Lakeshore, Michigan West Coast by David Leland Hyde. Most people photograph this barn from the south or from the southwest near the national park service road. It varied from pouring to steady rain. I wore my rain gear and managed to keep my camera dry long enough to walk all the way around the field to make images from all sides.

 

 

 

 

 

 

 

 

 

 

Round Barn Near Conroy, Iowa by David Leland Hyde.

Round Barn Near Conroy, Iowa by David Leland Hyde. This barn is usually hard to find, but fortunately I asked at just the right building, when I first arrived in town. I made it to the barn in short time. The owner even drove up near the end of my photography session, just in time to give me publishing permission.

 

 

 

 

 

 

 

 

 

 

 

Three Cowgirls, Harlan Ranch, Indian Valley, Plumas County, Northern Sierra, California by David Leland Hyde.

Three Cowgirls, Harlan Ranch, Indian Valley, Plumas County, Northern Sierra, California by David Leland Hyde. I was happily photographing the Harlan Ranch Barn from the road, when two young cowpersons who had been riding a horse in a nearby corral approached me and asked if I would photograph them. Their mother nearby saw more or less what was going on. I made close to 20 frames of the girls, who also recruited their friend to total three cowgirls in most of the photographs. Talking with their mother afterwards, she said she liked the photographs and the whole idea as it kept the girls entertained for a little while.

 

 

 

 

 

 

 

 

 

 

 

Moving Moment In Hansen Wedding Ceremony, Lake Michigan, Meinert Park Beach, West Coast of Michigan by David Leland Hyde.

Moving Moment In Hansen Wedding Ceremony, Lake Michigan, Meinert Park Beach, West Coast of Michigan by David Leland Hyde. The wedding photographer was also present and doing a great job getting the “money shots” of the main players in the wedding. I meanwhile focused on either the whole wedding party and audience, or the whole scene including the setting.

 

 

 

 

 

 

 

 

 

 

 

Dogs, Farm Hand, Horse, Overlees Farm Near Franklin, Nebraska by David Leland Hyde.

Dogs, Farm Hand, Horse, Overlees Farm Near Franklin, Nebraska by David Leland Hyde. During my entire 10,000 mile, 14 Midwest State journey, I worked to incorporate not just picturesque barns, but the land, people, animals, equipment and overall culture of small farms and dairies. This was one of my better successes with the surrounding culture, which seemed to come and go out of my images depending on how much I focused on getting more than just the barns.

 

 

 

 

 

 

 

 

 

 

 

Children on Shore of Midsummer Pond Near Oberlin, Ohio by David Leland Hyde. At one farm, the lady at the house said I could photograph the barn, even though she was not the owner. She went back in the house and left me, a complete stranger, with her children. They followed me around while I tried to photograph the barn. At first the kids were a distraction, but then I just told them to go ahead and play between the barn and camera, which produced a number of great images. With no encouragement at all from me, they led me down by their favorite ponds and played while I made a few more images of them and the ponds. After about 45 minutes, I walked back by the house and the woman waved from inside.

 

 

 

 

 

 

 

 

 

 

 

Amish Teenage Brothers and Horse Cart Near Holton, Michigan by David Leland Hyde.

Amish Teenage Brothers and Horse Cart Near Holton, Michigan by David Leland Hyde. Amish people do not pose, nor will they give permission to photograph them if they are asked for it. However, if they happen to be passing by and you capture them going about their regular routine as part of another photograph, they do not object. These boys with whom I exchanged names upon meeting them, were all under 18 except for the oldest. I mentioned what I had learned about photographing Amish. They said they could pose if they wanted to and that it was up to each person to interpret their faith in that regard. While they drove by, I photographed and made a number of good images.

 

 

 

 

 

 

 

 

 

 

 

Cloudy Sunset, Olsen Barn, Lake Almanor Near North Fork Feather River, Chester, Northern Sierra, California by David Leland Hyde.

Cloudy Sunset, Olsen Barn, Lake Almanor Near North Fork Feather River, Chester, Northern Sierra, California by David Leland Hyde. I drove to Lake Almanor four different days and stayed into the evening waiting for a good sunset, but this one from the first evening after the Feather River Land Trust day tours, turned out better than any from subsequent nights. The Feather River Land Trust used this photograph of Olsen Barn in their campaign to acquire the land and begin to restore the barn. The FRLT completed the land purchase transaction in October and by November we had the first meeting for a stewardship committee to research how best to restore the barn. I am researching the pros and cons of being on the National Register of Historic Places.

 

 

 

 

 

 

 

 

 

 

 

Barn Skeletons in Soybean Field Near Oslo, Minnesota by David Leland Hyde.

Barn Skeletons in Soybean Field Near Oslo, Minnesota by David Leland Hyde. I was on my way off the main US Highway toward another historic barn when I looked back and saw these barn remnants dappled by late sun through the trees. I made a number of exposures at different focal lengths, but chose this one as my favorite as it includes all three barns and some of the setting, but also gives a sense of the immense size of the large barn.

Stage From Balcony, Historic Eastown Theater, Detroit, Michigan by David Leland Hyde. Alas, the iconic theater is no more. It was demolished this year. My photograph may become historically significant someday, especially if I am one of the few to make prints.

Stage From Balcony, Historic Eastown Theater, Detroit, Michigan by David Leland Hyde. Alas, the iconic theater is no more. It was demolished this year. My photograph may become historically significant someday, especially if I am one of the few to make prints.

 

 

 

 

 

 

 

 

 

 

 

 

Hole Broken in Wall, Screw and Bolt Factory, Gary, Indiana by David Leland Hyde.

Hole Broken in Wall, Screw and Bolt Factory, Gary, Indiana by David Leland Hyde. I do quite a bit of street photography on the West Coast. I have always wanted to photograph the ruins of the Midwest and Eastern Rust Belt. Gary, Indiana was one of Lake Michigan’s thriving industrial centers for many decades, but has fallen into disrepair with loss of over half of its peak population at a rate exceeding 22 percent per decade.

 

 

 

 

 

 

 

 

 

 

 

Psychadelic Wall Mural, Chicago, Illinois by David Leland Hyde.

Psychadelic Wall Mural, Chicago, Illinois by David Leland Hyde. Driving past this wall along an elevated roadway in Chicago, all that meets the eye are murals as far as you can see. This one caught my eye with the bright variety of colors.

 

 

 

 

 

 

 

 

 

 

 

Shawn Lee Opening the Door to Urban Renewal Through Art at Artist Village, Detroit by David Leland Hyde.

Shawn Lee Opening the Door to Urban Renewal Through Art at Artist Village, Detroit by David Leland Hyde. Shawn Lee said the ruins of Detroit are old news and overblown by mainstream media. He said the relevant story now is the rebuilding of Detroit. He took me to see downtown gentrification and thriving upscale neighborhoods, but showed me recovering middle-class neighborhoods too. Artist Village is one place that encourages artists occupying low rent studios and helping to re-establish neighborhoods. Recovery is evident on other fronts as well. All over Detroit, neighborhood gardens are helping to rebuild communities and economically reclaim the city street by street.

 

 

 

 

 

 

 

 

 

 

 

Racing Team Practice, Stanford Red Barn Equestrian Center, Stanford, California by David Leland Hyde.

Racing Team Practice, Stanford Red Barn Equestrian Center, Stanford, California by David Leland Hyde. Meanwhile, with the wealth of dot.com startups and new innovations in technology, the Stanford area will continue to grow richer for a long time to come, possibly until the land goes under the ocean due to climate change.

 

 

 

 

 

 

 

 

 

 

 

Save The Historic Olsen Barn: Campaign by Feather River Land Trust

August 13th, 2015

Olsen Barn and Meadow Campaign

A Number of Photographers and Other Local Artists Including Jan Davies, Betty Bishop, Sally Yost, Sally Posner, David Leland Hyde and Many Others Have Donated Rights to Use Photographs, Originals and Prints to Feather River Land Trust to Help Save A Northern Sierra Legacy

October 23, 2015 Update:

Individual donations were up to $413,467 as of 10-1-15. This more than met the amount necessary to complete the land transaction. On September 23 Feather River Land Trust Executive Director Paul Hardy exercised the option to purchase the 107 acre property and Olsen Barn. Formal Closing took place October 23, 2015. As of October 1, Feather River Land Trust received 541 donations from 439 individuals from as far away as Alaska and New York. The total raised for the land transaction through October 1 was $798,000. Funds already raised for taking care of the land and barn total $15,467. A land and barn stewardship committee, including David Leland Hyde, has formed to establish land use, maintenance and restoration strategy. David Leland Hyde in particular is researching the viability for this property of joining the National Register of Historic Places.

 

The Imminent Demise of the Olsen Barn, a Plumas County Cultural Treasure

Cloudy Sunset, Olsen Barn, Lake Almanor Near Chester, California, Sierra, copyright 2015 David Leland Hyde. This photograph has been actively used by Feather River Land Trust in the Olsen Barn Campaign.

Cloudy Sunset, Olsen Barn, Lake Almanor Near Chester, California, Sierra, copyright 2015 David Leland Hyde. This photograph has been actively used by Feather River Land Trust in the Olsen Barn Campaign. (To see large click on image.)

Barns die in many ways: they are crushed by falling trees, blown down by high winds, dismantled for wood, demolished, set on fire and sometimes pushed over by bulldozers. However, the majority of barns don’t burn out, they just rot slowly away.

More barns give up the ghost each year than people build in the US. Around the West and Midwest dismantling barns is big business, but fortunately for historic barns there are also many friends of barns who are in the business of preservation.

One historic structure already falling apart is the Olsen Barn on the East edge of Chester, California on the shores of Lake Almanor where the Northern Sierra meets the Cascade Mountains. This cultural and community icon is one of the largest barns in Plumas County and the surrounding counties. For many years it has been restored in fits and starts, but mainly left to decay and crumble away if significant reconstruction does not occur soon.

Olsen Barn, Chester and Mt. Lassen Near Lake Almanor, California, copyright 2015 David Leland Hyde. (To see large, click on image.)

Olsen Barn, Chester and Mt. Lassen Near Lake Almanor, California, copyright 2015 David Leland Hyde. (To see large, click on image.)

Besides stunning views of Lake Almanor and Lassen Peak, the 107-acre Olsen Barn property includes lush stands of trees and a riparian creek corridor where the North Fork of the Feather River flows through from Chester into Lake Almanor. Norwegian pioneer settler and carpenter, Peter Olsen, originally built three barns for his dairy farm, of which today’s Olsen barn is the last one standing, but it is getting more shaky all the time. One major beam has fallen destabilizing one end of the structure. Also, many windows and doors are open and in other places the wooden walls are wearing thin, disintegrating and in danger of collapse.

Feather River Land Trust Tour Group, Interior Olsen Barn Near Chester, California, copyright 2015 David Leland Hyde. (To see large, click on image.)

Feather River Land Trust Tour Group, Interior Olsen Barn Near Chester, California, copyright 2015 David Leland Hyde. This photograph has also been used in the Olsen Barn Campaign. (To see large click on image.)

Still, several owl species continue to live in the barn. The meadow around the barn provides habitat for many species of wildlife and wildfowl, including a number of endangered species. Collins Pine owns an old railroad grade that runs through the property West of the barn and connects the fields around the barn to other areas of Chester Meadow. Collins Pine plans to restore the old railroad trestle crossing the North Fork Feather River and convert the railroad grade into a walking, hiking and possibly a biking trail. This will improve public access if the property owner is cooperative to such land use. A developer could wipe out the barn and fill the land with houses, as has been done so many times all over the west.

Fundraising Video Shows Historic and Natural Values

In a YouTube video raising funds to acquire the property for preservation, Paul Hardy, Executive Director and Founder of Feather River Land Trust said:

The property and barn are for sale on the open market and the right to public access could be lost forever. The barn has survived fire, floods, heavy snows, but most of all, development. Feather River Land Trust will keep the space open to everyone who wants to enjoy nature right outside their door. We also want to ensure that the Olsen Barn is standing for another 150 years.

Olsen Barn Across North Fork of Feather River and Riparian Area, Chester, California, copyright 2015 David Leland Hyde.

Olsen Barn Across North Fork of Feather River and Riparian Area, Chester, California, copyright 2015 David Leland Hyde. (To see large click on image.)

Since before the arrival of White settlers, the Chester Meadow has been a resource for people of the community to fish, picnic, explore and enjoy access to the shore of Lake Almanor. Originally the open grassland around the barn was part of the Maidu settlement now under Lake Almanor called Big Meadows. The area is now the last remaining remnant of Big Meadows, a Maidu trading and cultural center.

“Development of the Olsen Barn property would permanently erase an important village site of the Mountain Maidu people,” said Kenneth Holbrook, Maidu Summit Consortium Director, also in the Olsen Barn Campaign fundraising video.

Lenticular Clouds, Mt. Dyer and Chester Meadow Near Olsen Barn, Chester, California, copyright 2015 David Leland Hyde. (To see larger click image.)

Lenticular Clouds, Mt. Dyer and Chester Meadow Near Olsen Barn, Chester, California, copyright 2015 David Leland Hyde. (To see larger click image.)

The property is for sale for $798,000. The total Save Olsen Barn Campaign with pre-acquisition costs, restoration and management of the property will total about $1.2 million. Partly by meeting an early fundraising deadline, the project received $400,000 from Plumas County through California Proposition 50 on behalf of the Chester River Parkway. The current total fundraising from Feather River Land Trust private donors, as of August 4 is $243,108. This amount added to the $400,000 from the Prop 50 Grant makes a grand total to date of $643,108, leaving $154,892 needed by September 26 to successfully complete the purchase.

October 23, 2015 Update:

Even though the land transaction is now complete, funds are still much needed for ongoing land stewardship and barn restoration.

How You Can Make A Difference

Olsen Barn Through The Willows Across The North Fork Feather River, Chester, California, copyright 2015 David Leland Hyde. The Mountain Maidu used willows to make baskets that were unique in all the world. (To see larger click on image.)

Olsen Barn Through The Willows Across The North Fork Feather River Near Lake Almanor, Chester, California, copyright 2015 David Leland Hyde. The Mountain Maidu used willows to make baskets that were unique in all the world. (To see larger click on image.)

Time is running out on this gem of the Sierra. Here are some ways you can be part of this historical restoration project and support the Feather River Land Trust Olsen Barn Campaign:

Help Out By Check: Please make checks out to FRLT or Feather River Land Trust and Mail to: FRLT, P.O. Box 1826, Quincy, CA 95971 or take to the Chester branch of Plumas Bank.

Online Contribution: Go to Olsen Barn Fundraising page, scroll down, click on the large orange link button and under Donation Type choose Olsen Barn Campaign.

Stock or Mutual Fund Donation: Call Karen Klevin at 530-283-5758. It’s easy to make a stock donation and it is particularly beneficial if you have appreciated stock.

FRLT is a 501(c)(3) non-profit organization and all donations are tax-deductible.

To find out more about the Olsen Barn Campaign and the Feather River Land Trust directly from Paul Hardy, Executive Director and Founder, attend The Common Good Community Foundation hosted talk and dinner (optional).

Almanor Legacy, a Talk by Paul Hardy
August 13, 2015
Lake Almanor Tavern (Next to Dollar General)
384 Main Street, Chester, CA   96020
530-258-2100
Hors d’Oeuvres, No Host Bar: 5:00 pm
Talk: 5:30 pm
Dinner: 6:00 pm
(Call to make reservations for dinner by August 11, 2015)