Posts Tagged ‘Men of Oaxaca’

Mexico City And Oaxaca Travel Log

December 20th, 2010

Mexico City And Oaxaca 1990 Travel Log

Excerpts From Ardis Hyde’s 1990 Mexican Travel Log

Men Of Oaxaca Waiting For The Train, City Of Oaxaca, State Of Oaxaca, Mexico, 1990 by Philip Hyde. When I first discovered this photograph in Dad's files, it did not have a name or description but it was in the Oaxaca section. I called it "Men of Oaxaca." I didn't even know where it was in Oaxaca. However, I found it in the Travel Logs called, "Waiting For The Train, Oaxaca Train Station." This is what it is now called on the website. However, I have been referring to it on the blog as, "Men Of Oaxaca Waiting For The Train" so that people know it is the same photograph. Eventually I will drop "Men of Oaxaca" because we don't really know if they are from Oaxaca or not. They are just waiting in the train station.

(To see the photograph full-screen Click Here.)

Mexico City (Ciudad de Mexico) is the Federal District (Distrito Federal) capital, largest city in the Americas, and the third largest city in the world after Seoul and Tokyo. My mother Ardis Hyde abbreviated the Mexico City airport as “Mex DF”, short for Mexico Distrito Federal. My father landscape photographer Philip Hyde was 68 years old and my mother was 64 when they boarded a Continental flight from Reno to Houston via Denver on January 4,1990. My mother wrote:

Clear skies on takeoff from Denver. The Airbus to Houston left more than half an hour late. The wide body plane had seats seven and eight abreast at intervals. We had two seats, one by a window. We could see the front range of the Rockies, pure white with fresh snow. Despite a tail wind, we arrived late in Houston. It was very slow deplaning. We hurried through the huge terminal searching for our gate. We inquired of a courtesy car and the driver told us to hop aboard. We would never have made it without his help. It was a long way to the gate. We were the last to board and almost missed our flight. Clouds covered Mexico City solidly. On the ground in Mexico City, where we arrived on time, we groped around finding our way. We bought pesos and finally exited customs after filling out many forms but moving quickly past the officials. Dusk brought heavy traffic negotiated by taxi to the Ritz Hotel at Madera 30: $43.50 a night with senior discount. Room 510 was quiet and appointed well but not fancy. We were exhausted from the trip and went to bed early.

Future blog posts and eventual releases of new photographs will illustrate the activities of the following days in Mexico City. My mother wrote, “Philip was happily snapping 35 mm pictures” in the city center of street life, of El Sagrario, the old Cathedral, of the bustle and of the art in the city center. At the Palacio National, the Mexican seat of government since the Aztec Empire, many of the palace’s building materials originally belonged to Montezuma. My mother continued, “Philip made a fascinating study of the Diego Rivera Murals on the second floor, in the back courtyard and in the Hall of the Constitution.”

The Hydes attended the Epiphany, 12th Day of Christmas and Dia de Reyes, gift giving to children. They explored the Museo de la Ciudad de Mexico and many other museums. They tried staying in different hotels. They saw the “beautiful glass ceiling of the Gran Hotel,” and visited the Universidad to make photographs of the Diego Rivera murals on the library exterior. They took the autobus to the Teotihuacan Pyramids.

On January 15, the Hydes took a taxi to the train station bound for the City of Oaxaca in the State of Oaxaca:

At the train station we visited in line with two Americans Philip recognized from our hotel, as well as Earl and Shirley Binin, our friends from Connecticut, all boarding the same train to Oaxaca. The train to Oaxaca pulled out promptly at 7:00 pm. We had a neat ‘Alcoba,’ sleeper room and dinner included with our ticket. The diner car was neat and clean. After a visit in the diner car with the Binins we went off to our Alcoba to go to bed early. It was a bumpy ride all night. The train never went very fast. I was in the upper bunk and Philip took the lower. We slept OK. We woke up early and watched the daylight appear through the train windows. Outside we saw mountains, a river gorge and flowing streams through a forest of Kaypok trees. We had breakfast at 7:15 am as the train progressed out onto cultivated flatter terrain. We arrived in Oaxaca at 9:30 am. Philip made photographs in the Oaxaca train station. One was of three men waiting for the train. They were as weathered and tired-looking as the old worn wall of the train station behind them.

More to come…

New Philip Hyde Releases At Mountain Light Gallery Exhibition

May 4th, 2010

New Philip Hyde Photographs Never Before Seen By the Public Make A World Premier In The Exhibition At Galen Rowell’s Mountain Light Gallery

Waiting For The Train, Oaxaca Train Station, Oaxaca, Mexico, 1990 by Philip Hyde. Never before printed or published.

(See the photograph full screen Click Here.)

Philip Hyde’s “Waiting For The Train, Oaxaca Train Station, Oaxaca, Mexico” photographed in 1990 will be part of the “Pioneer Photography of Philip Hyde Exhibition at Mountain Light Gallery” in Bishop, California opening May 8 and running through August 31, 2010. (See also the announcing blog post, “Photography Of Philip Hyde At Mountain Light Gallery” and the related blog post,  “Galen Rowell, Philip Hyde And Outdoor Photographer Style.”) The people photograph, “Men of Oaxaca” breaks the pattern of the typical Philip Hyde landscape photograph. Philip Hyde made a good number of people portraits but rarely published or printed them. “Waiting For The Train, Oaxaca Train Station” is also unusual for Philip Hyde in that it was photographed with a 35 mm camera. While “Waiting For The Train” can be viewed on the Philip Hyde Website, several other new releases in the exhibition are not even on the website yet and have not been printed or published for many years or ever.

One release that is new to archival fine art digital prints is a 1968 photograph called, “Base of Havasu Falls, Havasupai Indian Reservation, Arizona.” Philip Hyde made only two dye transfer prints of this image that are long gone. It was never publicly exhibited as far as the records show. This will be the first gallery exhibition for this photograph. The restoration of this image was very time-consuming because the original Kodak E-3 transparency has deteriorated significantly. The raw drum scan of the original transparency had an orange-magenta caste overall with concentrated streaks, fingerprints and other blotches in the water throughout. Carr Clifton spent over 10 hours working on this one photograph. His process I will write up in another blog post, but suffice now to say that it involved a complex combination of the lasso tool, hue, saturation, color adjustment, color balance, select color, edit-fill, and several other general tools in Photoshop to get all of the flaws out and make the white water look right.

Another photograph that will appear in the Mountain Light Gallery Exhibition that Philip Hyde never printed but that was published by the Sierra Club is “Mt. Jefferson, Jefferson Wilderness Area, Oregon Cascades, Oregon” made in 1959. This photograph the Sierra Club published as a beautiful postcard in 1961. The original transparency and drum scan of it show large, dark forested areas. In the digital age, we were able to lighten the nearly black forests without changing the character of the photograph. As an archival fine art digital print this image has become more beautiful than ever. The lightening of the dark areas has brought out remarkable features in the finished print that could never have been achieved with any older printing process. Philip Hyde had a packer guide he and Ardis Hyde’s gear into the Jefferson Wilderness Area by horseback, while Ardis and Philip Hyde hiked in on foot. Philip Hyde went in to get photographs of the Jefferson Wilderness Area because it had been part of a proposed Oregon Cascades National Park that had some renewed interest in 1959 but not enough to go beyond speculation.

Pioneer Basin, Fourth Recess, John Muir Wilderness, Sierra Nevada High Country, California, 1970 by Philip Hyde. Never before printed or published.

Philip Hyde photographed “Pioneer Basin, Fourth Recess, John Muir Wilderness, Sierra Nevada High Country, California” in 1970. This beautiful photograph sat in the files and was never published or printed. In 2008 it was drum scanned and sat in digital form for another year and a half. Finally near the end of 2009, in search of more good California photographs, particularly of the High Sierra, and considering another image of Kearsarge Lake, I showed “Pioneer Basin, Fourth Recess” to Carr Clifton and he agreed that it ought to be prepared for printing. We printed an 8X10 proof that needed work. Carr Clifton is the Photoshop genius, but I sit in with him sometimes and make suggestions. We at times disagree, but that makes for good discussions and usually better results. I greatly respect him and his photography and he respects my work ethic and how dedicated I am to doing what my father would like. In the case of “Pioneer Basin, Fourth Recess” after we fixed a few technical problems and made another 8X10, it turned out beautifully. Then we printed an 11X14, Wow. We were so enthused about the image that I decided to put it in my 11X14 portfolio book that I take everywhere to show. I decided that we had to print a 16X20 and put it in the Mountain Light Gallery Exhibition. I put it on the website for a while but took it down to await a special announcement like this.

The three new releases that are not yet up on the website will remain off the website and only viewable at Mountain Light Gallery until the exhibition is over at the end of August. In addition to the four prints mentioned above that will be completely new, the exhibition will include 14 images that have never been exhibited before this Century. That makes 18 new prints that will be shown for the first time since Philip Hyde passed on.

Besides new prints, the Mountain Light Gallery Exhibition will include an original black and white silver print of Philip Hyde’s iconic “Minarets From Tarn Above Lake Ediza, Ansel Adams Wilderness, Sierra Nevada, California, 1950.” This photograph of the Minarets Ansel Adams said he liked better than his own. Also in the show will be an original color Cibachrome print of  “Ice On Continental Divide, Yoho National Park, British Columbia, Canada, 1992.” This newer Canadian Rockies image is of sheer rock peaks with forested foothills. Come see all of the new imagery.

Read a Recent Interview of me by Richard Wong regarding my work with Philip Hyde Photography: Son of Environmental Photography Pioneer David Leland Hyde Interview.

Pioneering Photography of Philip Hyde Exhibition
May 8 Through August 31, 2010

Talk and Opening Reception May 8

Galen Rowell’s Mountain Light Gallery
106 South Main Street
Bishop, California
760-873-7700