Posts Tagged ‘Man Ray’

The History Of Photography Collecting 1

November 29th, 2012

The History of Photography Collecting 1

Photography Has Proven One Of The Most Profitable And Satisfying Of All Art Forms To Collect…

While Photography as an art form has matured and found substantial space in most major museums, more people make and share photographs than ever before with the proliferation of digital cameras and camera phones. Interest in collecting photography has also grown dramatically, not to mention the value of some photographs. The art of collecting photography has followed the medium in an upward climb in popularity throughout its existence. But how did photography collecting begin? Who were the first collectors? What types of photographs were the first collected? Why were daguerreotypes so popular?

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Man Ray On Art And Originality

May 19th, 2010

One of the World’s Most Recognized and Unusual Artists, the Painter, Sculptor and Photographer Man Ray, Brings Insight to the Creative Process, Art and Originality

Man Ray did not pursue Recognition, Fame or Financial Success. He was broke most of his life.

Are you in it for recognition? For money? Why are you a landscape photographer?

Salvador Dali and Man Ray, Paris, 1934 by Carl Van Vechten. Public Domain image. This photograph was made in Paris while Philip Hyde was there at age 11 with his little brother Davy age 5, his sister Betty, age 16, his mother Jessie and his father painter Leland Hyde, who was studying at the world famous L' Ecole de Beau Arts, one of the art hubs of Modernist Paris.

A hot topic recently in the landscape photography blogosphere has been this variously defined idea of “copying,” that is: one photographer copying another’s photograph by standing in roughly the same place under roughly the same conditions and capturing essentially the same image. While the laws of physics prevent the making of an exact copy, many photographs come close enough to bring the intent of the “copying” photographer into question. I made a few comments on some posts on the topic.

Photography Blog Posts Discussing Copying Or Related Themes Recently:

“The Art of Copying” from Guy Tal Photography Web Journal

“Copying Other Photographer’s Images; Good, Bad, Legal?” from Pro Nature Photographer Blog

“Moving Past The Repertoire” by Greg Russell here on Landscape Photography Blogger

“Make Your Own Tripod Tracks” by David Leland Hyde on Alpenglow Images Blog

“Originality – A Matter of Perspective Revisited by Jim M. Goldstein on JMG Galleries Blog

“Creativity and Copying” posted by Kevin Schafer on the Outdoor Photographer Blog

“Iconic Locations and the Making of Art” from Little Red Tent Blog

“Copy/right and the Nature of Art” from Pomeroy Photography Blog

“Photography and Icons” from Skolai Images by Carl Donohue

“Art; an Exploration of the Unknown” also from Skolai Images

Some photographers have proposed that any photograph that is copyable is not art. Others say this is preposterous. Indeed, one could just as easily argue that any photograph that is not copyable is not art, but is merely a documentation of special effects or techniques and manipulations that go against the nature of photography to stand on real subjects. Is a clean simple, unaffected photograph of nature not to be considered art just because some smart aleck bought a topo map or used GPS mapping to find the location? Either argument may be just as theoretically vacuous and irrelevant to the actual act of making a photograph; except that the photographer’s intent and purpose behind his photography may be the underpinning not yet examined in this discussion.

This Generation Must Do Something Entirely New

As I commented on Guy Tal’s blog post, “Copying Discussion Follow-Up,” we all from time to time can benefit from some introspection. Current landscape photographers and landscape photography in general would benefit by getting away from photographing the icons in the same old ways. Here’s part of what I wrote:

…The next generation must do something else entirely. We have to ask ourselves, why we got into photography in the first place? We have to dig for our own meaning and direction. We must at all costs, eliminate anything that even hints of copying the copiers. That’s my take, anyway, for what it’s worth, and my idea of what is necessary to make any contribution to the art of landscape photography.

More on this and a related discussion on what keeps landscape photography going here on the Landscape Photography Blogger blog post, “Is Landscape Photography Thriving Or Dying.” On a similar note, a few photography bloggers recently called for discussions on the creative process. Greg Russell on his Alpenglow Images Blog raised concerns about creativity and the use of Photoshop in his blog post, “Where Does the Creative Process Stop?” You may find the comments on this post interesting as well as on the insightful post, “Was That Photoshopped?” from the Landscaping! Blog.

Man Ray’s Shocking Originality And Poverty

One of the world’s most famous photographers, a sculptor and painter, Man Ray, may be one of the most original artists ever. Man Ray was so creative that nothing he ever produced in any medium looked anything at all like any other art that ever existed. Man Ray was not interested in producing photographs that looked like previous masters to learn. He made his own style in everything. He broke all the rules and set the trends. Man Ray also had his work rejected by galleries and the public for many years. Near the end of his life he became accepted by the wealthy art establishment in Paris, France where he lived most of his life. He earlier had become known for his portraits of famous people and soon-to-be famous people such as Ernest Hemmingway, Gertrude Stein, Jean Cocteau, James Joyce, Antonin Artaud and many others. He gained a measure of success but it was not until after his death that his original Dadaist sculptures and paintings became highly sought after and sold for millions in auctions.

The point is not that landscape photographers now must be starving artists, it does not matter if you are rich or poor, only if you are unique. The point is to put originality above making money or gaining recognition. Some will starve doing this because they believe that to make money they have to do whatever everyone else is doing. Some will become wealthy through their unique vision.

In a video called Man Ray: Prophet of Avant-Garde from the PBS American Masters series, the modernist painter, sculptor and photographer said:

I never think about art and I don’t think the old masters ever thought that they were creating art. They had to express the spirit of their times and they would then start to invent. What seems to be the tricks of the day, will be the truths of tomorrow. Students ask me, ‘How do I make something original?’ I tell them, be yourself and you will be original. Who are you?

Why are you a landscape photographer?

For a blog post by Jay Goodrich that makes a similar inquiry and features some interesting responses see, “Why Do You Photograph?” To see some new, innovative photographs see also the blog post, “Breaking New Ground With Digital Photography Creations.” To learn more about a pioneer who went far beyond innovation to influence all of landscape photography see the blog post, “The Hidden Brett Weston.” To look beyond creativity to photographic tools such as film and its influence on the direction of landscape photography see the blog post, “Did Velvia Film Change Landscape Photography?