Posts Tagged ‘Golden Decade’

The New Golden Decade by Steidl – Book Review

September 25th, 2017

Golden Decade: Photography at the California School of Fine Arts 1945-55

By William Heick, Ira H. Latour and C. Cameron Macauley, edited by Ken Ball and Victoria Whyte Ball

Book Review

The New Cover of The Golden Decade: Photography at the California School of Fine Arts 1945-55.

Cutting Edge of World Art Then, Publishing Today

A completely new, redesigned, re-edited and revised version of the Golden Decade: Photography at the California School of Fine Arts 1945-55, published by renowned photography book publisher Steidl based in Gottingen, Germany, has been selling steadily in the United States for close to a year. The new Golden Decade has already sparked glowing reviews by many major newspapers and magazines, instigated book signings at some of America’s most prominent bookstore venues and catalyzed a handful of exhibitions at major museums, galleries and art centers.

This year, Steidl, the book, or the photographers have been featured in USA Today, the New Yorker and many other prominent publications. Mainstay European newspaper, The Guardian, hailed the Golden Decade as the book about “the school that turned photography into art.” Beyond the Curtain, touted as Southern California’s premier art and society magazine, extolled the Golden Decade photography exhibition at the Laguna Art Museum as “not for the eye to miss” and “a special glimpse into California’s progressive cultural history.” The Beyond the Curtain review revealed the influential ties between Golden Decade photography and the world art scene, as well as the East Coast art establishment. The article in Beyond the Curtain showed how the West Coast, specifically the California School of Fine Arts, renamed the San Francisco Art Institute, between its painters and photographers, at the time became the world’s cutting edge expression of modernism.

Only five of the 35 photographers with portfolios in the book are still living, while none of the original authors William Heick, Ira H. Latour and C. Cameron Macauley are still with us. As a result, the book editors, Ken Ball and Victoria Whyte Ball are all but worn out by an extended season of bookstore events that launched at the end of last October with a book signing at The Strand in New York City and continues throughout California and other major art markets. For more about the development of the new Golden Decade at Steidl and a list of all 35 photographers see the Landscape Photography Blogger article, “The Golden Decade Book to be Published by Gerhard Steidl.

The New Golden Decade Book Versus the Old Book

Steidl’s new design for the Golden Decade is less folksy and not as loaded with memorabilia, but more artful, chic, streamlined and clean, though the book still weighs in at 416 pages. The book is far from sleek, but the design on each page is sleek, spacious and crisp. The book overall is less busy and more pleasing to the eye than the earlier self-published version. A section in the beginning now tells how the book came to be, followed by the feature essay in which Ira H. Latour, in easy-reading prose tells the story of the founding of the photography department by Ansel Adams and California School of Fine Arts director Douglas MacAgy. For more on how the Golden Decade began see the blog post, “The Golden Decade: Photography at the California School of Fine Arts.

From obtaining funding through the Columbia Foundation, to securing facilities, the radio announcement, the first classes, launching the full-time program, abstract expressionism and much more, Latour’s essay informs, but does not overwhelm. Ansel Adams modeled the school on a rigorous piano conservatory approach to hands-on practice and set up the curriculum based on his famous Zone System. Early on a few students complained that the advertising promised courses by Ansel Adams just as he had become scarce at the school while working on his Guggenheim project photographing the national parks. The complaining faded when Ansel Adams hired Minor White, who in turn brought in prominent photographers to teach including Dorothea Lange, Imogen Cunningham, Lisette Model, Eliot Finkels, Frederick W. Quandt, Jr., Clyde Childress from the Art Center School, Robert McAllister, Homer Page, Rose Mandel and others. Beaumont and Nancy Newhall even gave a few lectures. The most anticipated student outings were to visit Edward Weston and Brett Weston at Wildcat Hill in Carmel, as well as photography field trips with Edward Weston out to Pt. Lobos State Reserve.

Minor White taught his, at the time somewhat confusing, but later much lauded Space Analysis. Benjamin Chinn, Philip Hyde, C. Cameron Macauley and others who wrote or talked about Space Analysis each had different understandings of it, but in June of 1952, the American Annual of Photography published an article by Minor White that defined Space Analysis as simply “The Use of Space in Defining Pictures.” C. Cameron Macauley’s essay in the Golden Decade also has provides readers with an understandable summary. Space Analysis brought the photographer’s awareness to vacant space, filled space and the relationships between objects and space, with more emphasis on the space than the objects. Students applied Space Analysis both before exposure while looking at the ground glass and after the production of a finished print.

Besides teaching portrait and landscape photography with large format cameras, White encouraged the study of motion by studying rush hour and doing street photography using “mini cameras,” that is, medium format and 35 mm. He also promoted the photographic interpretation of other arts including sculpture, plays, various other forms of performance and festivals. Students photographed the lively Fillmore District, the coast along Highway 1, industrial and architectural subjects with real world assignments by Pacific Gas and Electric Company, Stanford University, the City of Mendocino, the Gold Country, ghost towns and many other locations and clients all over Northern California.

Essays By Star CSFA Students

The essays by William Heick, C. Cameron Macauley, Ira H. Latour and others illuminate all aspects of student endeavor, both the day and night classes, student social gatherings, the striking philosophical differences between Minor White and Edward Weston and between Minor White and Ansel Adams. The latter at times brought on heated classroom discussions. Latour’s essay in particular offers an insightful, incisive dissecting not only of technical, creative and academic aspects of the photography program, but of the philosophy and character of both instructors and key innovative students.

Separate essays, all rearranged for better flow in this new Steidl version of the Golden Decade, also cover student print exchanges, a student print-based fundraising event, the world-famous 1954 “Perceptions” show at the San Francisco Museum of Art and the founding of Aperture magazine with several students including Philip Hyde, Benjamin Chinn and William Heick, being featured in early issues. Another essay described the students hanging out and later mounting a show at Vesuvio’s Bistro in the bustle of San Francisco’s North Beach District, which soon after became the home neighborhood of the Beat Generation poets. “Vesuvio’s is usually crowded with painters, photographers, craftsmen and sighseers,” wrote C. Cameron Macauley.

An essay by Pat Harris, “A Woman’s Perspective” explained that though most of the men had just come out of Word War II and were going to art school backed by the G.I. Bill, the primarily non-veteran women enrolled in the classes had to scrape and pay for school on their own. People kept saying to Pat Harris that science was not for women at each school she attended previously, but Ansel accepted her into the photography program and with mentoring from Imogen Cunningham she thrived.

Similarities, Differences and Influences in Student Photographs

Students at the school came from diverse backgrounds and circumstances, but the similarities that ran through many of the photographs do not end at the often-evident influence of Adams, Weston and White, but begin with it and go beyond it. Emerging from World War II, the country, the world and San Francisco in particular, had tremendous creative energy and productivity, while at the same time civilization carried the weight of what it had seen and endured, moving past it with transcendence and new purpose. Aspects of all of this are evident in the photographs, as well as meanings beneath the surface in most of the images. Edward Weston said, “To photograph a rock, make it look like a rock, but be more than a rock.”

The student portfolios exhibit a quiet intensity with clean lines, a new take on the modernist aesthetic, with room around subjects, objects well-placed in space, whether through space analysis or by emulating the quiet balance conveyed by Edward Weston. Many of the students’ photographs exhibit a strong design element. All are carefully conceived. For more about the contemporary exhibitions of the photographs starting in 2010 see the blog post, “Over 500 People Attend Golden Decade Opening.

Ansel Adams spoke of photographs representing a spiritual experience. The Golden Decade nature photographs exemplify either subtle or more obvious post-war transcendence. The landscape photographs contain some kind of spiritual quality, either through the use of light, or the arrangement of the subjects. Symbolism, ironic juxtaposition and the careful handling of negative and positive space around objects is as important as the objects and people themselves. The influence of Minor White also shows in the patterns and psychological emphasis, sometimes on humor, sometimes on tragedy, but always giving added meaning to the images. Metaphysics often shows or is alluded to in the street and people photographs as well. Pirkle Jones, William Heick, Gerald Ratto, David Johnson and many of the others expressed their greatest artistry in their photographs of people.

The first photograph in the student portfolios, “Nun and Child” by Ruth-Marion Baruch, like many others in the book, was clearly best expressed in black and white rather than in color. The nun’s habit with it’s black and stark white oversized collar contrasted with various grays and off-whites of the surrounding children all framed in a dark doorway. Baruch’s “Benicia” also juxtaposed innocence, optimism and the liveliness of youth in the foreground with the disappointment, unfairness and misfortune of life in the background. The images of Philip Hyde, Stan Zrnich and the other landscape photographers tended to speak of timelessness and at the same time remind us that we are here by either grace or accident and that this moment, this vivid now is fleeting. ‘Gather ye photographs while ye may.’ The Golden Decade shines on forever and glows golden for only one bright decade. It continues on and ended just yesterday: a book worth learning from and keeping safe for studying over and over; a time in history worth struggling to grasp and hold onto whether you are a historian, collector, photographer or artist in another medium.

Golden Decade Shows at Laguna Art Museum and Minnesota Street Project

February 22nd, 2017

Current Golden Decade Exhibits and Book Events

Smith Andersen North Gallery

Laguna Art Museum

Minnesota Street Project

San Francisco Art Institute

Bankhead Theater Gallery

The Golden Decade, San Francisco, Ansel Adams, Minor White and the California School of Fine Arts History

Piers, Waterfront, San Francisco, California, 1948 by Philip Hyde. An original vintage contact silver print of this photograph was the first to sell at the first Golden Decade Show in 2010 at Smith Andersen North, attended by over 500 people. (Click on image to see large.)

Art historians, critics, gallerists, curators and museum staff have taken to calling the 10 years after World War II, 1945-1955, The Golden Decade of photography on the West Coast and elsewhere around the nation. Not only did the arts bustle and surge with energy and popularity in San Francisco and elsewhere on the West Coast during this period, but a new department of photography founded by Ansel Adams would in time have world-wide influence as it helped to transform photography into art.

The photography department at the California School of Fine Arts, renamed the San Francisco Art Institute in 1961, was the first College level art program to teach creative photography as a full-time profession. At the recommendation of Beaumont Newhall, who had earlier co-founded with Ansel Adams the first museum photography department at the Museum of Modern Art in New York City, Ansel Adams hired and transplanted Minor White from Princeton to San Francisco to lead instruction at the new photography program at CSFA. Read the never before published Philip Hyde notes on a number of Minor White’s lectures including the famous one on Space Analysis, the notes from the Space Analysis Lecture start a short portion of a series of blog posts based on Philip Hyde’s notes.

Minor White in turn invited to guest lecture some of the most influential photographers at the time including Dorothea Lange, Imogen Cunningham, Lisette Model, Nancy and Beaumont Newhall, Homer Page, Alma Lavenson and Bill Quandt. The early classes at the school also took field trips down to Carmel to visit the studio of Edward Weston, now considered by many the father of modern photography. Students also photographed with Edward Weston in the field at nearby Point Lobos State Natural Reserve.

Ansel Adams taught a number of classes beginning in 1945. By 1946, Ansel Adams offered the first full-time Summer Session. Philip Hyde first attended the school and Minor White first assisted in this class. By the Fall of 1946, Minor White took over teaching and by the Fall of 1947 Philip Hyde began the full-time program, which ran three years through 1950. Read more on “The Early Days of Ansel Adams’ Photography Program.” Eavesdrop on a conversation with “Philip Hyde and Benjamen Chinn talking about Ansel Adams’ Photography Department.” Discover why “The California School of Fine Arts Makes Art History.”

In subsequent years, students from the Golden Decade period put on a number of retrospective exhibitions, most of them located at the school, renamed the San Francisco Art Institute.

Contemporary Interest and Events

Interest in the photography of both students and teachers from the Golden Decade era stepped up significantly when Stephanie Comer, Deborah Klochko and Jeff Gunderson began interviewing and researching their 2006 book, “The Moment of Seeing: Minor White at the California School of Fine Art.” During the lead up to their book release, in December 2005, four months before Philip Hyde passed on, David Leland Hyde took his father to a reunion lunch in San Francisco organized by Ken and Victoria Whyte Ball. At the reunion lunch classmates who had not seen each other in many years, sometimes as long as 50 years or more, exchanged stories, signed each other’s prints, helped identify people in photographs, and talked of the years since photography school and the unforgettable times during photography school.

Victoria Whyte Ball is the daughter of Don Whyte, one of Philip Hyde’s classmates. After the reunion lunch, Ken and Victoria Whyte Ball began to help Bill Heick, Ira Latour and Cameron Macauley edit and complete their long-planned and only partly written book called “The Golden Decade: Photography at the California School of Fine Art 1945-1955.” The Golden Decade would be another retrospective volume, already many years in the making, though told more from the students’ perspective. All three of the original authors lived to see a self-published version of this book come out in 2010 in conjunction with a gallery show at Smith Andersen North in San Anselmo, Marin County, California. Over 500 people attended the Golden Decade show opening and a Philip Hyde vintage print of “Piers, Waterfront, San Francisco” was the first to sell. The show was extended for an extra month to include a new closing reception and book signing.

From 2010 to 2015, there were more Golden Decade Group Exhibits and a number of shows by the individual photographers at Smith Andersen North and elsewhere. At Mumm Winery in Napa, California, the holders of a large permanent collection of original Ansel Adams prints, Mumm Napa put on a Golden Decade show in February 2014. Stefan Kirkeby, gallery owner of Smith Andersen North, who had taken a special interest in representing and helping Golden Decade photographers, put on exhibitions of photographic prints by Golden Decade artists Benjamen Chinn, Ruth-Marion Baruch and Pirkle Jones, Leonard Zielaskiewicz, Charles Wong, Paul Caponigro, Philip Hyde and John Upton. The widely acclaimed and attended Smith Andersen North show This Land Is Our Land: Philip Hyde and the American Wilderness, put together by Stefan Kirkeby and David Leland Hyde, enjoyed a turnout larger than any other show at the gallery besides the 2010 Golden Decade show.

Redesigned New Golden Decade Book Published by Steidl

During this five-year period, Ken and Victoria Whyte Ball searched for a publisher for the Golden Decade. Finally in 2015, the internationally respected premier photography book publisher Gerhard Steidl of Göttingen, Germany, decided to publish a redesigned version of the Golden Decade book. Steidl published the book in April and shipped it to the US in May of 2016.

Book signings kicked off in the US at the famous Strand bookstore in New York City on Saturday, October 29. The Strand, one of the world’s most prominent English language bookstores, was established in 1927 and claims to contain 18 miles of books. From then on Steidl has kept Ken and Victoria Whyte Ball busy doing book signing events. Other Golden Decade photographers who are still alive, with us and have also attended and signed books at some signings include John Upton, Gerald Ratto, David Johnson, Stan Zrnich, Charles Wong, Stephen Goldstein and Zoe Lowenthal.

Following the book signing at the Strand in New York, the next major Golden Decade event was an opening and book signing at Smith Andersen North for Golden Decade photographer Gerald Ratto. Gerald Ratto’s photography exhibit was on view from November 12 thru December 23, 2016. Many Golden Decade fans bought books and had them signed at this gallery opening.

Golden Decade Gallery and Museum Shows

In case anyone missed this show and signing, an official Golden Decade Exhibition sponsored by Smith Andersen North and Casemore Kirkeby, housed at the Minnesota Street Project in San Francisco, opened February 4 and will run until February 28, 2017. At the opening for this Minnesota Street Project show, Stefan Kirkeby, owner of Smith Andersen North and co-owner of Casemore Kirkeby, made introductory remarks and introduced Jeff Gunderson, San Francisco Art Institute Librarian and Archivist and contributor to The Moment of Seeing. After Jeff Gunderson spoke, Jack Fulton, photographer and retired SFAI professor, talked further about the history of the photography program.

Also opening this month, on February 19, a Golden Decade museum show will run through May 29, 2017 at the Laguna Art Museum. Founded in 1918, the Laguna Art Museum is the premier museum of California Art created by California artists.

On March 1, 2017 back at the photography program campus at the San Francisco Art Institute, there will be another Golden Decade book signing and presentation. Specifics on the two shows currently up and ongoing and the upcoming signing at SFAI are listed below.

The Golden Decade Exhibit
February 4 thru 28, 2017
Smith Andersen North—Casemore Kirkeby
Minnesota Street Project
1275 Minnesota Street
San Francisco, California 94107
415-851-9808

The Golden Decade: Photography at the California School of Fine Arts, 1945-1955
February 19 thru May 29, 2017
Laguna Art Museum
307 Cliff Drive
Laguna Beach, California 92651
949-494-8971

The Golden Decade Book Signing and Panel Discussion
A Conversation with Ken and Victoria Whyte Ball, Jeff Gunderson, Stefan Kirkeby and Golden Decade Photographers John Upton, Stephen Goldstine, David Johnson, Charles Wong, Gerald Ratto and Stan Zrnich.
6 pm, March 1, 2017
San Francisco Art Institute
800 Chestnut Street
San Francisco, California 94133
415-771-7020

The Golden Decade Art Exhibition at the Bankhead Theater Gallery
March 4 thru May 1, 2017
Book signing March 10 at 6:30-8:30 pm
Bankhead Theater
Livermore Valley Performing Arts Center
2400 First Street
Livermore, CA 94551
925-373-6800

San Francisco Art Institute Photography History 17

May 12th, 2016

On the Fall Program, Student Supplies and Lab Schedule

Lecture by Ansel Adams

Philip Hyde’s 1947 Class Notes Notes

California School Of Fine Arts, Now The San Francisco Art Institute

Photography Program Founded By Ansel Adams, Minor White Lead Instructor

(Continued from the blog post San Francisco Art Institute Photography History 16.)

Winter Forest Near Badger Pass, Yosemite National Park, High Sierra, California,

Winter Forest Near Badger Pass, Yosemite National Park, High Sierra, California, copyright 1949 by Philip Hyde from the Golden Decade book.

Below is the next in a series of excerpts from the only known existing complete student lecture notes from the photography program at the California School of Fine Arts, now the San Francisco Art Institute. During the “Golden Decade” while Minor White was lead instructor, beginning in the Ansel Adams Summer Session 1946, Philip Hyde kept a detailed record of class presentations.

A new book, Golden Decade: Photography at the California School of Fine Arts 1945-1955 by William Heick, Ira Latour, Ken Ball and Victoria Ball will be published June 2016 by Steidl of Germany with a small text contribution by David Leland Hyde and photographs by Philip Hyde, his classmates and other students during the era.

For the California School of Fine Arts Summer Session 1946, Ansel Adams brought in Minor White from Columbia University on recommendation from Beaumont and Nancy Newhall. In the 1946 Summer Session Minor White quickly proved himself as a coach of the young students and as a guest lecturer. Within a few weeks Ansel Adams felt confident enough in Minor White’s teaching abilities to leave him in charge of the class and set out on the road to photograph the national parks for his recently awarded Guggenheim Fellowship.

Today, the San Francisco Art Institute still has one of the world’s most cutting edge photography departments, however, in 1945-1955, the first ten years of the program made history as Minor White brought in Imogen Cunningham, Lisette Model, Dorothea Lange, and many other luminaries to guest lecture. Each semester Minor White also took the students on numerous field trips, the highlight of which was a visit to Wildcat Hill in Carmel to discuss the art and craft of photography, look at prints by Edward Weston and photograph with him out on Point Lobos State Natural Reserve.

Ansel Adams first taught the Summer Session in 1945. In the summer of 1946, Minor White joined him as a teacher and at the same time, Philip Hyde joined them as an early student. Due to an office paperwork error, Philip Hyde did not start in the first full-time class in 1946, but started in the second full-time class in the Fall of 1947. The extra year on the waiting list did not go to waste, however as Philip Hyde also used his G. I. Bill Veteran’s education benefits at U. C. Berkeley to take a number of art and design courses, including classes by the famous Japanese-American painter Chiura Obata. By this lecture in August 1947, Hyde had just been married to Ardis King in June of 1947, whom he met at a New Year’s party in San Francisco at the end of 1945 and got to know in the year at U. C. Berkeley before he attended the full-time photography program in the Fall of 1947. Philip Hyde’s notes quoted below are from a lecture where Ansel Adams outlined the Summer Session and Fall Full-Time 1947 program courses, lab schedule and supplies needed.

Philip Hyde’s Lecture Notes—August, 1947

Each student will be in a conference group for attending museum and lecture events.

Program – August 18-22

Monday

Morning            Introduction
Afternoon         Design, Society and Artist with Ernest Mundt [School Director]

Tuesday

Morning            Lecture—Minor White
Afternoon          Lecture—Ansel Adams

Wednesday

Morning             Lecture—Minor White
Afternoon          Design, Society and Artist

Thursday

Morning             Lecture, Field Trip—Minor White
Afternoon           Lab

Friday

Morning              Lab
Afternoon           Design, Society and Artist

Lab Schedule Summer and Fall

[1st Year Student = 1; 2nd Year Student = 2]

Time                      Mon.           Tues.         Wed.       Thurs.      Fri.          Sat.

9 am – 12 noon         2                  2                  1                2               1               open

1 pm – 4 pm              2                  1                  2                1               2              open

4 pm – 7 pm              1                  1                  1                1               1

7 pm – 10 pm            1                  1                open            1               open

Also for 1st Year Students – Darkroom #6 – Mondays 4 pm – 7 pm, Fridays 9 am – 12 noon

Supplies for Student Purchase

  • Isopan Cut Film
  • Super XX Cut Film
  • 1 pound of Metol
  • 1 lb. Hydroquinone
  • 4 oz. Amidol
  • 4 oz.
  • 1 lb. Glacial Acetic Acid
  • 1 gallon of Acid Hypo
  • Gross 8X10 Dry Mount Tissue
  • 1 lb. Kodalk
  • 1 qt. Kodak Selenium Toner
  • 8X10 Printing Paper Contrasts—1, 2, 3 Cykora #2, Glossy #3
  • 1 Exposure Record
  • 1 Eastman Spotting Colors
  • Photo Course Worksheets
  • Spotting Brushes
  • Glassine Envelopes
  • Mount Boards

 

Interesting how many large format film photography supplies are now replaced by electronics and computers… Any thoughts on traditional processes, darkroom printing, art schools or another aspect of these notes?

(Continued in the blog post San Francisco Art Institute Photography History 18.)

The Golden Decade Book To Be Published By Gerhard Steidl

June 17th, 2015

The Golden Decade Book in Pre-Production at Steidl in Germany

Original limited edition printing design of The Golden Decade. Gerhard Steidl already redesigned the book, fonts and colors with a more contemporary art look.

Original limited edition printing design of The Golden Decade. Gerhard Steidl already redesigned the book, fonts and colors with a more contemporary art book layout and look.

The Golden Decade: California School of Fine Arts Photography 1945-55 by Ira Latour, Cameron Macauley and Bill Heick, edited by Ken Ball and Victoria Whyte Ball, sold out in two special oversize limited editions of 100 books each in 2010. In conjunction with the release of the book, Smith Andersen North Gallery held a two-month exhibit of original darkroom silver prints by 36 students of Ansel Adams and Minor White.

Now The Golden Decade will be published by world-premier art book publisher Steidl of Germany and is in pre-production. Ken and Victoria Whyte Ball recently traveled to Gottingen, Germany for the beginning of pre-production to work with Gerhard Steidl on the layout and design of the book. The production process with a master art publisher such as Steidl, Ken and Victoria said has been fascinating, besides, the Balls had fun in Steidlville getting to know the other photographer teams and curators also putting books together including Joshua Chuang from the Center for Creative Photography in Tucson, Arizona and Anna Davidson, daughter of New York Magnum photographer Bruce Davidson. Follow the Ball’s adventures in Germany and the Golden Decade journey into print at a delightful blog Victoria has been writing called the Golden Decade Blog, supplemented by Victoria Whyte Ball’s Facebook page.

Steidl redesigned new cover and inside layout of The Golden Decade book. (Click on image to see large.)

During the first 10 years of the photography program founded by Ansel Adams at the California School of Fine Arts, now called the San Francisco Art Institute, Minor White was lead instructor. He invited Imogen Cunningham, Dorothea Lange, Edward Weston, Lisette Model and other definers of 20th Century photography to be guest instructors.

The Golden Decade Book author Ira Latour was in the first full-time class of the photography department, while Bill Heick was in the second class with Victoria Whyte Ball’s father Don Whyte, Philip Hyde and 12 other students. Cameron Macauley was in a later class. The authors and a large number of other contributors including David Leland Hyde share stories and biographical sketches from the early days of West Coast Photography when the earliest students of straight photography started journeys in the medium, many of which went on to notable publishing and exhibiting achievements of their own.

All Golden Decade photographers are:

Ruth-Marion Baruch

John Bertolino

Lee Blodget

Benjamen Chinn

Eliot Finkels

Oliver Gagliani

Stephen Goldstine

Muriel Green

Pat Harris

William Heick

Frederick H. Hill

Robert Hollingsworth

Helen Howell

Joe Humphreys

Philip Hyde

David Johnson

Pirkle Jones

Fritz Kaeser

Ira H. Latour

Zoe Lowenthal Brown

C. Cameron Macauley

Rose Mandel

Nata Piaskowski

William Quandt

Gerald Ratto

Alfred Richter

John Rogers

Walter Stoy

John Upton

George Wallace

Don Whyte

Charles Wong

Harold Zegart

Leonard Zielaskiewicz

Stan Zrnich

For more about the Golden Decade of photography in San Francisco and the California School of Fine Arts see the blog post, “Photography’s Golden Era 6.” For more about the Golden Decade show see the blog post, “Over 500 People Attend Golden Decade Opening.”

Update: You can now pre-order the Golden Decade from Amazon with a guaranteed savings of $24.09 off the regular retail of $75. The pre-order guaranteed price is 33 percent off at $50.09. To pre-order click The Golden Decade.

Have you ever met any of the students of Ansel Adams?

New Philip Hyde Exhibit, SFO Museum, San Francisco International Airport

February 17th, 2015

“Philip Hyde: Mountains And Deserts” Exhibit, SFO Museum

Snow On Cinders And Cinder Cone, Nevada, copyright 1962 Philip Hyde. This was one of the images chosen for the SFO Museum show, "Philip Hyde: Mountains And Deserts."

Snow On Cinders And Cinder Cone, Nevada, copyright 1962 Philip Hyde. The main publicity photograph chosen for the 2015 SFO Museum show, “Philip Hyde: Mountains And Deserts.”

If you are flying into or out of San Francisco International Airport, (SFO) and you are traveling via Southwest, US Airways, Delta, AirTran or Alaska Airlines, you will have the opportunity to see a museum installed exhibition of Philip Hyde’s photographs in Terminal One. The show called, “Philip Hyde: Mountains and Deserts,” will hang from now in February through April 2015.

The SFO Museum, which puts on over 40 exhibitions a year in all four of SFO’s terminals, is the only accredited museum in an airport in the US, said Curator of Exhibitions, Ramekon O’Arwisters. The SFO Museum displays a rotating schedule of art, history, science, and cultural exhibitions, as well as the San Francisco Airport Commission Aviation Library and Louis A. Turpen Aviation Museum, which houses a permanent collection dedicated to preserving the history of commercial aviation. The SFO Museum also exhibits color images and prints, but it tends to specialize more in black and white photography of note.

The SFO Museum has shown such distinguished black and white photographers as Carleton E. Watkins, Edward S. Curtis, Imogen Cunningham, Wynn Bullock, Fan Ho, Fred Lyon, Michael Kenna, John Sexton and many others. The museum has also exhibited the work of a number of Golden Decade photographers, photographers who studied under Ansel Adams and Minor White in the first 10 years after World War II of the burgeoning art scene of San Francisco. To discover more about this period, see the blog post, “The Golden Decade: Photography At The California School Of Fine Arts.” The SFO Museum specializes in giving high quality artwork a large exposure. To learn more about the SFO Museum, visit its Mission and History. The Philip Hyde exhibition is beyond gate security and therefore can typically only be seen by those with a boarding pass, but the show will enjoy a high volume of traffic located in Terminal One.

To curate the show, Mr. O’Arwisters asked me to put together a selection consisting only of horizontal 16X20 original Philip Hyde black and white silver prints. From these he chose 12 prints for the final show. Within the constraints of only horizontal images and fitting the Mountains and Deserts theme, some of the final selection prints are original silver prints and some are photographer authorized archival chromogenic prints. The SFO Museum, then, with matting, framing and horizontally oriented prints produced a consistent look and presentation, complete with a biographical description of the artists career and approach to photography written by O’Arwisters. You can see a preview of the show and description online at the SFO Museum “Philip Hyde: Mountains And Deserts.

Philip Hyde Exhibit

February – April 2015

SFO Museum, San Francisco International Airport

San Francisco, California

Have you ever flown in or out of SFO and noticed the exhibit spaces?

Golden Decade Photography Exhibit At Mumm Napa Gallery

February 13th, 2014

The Golden Decade: Photography at the California School of Fine Arts, 1945-1955

Mumm Napa Gallery Exhibition

February 15 through July 13, 2014

EXTENDED TO AUGUST 17, 2014

With CLOSING RECEPTION AUGUST 8, 2014, 4 – 6 pm

Opening Reception February 15, 6:30 – 8:30 pm

Mumm Napa Gallery

Several artists featured in the exhibit will attend…

RSVP  707-967-7740

Glacial Granite, High Sierra Backcountry, Yosemite National Park, California, copyright 1950 Philip Hyde. A 1950 vintage silver gelatin 5X7 contact print and two other Philip Hyde photographs will participate in the Golden Decade Photography Exhibit at Mumms Napa, Main Gallery.

Glacial Granite, High Sierra Backcountry, Yosemite National Park, California, copyright 1950 Philip Hyde. A 1950 vintage silver gelatin 5X7 contact print and two other Philip Hyde photographs will participate in the Golden Decade Photography Exhibit at Mumms Napa, Main Gallery.

Smith Andersen North and Mumm Napa Gallery are pleased to present The Golden Decade: Photography at the California School of Fine Arts 1945-1955, featuring the work of over 30 artists who emerged from the first 10 years of the photography program founded by Ansel Adams and led by Minor White. The program was the first in the nation to teach creative photography as a profession.

Minor White became the primary influence on the development of the new department after he replaced Ansel Adams as director in 1946. The school’s guest instructors were among the most influential figures in photography, including Edward Weston, Dorothea Lange, Imogen Cunningham, and Lisette Model.

The department gave rise to photographers who became important contributors to visual culture and whose work was shown in important exhibits, such as The Family of Man (MoMA, 1955, New York and international venues) and Perceptions (San Francisco Museum of Art, 1954). Among the artists were Rose Mandel, William Heick, Pat Harris, Bob Hollingsworth, C. Cameron Macauley, Ira Latour, Benjamen Chinn, Gerald Ratto, David Johnson, Ruth-Marion Baruch, Pirkle Jones, Philip Hyde, and John Upton; the last three of whom had significant publishing careers. Many of them were prominently featured in Aperture magazine, in the early years while Minor White was the editor, and Philip Hyde was exhibited in the Smithsonian and the Metropolitan Museum of Art.

The California School of Fine Arts was renamed the San Francisco Art Institute in 1961, and the school continues to train and develop world-renowned artists.

The Golden Decade: Photography at the California School of Fine Arts 1945-1955 Mumm Napa Gallery exhibit consists of almost 100 prints, many of which have not been shown before. We look forward to seeing you at Mumm Napa.

Mumm Napa

8445 Silverado Trail

Rutherford, California.

For more information and directions to the exhibit visit < Mumm Napa > .

Ken Brower Speaks At “This Land Is Our Land” Philip Hyde Exhibition Opening

January 30th, 2014

250 People Attend The Opening For The Largest Exhibition Of Philip Hyde In Northern California In 20 Years

Ken Brower And David Leland Hyde Speak About The Collaboration Between Their Fathers, David Brower And Philip Hyde, On Behalf Of Wilderness

“This Land Is Our Land: Philip Hyde And The American Wilderness,” will run through March 1, 2014

David Leland Hyde, Ed Cooper And Debby Cooper At The Opening of "This Land Is Our Land." Ed Cooper was another mainstay photographer for the Sierra Club, his work appearing in the famous Sierra Club calendars of the 1970s and 1980s that contained the who's who of landscape photography at the time. He is a well-known mountaineering large format photographer. His latest book, "Soul Of The Rockies" came out in 2008.

David Leland Hyde, Ed Cooper And Debby Cooper At The Opening of “This Land Is Our Land.” Ed Cooper was another mainstay photographer for the Sierra Club, his work appearing in the famous Sierra Club calendars of the 1970s and 1980s that contained the who’s who of landscape photography at the time. He is a well-known mountaineering large format photographer. His latest books are, “Soul Of The Rockies” (2008) and “Soul of Yosemite.” (2011)

Stefan Kirkeby, gallerist of Smith Andersen North Gallery, said over 250 people attended the Philip Hyde exhibition opening this last Saturday evening, January 25, 2014. Included in the crowd were Ken Brower–history making editor of Sierra Club Books and National Geographic writer and author of several books, Sierra Club Calendar and mountaineering photographer Ed Cooper, Golden Decade photographers Stan Zrnich, Gerald Ratto and David Johnson, who each have significant accomplishments of their own, Jack Fulton department head and associate professor of photography at the San Francisco Art Institute, Jeff Gunderson co-author of The Moment of Seeing: Minor White at the California School of Fine Arts, black and white architecture and landscape photographer Mark Citret, contemporary landscape photographer Gary Crabbe–protegé of Galen Rowell, a Sonoma County winery owner and other collectors, photographers and fans of photography.

“It was our largest show opening since the Golden Decade,” said Stefan Kirkeby.

The Golden Decade in West Coast photography refers to the first 10 years of Ansel Adam’s photography department at the California School of Fine Arts, now the San Francisco Art Institute when Minor White was lead instructor and other teachers included Edward Weston, Imogen Cunningham, Dorothea Lange and Lisette Model. The Golden Decade exhibit at Smith Andersen North drew over 500 people and exhibited the work of over 20 of Philip Hyde’s contemporaries.

“This Land Is Our Land: Philip Hyde And The American Wilderness” exhibition will run through March 1, 2014 and consists of vintage color dye transfer and Cibachrome prints, original vintage black and white silver gelatin prints, contemporary black and white darkroom prints from Philip Hyde’s original 2 ¼, 4×5, 5×7 and 8×10 negatives, and photographer authorized archival chromogenic lightjet and inkjet digital prints.

Stefan Kirkeby opened the evening’s talk by recognizing the commitment and dedication of Philip Hyde to preserving wilderness through conservation photography. He introduced David Leland Hyde, who first recognized Stefan Kirkeby’s dedication to art and artists. Then Hyde spoke about his father’s various campaigns and what it was like growing up with a father who was on the road 100 days out of every year for nearly 60 years. The young Hyde spoke of his good fortune to have traveled with his mother and father on many of their outdoor adventures. He told the story of traveling to a small wild island in the Caribbean as part of an assessment of whether or not to protect the island and it’s unique native species and endangered species in their home habitat, or to maintain the island as a US Navy bombing range.

David Leland Hyde described landing in a small plane in a grass field on Isla Mona, the island off Puerto Rico, driving through the jungle, staying in small beach bungalows, snorkeling in shallows filled with multi-colored fish that stretched for miles, backpacking across the hot desert interior of the 10-mile across island, hiking along the beach, camping near a Korean War era plane crash, befriending a four foot iguana, visiting a bat cave and getting up in the middle of the night with his parents and naturalist Frank Wadsworth to see the Southern Cross gleaming overhead in the clear milky way decorated night sky.

Ken Brower spoke next about the collaboration between his father, environmental leader David Brower, and his “go-to” photographer, Philip Hyde. Ken Brower told the story of David Brower and Philip Hyde having traveled to Hetch Hetchy Reservoir together in 1955 to photograph and motion picture film the low water that revealed the devastated dusty field of stumps as depicted in Philip Hyde’s famous photograph of the same title. Ken Brower also talked about other conservation campaigns and how art ultimately can make a big difference in the world.

The atmosphere in the gallery during the opening was festive and lively with plenty of refreshments including a selection of several types of white wine. You have never before seen gallery opening finger food cuisine like this: toothpick strawberries, kiwis, raspberries, grapes, cantaloupe, brie and three other types of cheese, four types of crackers, raspberries, cantaloupe, Shrimp Spring Rolls and sauce, both made on location, as were fresh Pico de Gallo with two types of chips and much more.

Besides being the first large photography exhibition of Philip Hyde’s work in nearly 20 years in the Bay Area, “This Land Is Our Land: Philip Hyde And The American Wilderness,” will run through March 1, 2014 and display the various regions in which Philip Hyde photographed and helped to protect wilderness.

For more on Philip Hyde’s career and “This Land Is Our Land” Exhibition, see the blog post, “Major Northern California Philip Hyde Exhibition.”

Smith Andersen North Gallery
20 Greenfield Ave
San Anselmo, California
415-455-9733

Tuesday – Friday: 10AM – 6PM, Saturday: 12 – 5PM, and by appointment.

Figurehead Gallery Group Show: The Legacy of Ansel Adams & Minor White

October 26th, 2012

Golden Decade

Photographers

The Legacy Of Ansel Adams And Minor White

Reception:  Sunday, November 4, 2012, 1-4 pm

Exhibit:  November 1-December 1, 2012

EXTENDED TO DECEMBER 22, 2012

Buckskin Gulch, Paria River Canyon, Vermillion Cliffs Wilderness, Utah, copyright 1969 Philip Hyde. Baby Deardorff 4X5 large format view camera. Buckskin Gulch is the featured image on the announcement for The Legacy of Ansel Adams and Minor White show.

Photographs by Ansel Adams, Minor White, Philip Hyde, Bill Heick, Charles Wong, David Johnson, Benjamen Chinn, Ira Latour, Zoe Brown, John Upton, Gerald Ratto, Stan Zrnich, Pat Harris, Don Whyte, Lee Blodget, Fred Hill, Helen Howell, Harold Zegart, Cameron Macauley, Stephen Goldstine, Bob Hollingsworth, Al Richter and Leonard Zielaskewitz.

The Figurehead Gallery in Downtown Livermore is pleased to present an exhibit of photographs of the first students of the Photography Department at the California School of Fine Arts, now the San Francisco Art Institute. Founded by Ansel Adams, directed by Minor White, and staffed by such luminaries as Ansel Adams, Imogen Cunningham, Dorothea Lange, Lisette Model, and Edward Weston, the first photography department in the US to teach creative photography as a full-time profession began in 1945 at the California School of Fine Art, now the San Francisco Art Institute. The importance of the school and its influence, not only on West Coast Photography but on photography as a whole, has been far-reaching, lasting well into the 21st century. Along with approximately 100 former student’s vintage and modern photographic prints, also on view will be several vintage prints by Ansel Adams on loan from his granddaughter, Sylvia Desin.

Several of the photographers, now in their 80’s and 90’s, will be in attendance as well as many family members of the photographers who have passed away. David Leland Hyde will include his father Philip Hyde’s vintage and more recent color photographs in the exhibition. Ken Ball and Victoria Whyte Ball, daughter of Philip Hyde’s classmate Don Whyte, opened the Figurehead Gallery to honor her father and the other photographers of the Golden Decade and to showcase local art from the East Bay Area.
The Figurehead Gallery
Old Theater Mall
2222 2nd Street, Suites 20 & 21
Livermore, CA 94550
925•337•1799
www.figureheadgallery.com

Golden Decade Exhibition Extended

October 18th, 2010

The Golden Decade: Photography at the California School of Fine Arts, 1945-1955

Smith Andersen North Gallery Mobbed All Over Again

Exhibition Extended to November 13, 2010,

With New Closing Reception and Book Signing

Rock Formations Detail, Weston Beach, Point Lobos State Reserve, California, 1949 by Philip Hyde. This photograph made by Philip Hyde on a California School of Fine Arts class field trip to see Edward Weston at Wildcat Hill in Carmel and photograph with him on Point Lobos may have been created while Edward Weston was present. A vintage print of this photograph is on consignment at Smith Andersen North Gallery and part of the Golden Decade Exhibition and book. Philip Hyde considered Edward Weston his primary model for a simple life close to nature and dedicated to fine art photography.

A prominent feature article in the Marin Independent Journal and Contra Costa Times called, “Golden Images: Exhibit Shows Work That Helped Transform Photography Into An Art Form” recently featured Stan Zrnich, a former CSFA student and long-time resident of San Rafael, Marin County, California. Stan Zrnich spoke about the show, his photography and his years as a student at the California School of Fine Arts, now the San Francisco Art Institute, in the late 1940s and early 1950s. The article brought to the event another wave of local guests that grew into another inundation of the Smith Andersen North Gallery as the article was syndicated to other newspapers around the Bay Area.

Due to the success of the Golden Decade Exhibition, it will be extended to November 13. Also, the Smith Andersen North Gallery will host a Closing Reception and Book Signing.

Closing Reception and Book Signing

Saturday, November 13, 2-6 pm

Smith Andersen North Gallery
20 Greenfield Avenue
San Anselmo, California   94960
415-455-9665

A handful of the Golden Decade photographers will be present to meet, greet and sign books. If you weren’t able to attend the opening or didn’t get a chance to meet the photographers and get a good look at the work through the crowds, this will be the perfect opportunity to experience the show anew.

The exhibition was organized in conjunction with the pre-publication release of the book  The Golden Decade: Photography at the California School of Fine Arts, written by Ira Latour, Bill Heick and C. Cameron  Macauley and compiled by Ken Ball and Victoria Whyte Ball. For book inquiries or to reserve a copy (there are about 40 limited edition pre-published books available), please contact Ken & Victoria Ball at 925-373-0173 and let them know you heard about it on Lanscape Photography Blogger.

For more information about the Golden Decade Exhibition and the original show announcement see the blog post, “The Golden Decade: California School Of Fine Arts Photography.” For a follow-up review of the Golden Decade Opening read the blog post, “Over 500 People Attend Golden Decade Opening.”

Over 500 People Attend Golden Decade Opening

September 9th, 2010

Over 500 People Attend Golden Decade Opening, Vintage Philip Hyde Print Is The First To Sell

Title Wall, Golden Decade Exhibition, Smith Andersen North Gallery, San Anselmo, California, 2010 by David Leland Hyde.

Over 500 people turned out for the Marin County opening reception of the Golden Decade Exhibition and Golden Decade pre-publication launch at Smith Andersen North Gallery in San Anselmo, California on Saturday, September 4th from 6 pm to 9 pm. The first prints from the show to sell in the morning before the opening were Philip Hyde’s 4X5 contact print “San Francisco Piers and Waterfront” and Stan Zrnich’s 5X7 contact print “South Pier, Bay Bridge.” Out of over 150 vintage black and white prints from 32 students at the California School of Fine Arts now the San Francisco Art Institute, over 30 prints sold the first night.

Front Room, Golden Decade Exhibition, Smith Andersen North Gallery, San Anselmo, California, 2010 by David Leland Hyde.

“There is currently a lot of energy around the work from this period,” said Scott Nichols, a downtown San Francisco photography gallery owner and collector of Scott Nichols Gallery. Scott Nichols has the largest collection of Brett Weston in the world. The 32 photographers featured in the Golden Decade Exhibition were students at the California School of Fine Arts after World War II, in the first decade of Ansel Adams‘ photography department when he hired Minor White as lead instructor, Dorothea Lange, Imogen Cunningham and Lisette Model as guest instructors and Edward Weston as field instructor. Former students John Upton, David Johnson and Stan Zrnich all spoke about their experiences at the school and their lives in photography.

Stefan Kirkeby, Smith Andersen North Gallery Owner, Sunday Morning After Golden Decade Opening, Smith Andersen North Gallery, San Anselmo, California, 2010 by David Leland Hyde. Stefan Kirkeby finally gets a chance to see a bit of the book. "I'm knocked out," Stefan said after hosting, curating, matting and framing the show in his in-house frame shop.

“I’ve never seen so many people at a gallery opening,” said Smith Andersen North proprietor Stefan Kirkeby. “There were people packed into the front and spilling out into the street, in the back and outside on the patio. They went through 250 oysters in two hours.” Smith Andersen North Gallery is equipped with large garage doors in front and most of the front of the building can open wide right onto the sidewalk. The Golden Decade Exhibition, scheduled to wrap up at 9 pm, raged on and finally closed down around 11:30 pm. At around 8:25 pm the surrounding neighborhoods looked as though a concert had just let out. Hundreds of people were moving toward their cars and traffic was snarled in surrounding streets. “It was sardine night,” said Stan Zrnich the next morning.

Smith Andersen North presented The Golden Decade Exhibition in conjunction with the release of the book The Golden Decade by former students Cameron Macaluley, William Heick and Ira Latour with Ken and Victoria Whyte Ball daughter of former student Don Whyte. (Website links and more information to come.)

Golden Decade photographers also include Pirkle JonesRuth Marion Baruch, Philip Hyde, William Heick, Pat Harris, Bob Hollingsworth, Cameron Macauley, Ira LatourBenjamen Chinn, Rose MandelGerald RattoJohn Upton and others. Their work has been represented in important photographic historical events such as The Family of Man Exhibition (1955, New York and international venues) and The Perceptions Exhibition (1954, San Francisco), and many of these photographers were prominently featured in the early issues of Aperture magazine when Minor White was editor.

Frame Selection Area, Smith Andersen North Gallery, San Anselmo, California, 2010 by David Leland Hyde. Besides developing a strong following of photography collectors, Smith Anderson North also is a leading framer for major museums in Northern California. Stefan Kirkeby just completed installation of the famous Fisher Collection at the San Francisco Museum of Modern Art. He mats on 8-ply Rising Board with archival hinge mats and hand-made paper corners. The frames are hand-made of poplar, ash and other hardwoods. Wooden frames have a much nicer feel than metal frames, don't catch on clothing or packing materials and are perfect for traveling shows because if they get dinged they can be sanded down and repainted. An 11X14 museum frame retails for $200.

The Golden Decade Exhibition runs through October 15, 2010. For more specifics see the blog post, “The Golden Decade: California School of Fine Arts Photography.” For an updated article on the ongoing show see the Fine Art Photography Collector’s Resource Blog post called, “500 People Attend Golden Decade Exhibition.” Also, more description and information about the Golden Decade Opening itself can be found on the Large Format Photography Forum. The Contra Costa Times and other papers announced the Golden Decade Exhibition and Stefan Kirkeby ran a full-page advertisement in Black and White Magazine for the show. To learn more about the Golden Decade of photography in San Francisco and the California School of Fine Arts see the blog posts, “Photography’s Golden Era 7” and “Photography’s Golden Era 6.”