Posts Tagged ‘David Leland Hyde’

Master of Platinum: Interview of Dick Arentz for Outdoor Photographer Magazine

August 9th, 2016

Master of Platinum and Palladium: An Outdoor Photographer Magazine Interview with Fine-Art Photographer, Innovator and Printer Dick Arentz

Cover of August Issue of Outdoor Photographer magazine.

Cover of August Issue of Outdoor Photographer magazine.

The August 2016 Outdoor Photographer Special Issue of the magazine print version features David Leland Hyde’s interview of Dick Arentz, an acclaimed large format photographer, workshop co-leader with Philip Hyde and expert platinum and palladium printer. Now the article, Master of Platinum, is available online.

The Arizona Arts and Humanities Commission honored Arentz as one of the most significant artists in the state. He helped Phil Davis develop the companion volume to Ansel Adams’ Zone System called Beyond the Zone System. He also has been researching 19th century techniques, testing, leading workshops and defining Platinum and Palladium printing for 43 years. His book, Platinum and Palladium Printing, is known in online forums and industry magazines as the quintessential book on the subject.

For those who are not familiar with this complex and difficult photographic black and white printmaking process, Arentz gave me a simplified summary himself:

In Platinum printing, as in most non-silver processes, an intense ultraviolet light must be passed though the negative to expose the paper coating. Because this is a higher intensity of light than is possible to project from an enlarger, the process requires contact. Before the ground breaking digital work of Dan Burkholder, there were basically two choices for the making of a negative: in-camera, or photo-mechanical enlargement by projecting the image on multiple stages of duplicating film. Later on, it became possible to use a service bureau to have a negative made using their image-setting equipment. Now, of course, using Burkholder’s method, many times with refinements added by others, a suitable negative can be made using an ink-jet printer.

As for the coating on the paper, the platinum process is one of many that depend on the reduction of a metallic salt to a pure metal. Instead of silver, which is most commonly used, platinum and/or its sister metal palladium make a high quality reproduction. Those with bit of background in photographic history know that in the nineteenth century, silver compounds were coating on paper as well. At the turn of the century, when commercially prepared silver gelatin paper became available, commercial platinum/palladium paper followed. However, pre-prepared platinum/palladium paper went out of production after World War I, though a packaged palladium paper was briefly available in the 1990s.

Arentz is known for his subtle, yet vivid and luminescent black and white photography presented through platinum and palladium prints and fine art photography books. His books are profound personal statements of his unique vision. Besides Platinum and Palladium Printing, Second Edition (2004), Arentz has published Four Corners Country (1986) with introduction by Philip Hyde, The American Southwest (1987), Outside the Mainstream (1990), British Isles (2002) and Italy Through a Different Lens (2009).

For more about his development as a photographer and lead technician of his printing medium, and for his words of wisdom about projects, making subjects fresh and capturing unusual perspectives seek out the Black and White Special Issue of Outdoor Photographer in print and on newsstands and in bookstores now. It can often be found at Barnes & Noble and some Safeways. The August Black and White Special Issue is also loaded with many other excellent articles on black and white photography. An online version of the article is now available at Master of Platinum. If you want the print version, pick up your copy soon because special issues sometimes sell out early.

Heartland 4 – Nebraska – Little Ruins on the Prairie

July 19th, 2016

A Drive Through The Heartland 4

Nebraska – Little Ruins on the Prairie

Midwestern Stories of Rust, Decay, Blight and Collapse

Keith Round Barn Under Tornado Sky, North Platte, Nebraska, 2015 by David Leland Hyde.

Keith Round Barn Under Tornado Sky, North Platte, Nebraska, 2015 by David Leland Hyde. (Click image to see larger.)

(Continued from the blog post, “Heartland 3 – Starke Round Barn, Red Cloud, Nebraska.“)

European settlers continued to pour into New England, Southern and newer states in the young American republic in the 1800s. German and Scandinavian farmers from Pennsylvania preceded most other original colonial states in the move to the first frontier, which we now know as the Midwest. They bumped west in wagons, by horse and later by train in search of good farming land.

Good farmland they found in the Midwest, with plenty of rain and the ideal climate for a plentiful yield, despite cold unproductive winters. The soil was also rich West of the Mississippi, but when the woodland and grassy fields gave way to dry grass and sage prairie West of the 100th Meridian in the Dakotas, Nebraska, Oklahoma, Kansas and Eastern Colorado, the rain ran out. The rain ran out in fact, but not in wishful thinking. Land boosters successfully sold potential new homesteaders on the confabulation that rain follows the plow. Miraculously, it did for almost half a century, a period later discovered to have been abnormally wet.

Interior, Burned House, Franklin, Nebraska, 2015 by David Leland Hyde.

Interior, Burned House, Franklin, Nebraska, 2015 by David Leland Hyde. (Click image to see larger.)

This century the water chickens have come home to roost. Water is growing scarcer and scarcer in the most westerly portions of the Midwest. Changes in farming technology have also taken a toll on the small farmer. With the rise of big, centralized agriculture, small rural farming towns are losing population all over the country. This affects even more communities in the Midwest because of the proportionally larger number of towns supported by farming.

We have all seen in the national media about urban blight in Detroit, Chicago and other Rust Belt cities, but decay is rampant in urban areas nationwide, as well as in rural areas and small towns in Iowa, Illinois, Michigan, Ohio, Wisconsin, Minnesota, South Dakota, Indiana and Nebraska. Those last two states: Indiana and Nebraska suffered most in the Midwest. Both states are full of boarded up small towns, abandoned farms and even whole villages that no longer exist, as in no buildings and little sign of occupation on the land. This trend has been under way for 30 or even 50 years, but has been most acute in the last 10.

Defunct Texaco Service Station, Riverton, Nebraska, 2015 by David Leland Hyde.

Defunct Texaco Service Station, Riverton, Nebraska, 2015 by David Leland Hyde. (Click image to see larger.)

In the town of North Platte, Nebraska I first noticed the trend most. According to the National Register of Historic Places and several other guidebooks, at least four round barns supposedly exist in the city of North Platte. Interstate 80 runs through the newer part of North Platte, the Union Pacific Railroad runs through the older part of town and the entire city is situated between the South Platte and North Platte Rivers near the confluence. Despite its location on the traffic lanes from several eras, in the west-central part of Nebraska and the west-central part of the U.S., North Platte has at least partially fallen on hard times. Though new buildings are still popping up downtown, older homes and stores farther out are sinking into disrepair and falling down.

Abandoned Buildings and Pepsi Vending Machine, Inavale, Nebraska, 2015 by David Leland Hyde.

Abandoned Buildings and Pepsi Vending Machine, Inavale, Nebraska, 2015 by David Leland Hyde. (Click image to see larger.)

Out of the four round barns in the city of 25,000 population, only one still stood when I was there in 2015: The Keith Round Barn. It was overgrown with dark windows blocked or boarded up from inside and a roof with sections open to the sky. I could not approach the barn or get within 50 yards of it because it stood in back of a farmhouse in the process of being rebuilt, with a cable that blocked the only open space passage to the barn.

Occasional tornadoes and the regular blasting wind, extreme winters and broiling-humid summers wreak great havoc on houses and farm structures, especially on roofs in the Midwest. Many other towns had receded much more than North Platte. The smaller towns in the south-central part of Nebraska such as Macon, Franklin, Riverton, Inavale and others were either partially or almost completely abandoned. In Franklin I stopped to photograph a home that had burned several years before, but remained standing in its burned out state.

Abandoned Farm Near Fairbury, Nebraska, 2015 by David Leland Hyde.

Abandoned Farm Near Fairbury, Nebraska, 2015 by David Leland Hyde. (Click image to see larger.)

The towns of Riverton and Inavale were particularly hard hit by changes in farm sizes, methods and fortunes that have contributed to bleak periods in the local economy. Farther east on US Highway 136, not far from Fairbury, I found an entire farm abandoned. The barn hung by two walls as the other two walls were about to fall, the windmill spun in the wind drawing no water, the outbuildings were gloomy, dark and rotting into the ground, the main farm house with the roof nearly collapsed had one wing crushed to the ground and everything had been overgrown with hemp, kudzu, tall grass and willows. The only living beings still around were grazing cows and one bull that I had a standoff with I will share later. Even Beatrice, Nebraska, which for the most part was well painted and in good repair, when I was there included many boarded up homes and businesses.

Northwest Perspective, Western Barn With Sheds, Abandoned Barn Near Fairbury, Nebraska, 2015 by David Leland Hyde.

Northwest Perspective, Western Barn With Sheds, Abandoned Barn Near Fairbury, Nebraska, 2015 by David Leland Hyde. (Click image to see larger.)

Any country is only as strong as its heart. If this view of the Heartland is any indication, our society is in deep trouble. Yet, I also found much reason for hope in the Heartland. Detroit and other rustbelt cities are rebounding, each at a different pace. Detroit is not only rebuilding its auto industry, it is also diversifying industries. Artists have taken to inhabiting and painting up inexpensive neighborhoods and currently the Motor City pulses with an art renaissance. More on Detroit in future blog posts in this series and in my nonfiction book-length narrative with working title, “A Drive Through The Heartland.”

(Continued in the next blog post, “Heartland 5 – Elijah Filey – Barn Builder, Mason and Founder of Filey, Nebraska.”)

Happy 4th of July: Watson’s Walking “G” Summer Camp

July 4th, 2016

Family Camp Weekend at Watson’s Walking “G”

People Photographs: Memories of Independence Day, July 4

In the United States of America, we celebrate Independence Day in the heat of summer. The heat causes thirst, which is quenched with alcoholic beverages, more often than not. July 4 is the “fun” holiday. For a quality American 4th of July, also mix in hours and days of sunbathing slathered in tanning oil at the old swimming hole, complete with cool mountain stream swims.

Yet, when you are with old friends, the perfect holiday is not as much about the beach, sun or water as the conversations. This blog post is more personal than usual, but this is not the first time I have made such a post, especially on a major holiday. Different from what I typically write for this blog, it is an indication of one aspect of what is to come in the future.

Near the home where I grew up and now live again, at places like Indian Falls or Spanish Falls, giant rocks tower above deep river pools and make for good jumps, somersaults, dives, flips, gainers and belly-flops into Indian Creek or Spanish Creek. Here in Plumas County, we prepare for a 4th of July trip to our woodland beaches and creeks by getting overheated at the High Sierra Music Festival in Quincy, or at the parade and Taylorsville Silver Buckle Rodeo.

On other days around the 4th of July, for fun we go fishing, camp out in a tent or under the stars, eat rainbow trout for dinner, or crayfish, steak, chicken, baby back ribs, roasted bell peppers, salads, dips, chips, watermelon, sandwiches or pizza. Later after badminton, basketball, gin – rummy and gin – tonic, hearts, zip line, horse shoes, bicycles, steal the sticks and rarely showers, we drive three miles to the Grange Hall, which has a bouncing wood dance floor. We dance exactly like Jagger at the cowboy two-step dance. Still later we venture out on a moonlit four wheel drive tour of Grizzly Ridge or Mount Hough. Pure craziness with hilarity while following bliss.

Most of the fun in Taylorsville happens at a private Family Camp next door to my house that carries on all hours of the day and night. The Watson’s Walking “G” Camp for over 40 years was a boys and girls recreational Summer Camp, but in the first 16 years after the official camp ended, the more informal Family Camp has taken over for one long weekend a year. The last time, Family Camp included around 140 guests tent camping and celebrating the 4th of July. Of the 140 people involved, about 95 were children. Family Camp at times has resembled either an amusement park, a quiet resort, a riot, or all three, depending on the moment. The following photographs may begin to portray some of what can happen…

…At Summer Camp when people let go of having a dream and step into dreamtime…

Many thanks to Robert and Brenda Watson for their hospitality, love and care for all at Summer Family Camp. Thanks also to all those who allowed me to make their photograph. I’ve progressed significantly since 2009 and appreciate having the opportunities to develop.

Apitizers, July 4, Watson's Walking "G" Camp, Summer Family Camp, Plumas County, Northern Sierra Nevada, 2009 by David Leland Hyde.

Appetizers, July 4, Watson’s Walking “G” Camp, Summer Family Camp, Plumas County, Northern Sierra Nevada, 2009 by David Leland Hyde. (Click on Image to See Larger.)

 

 

 

 

 

 

 

 

 

 

 

Historical Practice of Tent Camping, Watson's Walking "G" Camp, Summer Family Camp by David Leland Hyde.

Historical Practice of Tent Camping, Watson’s Walking “G” Camp, Summer Family Camp, July 4 by David Leland Hyde Click on Image to See Larger.)

 

 

 

 

 

 

 

 

Is It Morning Already? Family Camp, July 4, Northern Sierra, California by David Leland Hyde.

Is It Morning Already? Family Camp, July 4, Northern Sierra, California by David Leland Hyde. (Click on Image to See Larger.)

 

 

 

 

 

 

 

 

Customary Walking and Smiling at Walking "G" Camp on July 4th, Northern Sierra, California by David Leland Hyde.

Customary Walking and Smiling at Walking “G” Camp on July 4th, Northern Sierra, California by David Leland Hyde. (Click on Image to See Larger.)

 

 

 

 

 

 

 

 

Badminton Bliss, Family Camp, Watson's Walking "G" Summer Camp, Northern Sierra, California by David Leland Hyde.

Badminton Bliss, Family Camp, July 4, Watson’s Walking “G” Summer Camp, Northern Sierra, California by David Leland Hyde. (Click on Image to See Larger.)

 

 

 

 

 

 

 

 

 

 

 

Young Uncle Sam, Family Camp, Watson's Walking "G" Summer Camp, Northern Sierra, California by David Leland Hyde.

Young Uncle Sam, Family Camp, July 4, Watson’s Walking “G” Summer Camp, Northern Sierra, California by David Leland Hyde. (Click on Image to See Larger.)

 

 

 

 

 

 

 

 

Professional Crayfish Hunters, Family Camp, July 4, Watson's Walking "G" Summer Camp, Northern Sierra, California by David Leland Hyde. (Click on Image to See Larger.)

Salty Crayfish Hunters, Family Camp, July 4, Watson’s Walking “G” Summer Camp, Northern Sierra, California by David Leland Hyde. (Click on Image to See Larger.)

 

 

 

 

 

 

 

 

Welles and Brando, Family Camp, July 4, Watson's Walking "G" Summer Camp, Northern Sierra, California by David Leland Hyde.

Welles and Brando, Family Camp, July 4, Watson’s Walking “G” Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

 

 

 

 

 

 

 

 

Wrecking Uncle Sam With A Ping Pong Ball, July 4, Family Camp, Watson's Walking "G" Summer Camp, Northern Sierra, California by David Leland Hyde. (To See Larger Click on Image.)

Wrecking Uncle Sam With A Ping Pong Ball, July 4, Family Camp, Watson’s Walking “G” Summer Camp, Northern Sierra, California by David Leland Hyde. (To See Larger Click on Image.)

 

 

 

 

 

 

 

 

Burford's Swimming Hole, July 4, Family Camp, Watson's Walking "G" Summer Camp, Northern Sierra, California by David Leland Hyde. (To See Larger Click on Image.)

Burford’s Swimming Hole, July 4, Family Camp, Watson’s Walking “G” Summer Camp, Northern Sierra, California by David Leland Hyde. (To See Larger Click on Image.)

 

 

 

 

 

 

 

 

Beach Hangout, Burford's Swimming Hole, July 4, Family Camp, Northern Sierra, California by David Leland Hyde. (To See Larger Click on Image.)

Beach Hangout, Burford’s Swimming Hole, July 4, Family Camp, Northern Sierra, California by David Leland Hyde. (To See Larger Click on Image.)

 

 

 

 

 

 

 

 

Young Boy Still Fishing After Suddenly Outgrowing Vest, July 4, Family Camp, Watson's Walking "G" Summer Camp, Northern Sierra, California by David Leland Hyde. (To See Larger Click on Image.)

Young Boy Still Fishing After Suddenly Outgrowing Vest, July 4, Family Camp, Watson’s Walking “G” Summer Camp, Northern Sierra, California by David Leland Hyde. (To See Larger Click on Image.)

 

 

 

 

 

 

 

 

 

 

 

Tough Women of the Woods, July 4, Watson's Walking "G" Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

Tough Women of the Woods, July 4, Watson’s Walking “G” Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

 

 

 

 

 

 

 

 

 

 

 

Cowboy Taking Break From Tavern Indian Wars, July 4, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

Cowboy Taking Break From Tavern Indian Wars, July 4, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

 

 

 

 

 

 

 

 

Wandering Australian Cowboy From The Outback, Family Camp, July 4, Watson's Walking "G" Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

Wandering Australian Cowboy From The Outback, Family Camp, July 4, Watson’s Walking “G” Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

 

 

 

 

 

 

 

 

Maestro of the Bistro, Family Camp, July 4, Watson's Walking "G" Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

Maestro of the Bistro, Family Camp, July 4, Watson’s Walking “G” Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

 

 

 

 

 

 

 

 

 

 

 

Mom's Hands Shrivel After Peeling 1000 Ears of Corn, Family Camp, July 4, Watson's Walking "G" Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

Mom’s Hands Shrivel After Shucking 1000 Ears of Corn, but luckily her sister can peel at least 2000, Family Camp, July 4, Watson’s Walking “G” Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

 

 

 

 

 

 

 

 

Parade Clowns Planning to Smuggle Margaritas Into Mexico, Family Camp, July 4, Watson's Walking "G" Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

Parade Clowns Planning to Smuggle Margaritas Into Mexico, Family Camp, July 4, Watson’s Walking “G” Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

 

 

 

 

 

 

 

 

Tattooed Biker, Family Camp, July 4, Watson's Walking "G" Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

Tattooed Biker, Family Camp, July 4, Watson’s Walking “G” Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

 

 

 

 

 

 

 

 

Family Camp Crazy Chaos Before Dinner, July 4, Watson's Walking "G" Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

Family Camp Crazy Chaos Before Dinner, July 4, Watson’s Walking “G” Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

 

 

 

 

 

 

 

 

Pitchfork Carrying Carnivorous Chef and Wicked Meat Feast, Family Camp, July 4, Watson's Walking "G" Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

Pitchfork Carrying Chef and Santa Maria Style BBQ Feast, Family Camp, July 4, Watson’s Walking “G” Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

 

 

 

 

 

 

 

 

Bar-B-Que Awe, Family Camp, July 4, Watson's Walking "G" Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

Bar-B-Que Awe, Family Camp, July 4, Watson’s Walking “G” Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

 

 

 

 

 

 

 

 

Chair Photo Sobriety Test, Family Camp, July 4, Watson's Walking "G" Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

Chair Photo Sobriety Test, Family Camp, July 4, Watson’s Walking “G” Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

 

 

 

 

 

 

 

Family Camp Laughter and Friendship, July 4, Watson's Walking "G" Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

Family Camp Laughter and Friendship, July 4, Watson’s Walking “G” Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

 

 

 

 

 

 

 

 

July 4 Dinner Was So Late We Thought It Was Breakfast, Family Camp, July 4, Watson's Walking "G" Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

July 4 Dinner Was So Late We Thought It Was Breakfast, Family Camp, Watson’s Walking “G” Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

 

 

 

 

 

 

 

 

The Only Moment of Quiet Reflection, Family Camp, July 4, Watson's Walking "G" Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

The Only Moment of Quiet Reflection, Family Camp, July 4, Watson’s Walking “G” Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

 

 

 

 

 

 

 

 

Spreading Rumors and Gossip, Family Camp, July 4, Watson's Walking "G" Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

Spreading Rumors and Gossip, Family Camp, July 4, Watson’s Walking “G” Summer Camp, Northern Sierra, California by David Leland Hyde (Click on Image to See Larger.)

Outdoor Photographer Special Feature: Philip Hyde and the Art of Making National Parks

June 9th, 2016

Outdoor Photographer June National Parks Centennial Special Issue

Centerpiece Feature: Philip Hyde and the Art of Making National Parks by David Leland Hyde

Outdoor Photographer Cover, June 2016 National Parks Centennial Special Issue, cover photograph Mount Deception, Brooks and Silverthrone, Wonder Lake, the Alaska Range, Denali National Park by Carr Clifton.

Outdoor Photographer Cover, June 2016 National Parks Centennial Special Issue, cover photograph Mount Deception, Brooks and Silverthrone, Wonder Lake, the Alaska Range, Denali National Park by Carr Clifton. (Click on image to see larger.)

Outdoor Photographer magazine has come a long way lately. The magazine is under new ownership, Madavor Media, L.L.C. out of Braintree, Massachusetts. Wes Pitts, who worked for the previous owners for more than 17 years and apprenticed under Rob Sheppard, is the new Editorial Director/Editor. The articles and headlines now appeal as much to seasoned photographers as to beginners.

There are still many articles about gear and locations, but these are done more tastefully, while more articles about the art and craft of photography are appearing. Some of the best writers from the Rob Sheppard and Steve Werner eras are back like Lewis Kemper, Carr Clifton, James Kay, Mark Edward Harris, Art Wolfe and others. Columnists such as Amy Gulick, Frans Lanting, William Neill, David Muench and others continue to produce excellent advice and insight. David Leland Hyde has been named on the masthead as a Contributing Editor.

The reproduction quality still has a ways to go, but they are working internally on improving this and other aspects of the magazine to make gradual refinements over the coming months and years. The editor has expressed the objectives of bringing in more conservation photography and more quality coverage by the experienced professionals in the field.

Currently for June, the Outdoor Photographer editors and staff put together a National Parks Centennial Special Issue with cover photograph and personal experience feature article about the “Wildlands of the National Parks” by Carr Clifton. They invited David Leland Hyde to write the issue’s centerpiece feature article called, “Philip Hyde: The Art of Making National Parks.” Ben Horton wrote an excellent article about getting off the beaten path in the parks and long-time contributor William Sawalich wrote a fascinating feature profile of George Grant who, “Toiled in obscurity for nearly three decades as the first official photographer of the National Park Service.”

The Philip Hyde centerpiece feature immerses the reader in the conservation campaigns that made many of our Western National Parks. From Harvey Manning, author of the Sierra Club Exhibit Format Series book Wild Cascades: Forgotten Parkland, to David Simons, long-time resident, explorer, photographer and land conservationist in the North Cascades of Washington, from David Brower, Ansel Adams and Martin Litton to Eliot Porter, Point Reyes National Seashore, Dinosaur National Monument, Edward Weston, Minor White, the Bureau of Reclamation, Glen Canyon, Grand Canyon, Howard Zahniser, Edward Abbey, Slickrock, Canyonlands National Park, The Last Redwoods, Gary Braasch, Jack Dykinga, Backpacker Magazine, William Neill, Chris Brown, Lewis Kemper, Carr Clifton, Alaska: The Great Land and Wade Davis author of a new book, The Sacred Headwaters, this is an in-depth look at Philip Hyde’s career, his influences and those he influenced in the field of conservation photography.

The Outdoor Photographer June National Parks Centennial Special Issue is on newsstands now and is one of the best issues of Outdoor Photographer yet. Do not wait because the special editions of Outdoor Photographer often sell out. This is not just a sales pitch. You can go online now and read Philip Hyde: The Art of Making National Parks, but if you want the special issue in the paper version, I would get it as soon as possible. Find it at Barnes and Noble and other booksellers and magazine racks, wherever magazines are sold.

To read more about the George Eastman Museum Exhibition America’s National Parks, see David Leland Hyde’s guest post on the Outdoor Photographer Blog. To read an in-depth overview of the exhibit including special programs and lectures see Philip Hyde in Photography and America’s National Parks Exhibition–Programs and Lectures.

Photography and America’s National Parks at the George Eastman Museum

May 26th, 2016

Photography and America’s National Parks Exhibition at the George Eastman Museum

June 4 – October 2, 2016

Exhibition Preview Friday June 3, 2016, 7 – 9 pm

Featuring William Henry Jackson, Carleton E. Watkins, Ansel Adams, Edward Weston, Philip Hyde and Contemporary Photographers

Dune at Granite Falls, Grand Canyon National Park, Arizona, copyright 1956 by Philip Hyde from Time and the River Flowing: Grand Canyon. This photograph will be featured in Photography in America's National Parks and is part of the George Eastman Museum permanent collection.

Dune at Granite Falls, Grand Canyon National Park, Arizona, copyright 1956 by Philip Hyde. Color version featured in Time and the River Flowing: Grand Canyon, the 1964 book that helped galvanize worldwide opposition to two proposed dams in the Grand Canyon. This photograph will be featured in Photography in America’s National Parks and is part of the George Eastman Museum permanent collection. (Click on image to see larger.)

American entrepreneur George Eastman founded the Eastman Kodak Company and popularized photography through the mass production of film and the cameras he manufactured. While a number of entertainers and recording artists have more than one star in different categories on the Hollywood Walk of Fame, Eastman is the only honoree with two stars in the same category for the same achievement, the invention of roll film.

Besides inventing roll film, Eastman also invented the roll film holder, developed dry plate technology that simplified the mechanics of photography and bromide paper, which became a standard in the industry. Eastman’s transparent film enabled Thomas Edison to perfect the kinetoscope, a box that allowed one individual at a time to view films through a small viewer window, the forerunner of the present motion picture.

Eastman, after establishing a $200,000,000 industry, devoted most of his life to philanthropy. He pioneered sick pay, disability compensation, pensions and hospital benefits. He first distributed extra funds to employees doing a good job, one of the world’s first corporate bonuses. In the last decade of the 19th Century and in the first two of the 20th, he gave away more in wealth than anyone else besides John D. Rockefeller and Andrew Carnegie.

His gifts made the University of Rochester and MIT into first tier schools. He was the largest supporter of the education of African-Americans in the 1920s, donating to colleges like Tuskegee, Hampton, Howard and Meharry. He established dental clinics for children around the globe and founded the medical and dental school at the University of Rochester. He organized community music instruction, funded music education programs and concerts and built the Eastman Theater, still one of the largest and most eloquent concert halls in the country.

After his death in 1932, his 35,000 square foot home became part of the university, but proved too large for the president’s residence, as he had specified. In 1947, the state of New York chartered the George Eastman House as a non-profit museum of photography. After the Museum of Modern Art in New York City, the George Eastman Museum became the second museum in the world to have a photography department and also the second museum in the world to have a film department.

The George Eastman Museum went on to develop one of the largest photography collections in the world including cinema art and photographic and cinematic technology, for a total of several million objects including over 450,000 photographs dating from the introduction of the medium in 1839 to the present. The collection also includes more than 28,000 motion picture films, one of the leading libraries of books related to photography and cinema and extensive holdings of documents and other objects related to George Eastman. Each year now the museum presents at least ten curated exhibitions. However, in the early days of the museum, shows were not as frequent.

In 1957, when Beaumont Newhall was head curator and Minor White was an assistant curator, the George Eastman Museum hosted a solo exhibition of the black and white prints of a new leading nature photographer and prolific user of Kodak paper and large format sheet film, Philip Hyde. The show consisted of 25 silver gelatin prints, three of which were purchased for the George Eastman House permanent collection.

Now in 2016, to celebrate the 100th Anniversary of the founding of the National Park Service, the George Eastman Museum presents Photography and America’s National Parks, an “exhibition exploring the role of photography in the development of the parks and in shaping our perception and understanding of these landscapes.”

From the early pioneers such as Alvin Langdon Coburn, Frank Jay Haynes, William Henry Jackson, the Kolb Brothers, Eadweard Muybridge and Carleton Watkins to the modernists including Ansel Adams, Edward Weston and Philip Hyde to contemporary photographers such as Marion Balanger, Binh Danh, Sean McFarland, Sharon Harper, Mark Klett, Abelardo Morell, David Benjamin Sherry and Byron Wolfe, exhibition curator Jamie M. Allen drew primarily from the George Eastman Museum collection to illuminate the history of the most significant national parks from the 1860s to the present. The exhibition also includes works on loan that broaden and deepen the presentation, as well as George Eastman’s travel albums from his trips to national parks.

To compliment the exhibition, the museum is co-publishing a book with Aperture titled, Picturing America’s National Parks, with introductory essay by Jamie M. Allen discussing the relationship between the parks and photography, available in June from the museum store and online at Eastman.org/store.

Curator Jamie M. Allen wrote an informed and well-written article about the history of photography in the national parks for the March/April issue of Antiques, The Magazine. David Leland Hyde also wrote about the exhibition for the June issue of Outdoor Photographer magazine. The same June national parks special issue of Outdoor Photographer, is graced by a cover photograph by Carr Clifton, protégé of Philip Hyde, and a special feature article by David Leland Hyde about Philip Hyde’s role in conservation campaigns that helped establish or expand more national parks and wilderness lands than any other photographer. The June special issue of Outdoor Photographer will be on newsstands this Tuesday. For more information see the Exhibition Preview. To find out about related events throughout the summer go to Philip Hyde in Photography and America’s National Parks Exhibition–Programs and Lectures at Fine Art Photography Collector’s Resource.

George Eastman Museum
900 East Avenue
Rochester, NY   14607
585-271-3361

Sources:

George Eastman Museum
Los Angeles Times
Hollywood Walk of Fame
Wikipedia
Kodak.com
Biography.com
Philanthropy Round Table Hall of Fame
Antiques, The Magazine
Outdoor Photographer magazine

San Francisco Art Institute Photography History 17

May 12th, 2016

On the Fall Program, Student Supplies and Lab Schedule

Lecture by Ansel Adams

Philip Hyde’s 1947 Class Notes Notes

California School Of Fine Arts, Now The San Francisco Art Institute

Photography Program Founded By Ansel Adams, Minor White Lead Instructor

(Continued from the blog post San Francisco Art Institute Photography History 16.)

Winter Forest Near Badger Pass, Yosemite National Park, High Sierra, California,

Winter Forest Near Badger Pass, Yosemite National Park, High Sierra, California, copyright 1949 by Philip Hyde from the Golden Decade book.

Below is the next in a series of excerpts from the only known existing complete student lecture notes from the photography program at the California School of Fine Arts, now the San Francisco Art Institute. During the “Golden Decade” while Minor White was lead instructor, beginning in the Ansel Adams Summer Session 1946, Philip Hyde kept a detailed record of class presentations.

A new book, Golden Decade: Photography at the California School of Fine Arts 1945-1955 by William Heick, Ira Latour, Ken Ball and Victoria Ball will be published June 2016 by Steidl of Germany with a small text contribution by David Leland Hyde and photographs by Philip Hyde, his classmates and other students during the era.

For the California School of Fine Arts Summer Session 1946, Ansel Adams brought in Minor White from Columbia University on recommendation from Beaumont and Nancy Newhall. In the 1946 Summer Session Minor White quickly proved himself as a coach of the young students and as a guest lecturer. Within a few weeks Ansel Adams felt confident enough in Minor White’s teaching abilities to leave him in charge of the class and set out on the road to photograph the national parks for his recently awarded Guggenheim Fellowship.

Today, the San Francisco Art Institute still has one of the world’s most cutting edge photography departments, however, in 1945-1955, the first ten years of the program made history as Minor White brought in Imogen Cunningham, Lisette Model, Dorothea Lange, and many other luminaries to guest lecture. Each semester Minor White also took the students on numerous field trips, the highlight of which was a visit to Wildcat Hill in Carmel to discuss the art and craft of photography, look at prints by Edward Weston and photograph with him out on Point Lobos State Natural Reserve.

Ansel Adams first taught the Summer Session in 1945. In the summer of 1946, Minor White joined him as a teacher and at the same time, Philip Hyde joined them as an early student. Due to an office paperwork error, Philip Hyde did not start in the first full-time class in 1946, but started in the second full-time class in the Fall of 1947. The extra year on the waiting list did not go to waste, however as Philip Hyde also used his G. I. Bill Veteran’s education benefits at U. C. Berkeley to take a number of art and design courses, including classes by the famous Japanese-American painter Chiura Obata. By this lecture in August 1947, Hyde had just been married to Ardis King in June of 1947, whom he met at a New Year’s party in San Francisco at the end of 1945 and got to know in the year at U. C. Berkeley before he attended the full-time photography program in the Fall of 1947. Philip Hyde’s notes quoted below are from a lecture where Ansel Adams outlined the Summer Session and Fall Full-Time 1947 program courses, lab schedule and supplies needed.

Philip Hyde’s Lecture Notes—August, 1947

Each student will be in a conference group for attending museum and lecture events.

Program – August 18-22

Monday

Morning            Introduction
Afternoon         Design, Society and Artist with Ernest Mundt [School Director]

Tuesday

Morning            Lecture—Minor White
Afternoon          Lecture—Ansel Adams

Wednesday

Morning             Lecture—Minor White
Afternoon          Design, Society and Artist

Thursday

Morning             Lecture, Field Trip—Minor White
Afternoon           Lab

Friday

Morning              Lab
Afternoon           Design, Society and Artist

Lab Schedule Summer and Fall

[1st Year Student = 1; 2nd Year Student = 2]

Time                      Mon.           Tues.         Wed.       Thurs.      Fri.          Sat.

9 am – 12 noon         2                  2                  1                2               1               open

1 pm – 4 pm              2                  1                  2                1               2              open

4 pm – 7 pm              1                  1                  1                1               1

7 pm – 10 pm            1                  1                open            1               open

Also for 1st Year Students – Darkroom #6 – Mondays 4 pm – 7 pm, Fridays 9 am – 12 noon

Supplies for Student Purchase

  • Isopan Cut Film
  • Super XX Cut Film
  • 1 pound of Metol
  • 1 lb. Hydroquinone
  • 4 oz. Amidol
  • 4 oz.
  • 1 lb. Glacial Acetic Acid
  • 1 gallon of Acid Hypo
  • Gross 8X10 Dry Mount Tissue
  • 1 lb. Kodalk
  • 1 qt. Kodak Selenium Toner
  • 8X10 Printing Paper Contrasts—1, 2, 3 Cykora #2, Glossy #3
  • 1 Exposure Record
  • 1 Eastman Spotting Colors
  • Photo Course Worksheets
  • Spotting Brushes
  • Glassine Envelopes
  • Mount Boards

 

Interesting how many large format film photography supplies are now replaced by electronics and computers… Any thoughts on traditional processes, darkroom printing, art schools or another aspect of these notes?

(Continued in the blog post San Francisco Art Institute Photography History 18.)

Tribute to Uncle Clinton Samuel King, Jr., Self-Made Man

April 29th, 2016

In Celebration of the Life of My Uncle, Clinton Samuel King, Jr., May 4, 1928 to November 2, 2012

Written at home at Rough Rock, March 6, 2016

The Story of the Life and Love of a Self-Made Man and How to Die at Peace

Dawn, American River From Fair Oaks Bluffs, Fair Oaks, California, 2012 by David Leland Hyde. This photograph was made at Uncle Clint's House the day of his Celebration of Life.

Dawn, American River From Fair Oaks Bluffs, Fair Oaks, California, 2012 by David Leland Hyde. This photograph was made at Uncle Clint’s House the day of his Celebration of Life. (Click Image to See Large.)

My mother, Ardis King Hyde, descended from early Northern California pioneer families. Her parents, Clinton S. King and Elsie Van Maren King both had grandparents who owned large ranches in the Sacramento area. The Van Maren ranch consisted of 640 acres of what is now Citrus Heights. Van Maren Boulevard is a familiar Sacramento thoroughfare.

During the Great Depression, my great, great grandfather named Greenback Lane, another major artery in that part of Sacramento. Greenback Lane originally was the ranch road into the main house, which stood where a shopping mall does now. My great, great grandfather said at the time that because his paper dollars were worth so little he might as well use them to pave the lane. “I could just as well call it my Greenback Lane,” he said, and the name stuck.

Mom’s Dad was actually Clinton Samuel King the second, or Junior, but he never went by Junior. Mom was the oldest of four children, three of which were boys. Mom’s oldest brother, Clinton S. King, truly was the third, but he went by Junior. Clinton S. King, Jr. was three years younger than mom, Nick was five years younger and Van was 13 years younger. My mother passed on at age 74 in 2002, which was a surprise. We all expected her to live much longer. Same goes for two out three of my uncles who both passed on in 2012: Nick in April and Clint in November. Van King is my mother’s only sibling left, my only living uncle.

I wrote a tribute to my Uncle Nick in 2012, but I have not had a chance to write one for my Uncle Clint. For a while it did not fit into the flow of blog posts. For longer I was not sure what I wanted to say. We all had a family disagreement over the family cabin at Lake Tahoe and Uncle Clint and my parents were on opposite sides of it. Grandma left the cabin to her four children to keep in the family and enjoy in perpetuity. However, two of the four siblings, Uncle Nick and my mother never used the cabin and paid part of the expenses. Eventually we all agreed Uncle Clint would buy out his three siblings.

After Grandma, Grandpa and my mother passed on, Uncle Nick and Dad needed the money from selling the cabin. Uncle Van was torn on whether to sell his portion or not, but finally did. Uncle Clint was irate with us for wanting to sell and for forcing him to buy us out. From our perspective, paying for even a small portion of the expenses and having the extra headache was draining. Dad and I were looking at possibly spending $4,000 to $6,000 a month for a live-in caregiver or to place him in a home.

In the end, it turns out that Uncle Clinton S. King, Jr. was the “bigger man” of all of us. He also could fortunately afford to be the bigger man. He worked extremely hard his entire life so as to have enough money to pay for what was important. To him, family was everything, as was the shared family cabin with so much family history. Even after the dispute over the cabin, we kept in touch with Uncle Clint precisely because family was important to all of us. In the end, Uncle Clint was right not just about the importance of family, but about the cabin as a meeting place for the family. The ownership of the meetup space now no longer shared, the family has dispersed.

This has been the saddest outcome of the dispute. Uncle Clint was angry about the cabin for some time, but he never quit treating us like family if we called him on the phone or otherwise needed to communicate with him. Some people in our family and others profess to rate family as a high priority, but at the same time seem to be almost looking for a reason not to keep in touch. Some people dislike their families, or rather, they are put off by the traits in themselves they do not like that run in the family. Some people mistakenly believe they can leave behind their own flaws in common with others of the same blood by cutting all ties. Some people may need to do this in some families to avoid further wounding, but many only make wounds deeper by disavowing their families rather than looking inward to work on themselves. Every flaw I have seen in family members, when I look closely, I have found in myself. Similarly every character trait other family members find unattractive in me, I notice they have in themselves, sometimes in a more severe form. The goal in life is not to change family members or even ultimately the world, but for each of us individually to improve the world by changing ourselves. When I change the world changes.

Cousin Gwenn and Uncle Clint, Fair Oaks, California, 2012 by David Leland Hyde. I made this photograph about six months before Uncle Clint passed on.

Cousin Gwenn and Uncle Clint, Fair Oaks, California, 2012 by David Leland Hyde. I made this photograph about six months before Uncle Clint passed on. (Click Image to see Large.)

After my father passed on and I was the last on my side of the family, the wounds were slow to heal, but in time Uncle Clint and I became nearly as close, if not just as close, and in some ways closer than ever. I remember my Uncle Clint, on the whole throughout his life, being supportive, wise, fun and inspirational, more than anything else. He had a strong personality, a powerful will and was a formidable opponent, but he also had a big, soft, generous heart that held a special place for any of his blood kin and for people in general.

Uncle Clint, like my mother and my other two uncles, was hard on his own children, my cousins. He could be critical, and though this was sometimes cutting and hard to take, it was never meant to be malicious or to tear people down, but was motivated by him wanting his offspring and the rest of us cousins to be better people. He was just as hard or harder on himself. Self-discipline was one of his strengths. He was a self-starter and a self-educated man. He was an expert witness for the State of California and in other cases that needed a solid professional engineering opinion. He had a reputation as a pillar of his profession and as a community leader and philanthropist in Northern California.

He graduated from the University of California, Berkeley in civil engineering and served as an officer in the Korean War. As a registered engineer in both California and Nevada, he led studies and construction planning for drainage and flood control that continue to operate and set precedent today. He worked beyond California and Nevada throughout the West in planning military installations and military bases. He was a founding partner of Spink Corporation and later spent 22 years in private practice.

He was always physically active with presidential and other leading roles in such organizations as the South Hills Racquet Club, the Bing Maloney Golf Club, Kiwanis, the Sacramento Swimming and Diving League, Sacramento Pioneer Association, Del Paso Country Club, the Crocker Art Museum, the University of California Alumni Association and the Arden Hills Swimming and Tennis Club.

Uncle Clint started from humble beginnings as we all did, but he became a self-made man. When Sacramento was still a small city, with the old downtown fairly run-down and a little rough as neighborhoods go, my uncle, out of sheer love for old buildings, bought a historic Victorian mansion at a low price. He began to tear out walls, refurbish and refinish the old Victorian that he called “Vickie.” He did all of the work himself, nearly always by himself. He sanded floors, rebuilt historical banisters, moved doorways and remodeled the mansion into seven beautifully appointed, contemporary, yet historically interesting apartments.

At the same time, others began to renovate buildings in downtown Sacramento. Uncle Clint gradually bought a few more Victorian mansions to remodel into apartments. Sacramento was one of the earlier economic turnarounds of a downtown city. Rebuilding downtowns became a trend and then a nationwide phenomenon that continues today. Over the years my uncle gradually moved from middle-class neighborhoods into upper-middle class neighborhoods, until eventually, the last 20 years of his life he lived with his third wife Aunt Charla in a tasteful villa in Fair Oaks on the bluffs overlooking the American River Parkway. He had outlived two other wives: Aunt Shirley, the mother of my cousins, and Aunt Lou. All three of these great ladies were good aunts to us cousins.

Uncle Clint and Aunt Shirley often hosted our Thanksgiving gatherings of the whole family including my mother’s three brothers, spouses and my 10 cousins, later 14 cousins. When Uncle Clint was married to Aunt Lou, the tradition continued. Each of my uncles and my mother took turns hosting the big Thanksgiving gathering, but Uncle Clint and Aunt Lou hosted it the most often. Later when Uncle Clint and Aunt Charla lived on the bluffs in Fair Oaks, we did not have the large family Thanksgiving gatherings as often, but they hosted more than one family get together including a smaller family reunion. When we had big family reunions with all of my second cousins and relatives, we had to rent larger venues because the numbers attending were in the 100s. We went to one big family reunion at the Lewelling Ranch in St. Helena. The Lewellings are semi-distant relatives of the Van Marens and thus the Kings and Hydes.

Uncle Clint told stories at these events and was often in charge of the BBQ or other key aspects of meal preparation. He worked the hardest on any collaborative project. He and Aunt Lou invited us to visit a number of different golf resorts he had shares in. Later he and Aunt Charla bought a golf home on the big island of Hawaii on the Kona Coast where my parents visited them. I remember Uncle Clint most as a good life coach. He always had the best advice and moral perspective on many situations. His business savvy and street smarts made him the kind of man any young man would feel proud to have as an uncle and be happy to spend time with having some of the self-sufficient mindset rub off.

As a boy and as a young man, I was most fortunate to have Uncle Clint for guidance. I remember him talking to me about how to choose a college. He asked a lot of questions before giving suggestions. I remember him being highly interested in my experiences while I was away at boarding school from 10th through 12th grades. I did not see him often during this time period, but he wanted to know all about it when I did see him. He always took an interest in people and his own nieces and nephews in particular. He would ask us questions that nobody else would ever think of that made us understand how much he cared. He would then offer some wisdom regarding his own experience that related to ours. He knew how to laugh and have fun, especially in a gathering of people. All my uncles were fun when we all came together. We cousins had a special bond because during our younger years we saw each other much more than most cousins do. This was good for me as an only child growing up in the mountains.

Cousin Clint Speaking at Uncle Clint's Celebration of Life, Del Paso Country Club, Sacramento, California, 2012 by David Leland Hyde.

Cousin Clint Speaking at Uncle Clint’s Celebration of Life, Del Paso Country Club, Sacramento, California, 2012 by David Leland Hyde. (Click Image to See Large.)

Growing up my parents chose not to have television in our home. I could not wait to get down to Sacramento to visit Grandma or one of my uncles to watch TV. Uncle Clint was generally not much for TV, but he sure liked his sports. He would talk about football, basketball or baseball, whichever was in season with his sons and daughters and our other cousins. Uncle Clint’s son, Clinton Samuel King IV was the oldest cousin, eight years older than me. He also mentored me a lot in life, as well as wrestling me down a few times when I was a bit too much of a smart aleck. Uncle Clint passed his wisdom down to me and to the other younger cousins through his son too. All of us who knew Uncle Clint have a bit we learned from him that we pass along to the world. Uncle Clint helped me learn to be stronger, warmer and more forgiving to people.

Uncle Clint died of cancer. When he became ill, he “mellowed out,” took fewer things personally, forgave people easier and let go of most situations that he did not feel right about. He lived the end of his life surrounded by love and family. This was his greatest wisdom and made it easier to take the pain he endured at times before he passed on. He was not peaceful about dying, he resisted dying until the end, but he was at peace about the people in his life. Now I miss him and think about so many more times I wish I had spent time with him, but I also am grateful we had the good times we did. We could have lost that time if we had not let our differences go. Many families lose each other completely through selfish disputes and arguments over who is right and who has done something wrong. Holding onto grudges ruins lives in many ways, not least of which is making the grudge holder miserable at least subconsciously where it does the most damage to health. Staying angry at a relative is like taking poison and hoping the relative will suffer.

Living The Good Life 5: Agricultural Influences

March 18th, 2016

Living the Good Life with Ardis and Philip Hyde

Part Five: Agricultural Influences

(Continued from the blog post, “Living the Good Life 4: Failure in Carmel.”)

“There are two spiritual dangers in not owning a farm. One is the danger of supposing that breakfast comes from the grocery, and the other that heat comes from the furnace.”

~ Aldo Leopold from A Sand County Almanac

About This Series: “Living The Good Life”

Fall Maples, Aspens, Black Oaks and Fresh Snow on Grizzly Ridge From the Garden at Rough Rock, Northern Sierra, California, copyright 2015 David Leland Hyde.

Fall Maples, Aspens, Apple Trees, Black Oaks and Last Sun on Fresh Snow on Grizzly Ridge From the Garden at Rough Rock, Northern Sierra, California, copyright 2015 David Leland Hyde. Scene when I arrived home from the #Heartland. (To see large click on image)

In 2002, two months before my mother passed on, I asked to interview her about her locally popular organic gardening, homemade preserves and all natural cuisine. I also wanted to capture the essence of my parent’s philosophy of living, their low impact lifestyle and long-term sustainability way before the word “sustainability” existed or the philosophy became a trend.

While the tape recorder ran, my mother joyfully began to answer my questions about more than 56 years of vegetable gardening, flower cultivation, ornamental breeding, gardening for butterflies and birds, natural pest control, fruit tree pruning, grafting and much more.

Unfortunately, we only made one tape. She died suddenly while I was 3,000 miles away on the East Coast before the interviews could continue. The afternoon after that fated first taping, she handed me her personal copy of Living the Good Life: How to Live Sanely and Simply in a Troubled World by Helen and Scott Nearing. She first paused to hold the book and look at it for moment, put it in my hands with gravity and said, “This was our Bible.”

The Nearings and their methods as professed in Living the Good Life, spiritually led and inspired the 1950s “Back to the Land” movement. The Hydes were at the early edge of this movement, leaving the Bay Area in 1950 to settle first in Indian Valley among the remote mountains of the Northern Sierra, then on a rocky flat bench of land on a branch of the Feather River Canyon, looking down on Indian Creek and up at Grizzly Ridge towering more than 4,000 feet straight up above the house they carved out of the wilderness.

This series of blog posts examines how Ardis and Philip Hyde, while not on the road or on the trail in pursuit of flora, fauna and photographs, adapted and invented their own version of “The Good Life.”  Part One serves as an introduction, citing sections of the book and how the Hydes applied them. Part Two reviews Ardis and Philip Hyde’s respective childhoods and how their influences brought them together and eventually to their own land in the country. In the third episode of “Living the Good Life with Ardis and Philip Hyde” I reflected on the changing seasons and passing years as their dream home and their way of life continue here. Part four of Living the Good Life, came from my interviews of Dad about defeated attempts to establish a home in Carmel near the photography market as he and my mother were advised to do by his mentors and friends Ansel Adams, David Brower and others. Failure in Carmel surprisingly took them overseas to Morocco in Northern Africa and eventually back to California where they built their dream home in the Sierra. More on Morocco in future articles and blog posts.

Part Five: Agricultural Influences

Before continuing the more or less chronological story of the Hyde’s “Living The Good Life” dream with the construction of their home to include passive solar and other green or passive energy features in Part Six of this series, in this Part Five I will share how my mother’s ancestors helped found part of Sacramento and through their ranch contribute to the agrarian lore of the Great Central Valley. My mother orchestrated at least a start in agricultural knowledge during my childhood.

My father, born and raised in San Francisco, sought out nature all over the Bay Area. His father was an artist, draftsman and furniture designer and maker who also loved nature and loved the Sierra. He descended from a long line of schoolteachers. For more on my grandfather Leland Hyde and Dad’s other early influences, see the blog post, “Photography’s Golden Era 4.”

In contrast my mother’s ancestors were early pioneer families of the California Central Valley. My mother grew up in the greater Sacramento area, spending most of her childhood in the rural outskirts away from the town that is now downtown Sacramento. My mother’s maiden name was King. Ardis King Hyde’s father, Clinton Samuel King, Jr. grew up on the King ranch outside Sacramento. Mom’s mother, Elsie Van Maren King grew up on the Van Maren Ranch. The King’s sold their ranch when my mother was too young to remember. However, my entire life, until my mother passed on, she talked about her vivid memories of the Van Maren Ranch.

The Van Maren Ranch was located in the part of Sacramento that is now called Citrus Heights. The Van Marens were one of Citrus Heights founding families. Van Maren Boulevard was named after the family. The main ranch house, roughly in the center of the 1,000-acre ranch, stood on a hill that has now been removed where a shopping mall now sprawls.

One Van Maren family myth had it that during the Great Depression, my great grandfather Nicholas Van Maren exclaimed one day in exasperation that his greenbacks were worth so little that he might as well pave the lane into the ranch house with them.

“I’ll call it my Greenback Lane,” he cried out. From then on the family and their friends called the road Greenback Lane. This was how the familiar Citrus Heights thoroughfare received its name.

The main crops on the Van Maren Ranch were wheat, oats and barley, with a secondary production of grapes, almonds, apples and olives. There were also a number of milk cows, horses, chickens, goats, lambs and pigs to supply the family pantry. My grandmother Elsie had three sisters and no brothers. The four girls grew up doing the farm chores that in those days were usually done by boys, in addition to the household chores as well. My grandmother was a superb cook, who could easily feed a few dozen people. My mother, who had three brothers and no sisters, as the only girl in her generation, was constantly in the kitchen with her mother. Some of my mother’s best recipes were handed down from generation to generation.

My mom remembered trips out from the suburbs to the rural area that is now Citrus Heights to the Van Maren Ranch on weekends one or two times a month. She learned to ride a horse on the ranch as a little girl, milked cows and helped out with all of the tasks on the ranch that her mother had grown up doing. Mom loved visits to the ranch and did not mind pitching in and working with her grandfather around the ranch and grandmother in the kitchen. Mom was quite capable and hard working, even as a child. Her grandparents in turn enjoyed the companionship and help of their eager, inquisitive suburban granddaughter each time she visited. She remembered hauling water from the hand-dug well to the house by bucket the old-fashioned way and making everything in the kitchen by hand.

Both my mother and grandmother were tough as nails. They could out work and out rough-and-tumble any boy or man their whole lives. Part of what attracted Dad to Mom years later was how comfortable and fearless she was in the outdoors, yet how she also carried herself with grace indoors.

Besides being an artist in the kitchen, my mother was what gardeners call a “green thumb.” She could make flowers grow from rocks, which is essentially what she did for close to 60 years at our home in the Sierra Nevada. She had not had her hands in the soil much at all though for many years when my parents finally bought the property in December 1955.

Soon after, Mom and Dad walked the property with their friends Cornell and Pat Kurtz from nearby Lake Almanor, who also were accompanied by their four-year-old daughter Kit. A tangle of branches, decimated small trees and bulldozed piles of dirt and rock, the house site had been a logging staging area. Not much dirt mixed in with the Grizzly Formation igneous andesite rock. Indian Creek over geological time cut down through a giant rockslide that came down off of Grizzly Ridge and dammed up the creek. The bench a few hundred yards above the present riverbed consisted mainly of angular fracturing Grizzly Formation rock with some dirt in between to further wedge in the rock and make it hard to move.

This was more than 15 years before the publishing of Dad’s renowned book, Slickrock with Edward Abbey, but Dad and Mom had traveled much in the Southwest where the name “Slickrock” was common as were other names with “rock” in them such as “Smooth Rock” or “Balanced Rock.” For more about Slickrock see the blog post, “Who Was Edward Abbey?”

Recently Pat Kurtz described that she and Cornell had visited the Hydes in 1956 while they were still living in one of the neighbor, Bill Burford’s houses, before Mom and Dad started building our home in 1957.

“I remember picking up the sharp, pointy rocks on your land,” Kit Kurtz added. “The rocks I were used to at Lake Almanor were rounded. I was already thinking, ‘this is rough rock.’” While showing the Kurtzes the land, Dad mentioned that they could not think of a name for the place.

“Your Dad looked down at Kit,” Pat Kurtz said. “He asked, ‘What do you think?’ and Kit said, ‘Rough Rock.’” Dad and Mom looked at each other and at Kit with smiles of acknowledgement and agreement.

“That’s it,”Dad said. “That’s the name.” Our home has been Rough Rock ever since. I will say with great assurance that to this day it lives up to its name in spades, or despite and intensely in spite of spades, or any other digging implement.

Dad even had to blast or chip a few giant rocks. Tons more he removed to pour the foundation. The rocks taken out of the trenches for the foundation were distributed along the hillside to make terraces. My parents filled in behind them to build the soil for a garden. I was not born until 1965, but the pickup truck hauling program was far from over when I got old enough to wield a shovel or pitchfork. I remember a childhood filled with trips to nearby ranches and farms to clear manure, used hay or combinations of the two out of horse stalls. We made those trips in an old 1952 Chevy Pickup we called the Covered Wagon when it still had a corrugated steel camper shell-like canopy on the back. For more on the adventures of Covered Wagon all over the West see the blog post, “Covered Wagon Journal 1.” We also hauled dirt, sand, grass clippings, straw, wood chips and just about anything else that would make soil. I will write more about the gardens and gardening in future blog posts.

Besides being a laborer and off and on participant in Mom’s gardening efforts, thanks to my mother I was exposed to other agrarian influences. As a very small boy, probably around age three, my mother took me to a nearby dairy farm, introduced me to the farmer and to his dairy cows up close. Mom and I watched while the farmer milked his cows. We tasted the milk and I even took a turn at milking. When I was young we had milk delivered by a milk truck as part of a regular milk route. Later, I would go with my mother to pick up whole milk directly from the dairy farms that sold it. Mom skimmed the cream off the top and used it to make butter or to whip cream. We also made homemade ice cream from local whole milk.

My mother raised me on unpasteurized milk. I lived a highly active, sports-filled life and never broke a bone until I was in my 40s far away from my childhood home. I have never had any allergy problems either. A substantial body of scientific evidence links pasteurization, hormone supplementation and genetic modification of milk and dairy cows to food and pollen allergies.

My mother and my mother’s brother, Nick King, taught me how to care for, prune and organically fertilize our apple trees. For more on my uncle’s nursery, apple farm and beekeeping, see the blog post, “Actor, Photographer, Apple Farmer and 1960s Activist Nicholas King’s Memorial.” Every year Dad and I helped Mom pick apples in our mini orchard of three trees. Mom tried many other types of fruit trees, but few of them bore much fruit in our mountain climate and elevation of 3600 feet above sea level. Just before she passed on in 2002, Mom planted a plum tree in front of the house that just started bearing fruit four years ago. It produced a heavy limb-bending crop of plums one year, but unfortunately the raccoons ate most of them.

Another agricultural, small farm activity Mom instigated at Rough Rock when I was a kid was raising chickens. They were bantam hens named Henny Penny and Peg Leg. They laid a slightly smaller egg than most chickens, but they each produced one to three a day, which was all we needed. Dad built them a chicken wire cage inside our garden shed. They would go in at night and out during the day. I fed them around the same time each day as I fed Pad, our German Shorthaired Pointer dog.

Pad was our primary domesticated animal. Pat Kurtz originally found her for us and named her P. – A. – D. after Philip, Ardis and David. The Kurtzes had a long line of their own German Shorthaired Pointers for many years. Pad would stay with them when we traveled. Pad was also good with the chickens. She hardly even went near them. She ignored them with disdain and distaste. We never knew why. After a few years Peg was taken out one day by what must have been a raccoon, or possibly a Bobcat or even Mountain Lion. All we found were a few feathers. Penny lasted a few months longer before suffering a similar fate.

I am grateful to my mother for introducing me in small ways to farming and ranching. While I did not grow up on an actual working farm or ranch, I had at least enough taste of it to understand what the lifestyle was like and what producing your own food is like. Farming is hard, but highly rewarding work.

(The passive solar, energy efficient, ahead-of-it’s-time construction of Rough Rock will be featured in “Living the Good Life 6.”)

My Favorite Photographs of 2015

December 29th, 2015

Jim Goldstein at JMG Galleries Blog has once again put together his blog project for hundreds of photoblogs to show a selection of photographs from the year. Last year I labeled my review blog post, “Best Photographs of 2014.” For that year, “Best” fairly described my picks because I did review every image in each genre and ran them off against each other to select what were best in my opinion. However, “Best” does not always apply to images that you choose yourself. Perhaps a stock agency or a magazine or a gallery would choose “better” images than you would yourself. Whether it is a stock agency, magazine or gallery doing the choosing, may be more the point. Each of these uses would chose different images that would be “best” in its particular situation. Different uses demand a different selection.

In a year like 2015 where I approached 10,000 total exposures, there may be several “10 best Photographs,” lurking within the 10,000 made, depending on the project and purpose. Therefore, this year I have called these “My Favorites.” Early in 2015 I gathered more images of the Northern Sierra, specifically Eastern Plumas County, to round out my Sierra Portfolio that will split into a Northern and Southern Sierra Portfolio as I begin to assemble portfolios and build a new website for my own photography. Currently I have just two portfolios on PhilipHyde.com after the 25 Image Portfolios of my father’s well-known photography that influenced more than one generation of landscape photographers.

My old friend Topher called me to announce he would marry Kori on the Blue Moon at the end of July on the white sandy shores of Lake Michigan at Meinert Park Beach. I decided to drive up to the West Coast of Michigan for the wedding and continue to photograph barns around the Midwest as I had started to do in Northern California. Every country is only as strong as its heart. I traveled to the heartland to take our pulse as a country and to photograph barns, farms and the dying small farm culture that is leaving small towns heartless across the land. Industrial cities are also in ruin in the midwest, but besides ruin and decay, hope, rebirth and rebuilding are also evident across our agrarian and rust belted center. My trip filled up with obstacles and small and large disasters, to the point where “A Drive Through the Heartland” makes a good travel narrative, currently in progress, as well as a series of informational blog posts about various sections of my trip or stories I discovered along the way. As soon as I have one draft of my travel journal, I will get back to directly working on my book about my father’s life and work in conservation photography of our national parks and wilderness.

Near the end of the year back home in California I photographed more landscapes for my Portfolio One and other portfolios, as well as more historical barns and round barns to upgrade my California Barns Portfolio to be revealed in 2016 with my new website. In 2016, I plan to take the emphasis off of making photographs and put it on marketing them more.

Misty Sunrise, Millpond, Graeagle, California by David Leland Hyde.

Misty Sunrise, Millpond, Graeagle, Eastern Plumas County, Northern Sierra, California by David Leland Hyde. Photographed this sunrise on the way to the Lakes Basin Recreation Area, but got caught here a bit too long and missed the best light up at Lakes Basin.

 

 

 

 

 

 

 

 

 

 

D. H. Day Barn From North, Sleeping Bear Dunes National Lakeshore, Michigan West Coast by David Leland Hyde.

D. H. Day Barn From North, Sleeping Bear Dunes National Lakeshore, Michigan West Coast by David Leland Hyde. Most people photograph this barn from the south or from the southwest near the national park service road. It varied from pouring to steady rain. I wore my rain gear and managed to keep my camera dry long enough to walk all the way around the field to make images from all sides.

 

 

 

 

 

 

 

 

 

 

Round Barn Near Conroy, Iowa by David Leland Hyde.

Round Barn Near Conroy, Iowa by David Leland Hyde. This barn is usually hard to find, but fortunately I asked at just the right building, when I first arrived in town. I made it to the barn in short time. The owner even drove up near the end of my photography session, just in time to give me publishing permission.

 

 

 

 

 

 

 

 

 

 

 

Three Cowgirls, Harlan Ranch, Indian Valley, Plumas County, Northern Sierra, California by David Leland Hyde.

Three Cowgirls, Harlan Ranch, Indian Valley, Plumas County, Northern Sierra, California by David Leland Hyde. I was happily photographing the Harlan Ranch Barn from the road, when two young cowpersons who had been riding a horse in a nearby corral approached me and asked if I would photograph them. Their mother nearby saw more or less what was going on. I made close to 20 frames of the girls, who also recruited their friend to total three cowgirls in most of the photographs. Talking with their mother afterwards, she said she liked the photographs and the whole idea as it kept the girls entertained for a little while.

 

 

 

 

 

 

 

 

 

 

 

Moving Moment In Hansen Wedding Ceremony, Lake Michigan, Meinert Park Beach, West Coast of Michigan by David Leland Hyde.

Moving Moment In Hansen Wedding Ceremony, Lake Michigan, Meinert Park Beach, West Coast of Michigan by David Leland Hyde. The wedding photographer was also present and doing a great job getting the “money shots” of the main players in the wedding. I meanwhile focused on either the whole wedding party and audience, or the whole scene including the setting.

 

 

 

 

 

 

 

 

 

 

 

Dogs, Farm Hand, Horse, Overlees Farm Near Franklin, Nebraska by David Leland Hyde.

Dogs, Farm Hand, Horse, Overlees Farm Near Franklin, Nebraska by David Leland Hyde. During my entire 10,000 mile, 14 Midwest State journey, I worked to incorporate not just picturesque barns, but the land, people, animals, equipment and overall culture of small farms and dairies. This was one of my better successes with the surrounding culture, which seemed to come and go out of my images depending on how much I focused on getting more than just the barns.

 

 

 

 

 

 

 

 

 

 

 

Children on Shore of Midsummer Pond Near Oberlin, Ohio by David Leland Hyde. At one farm, the lady at the house said I could photograph the barn, even though she was not the owner. She went back in the house and left me, a complete stranger, with her children. They followed me around while I tried to photograph the barn. At first the kids were a distraction, but then I just told them to go ahead and play between the barn and camera, which produced a number of great images. With no encouragement at all from me, they led me down by their favorite ponds and played while I made a few more images of them and the ponds. After about 45 minutes, I walked back by the house and the woman waved from inside.

 

 

 

 

 

 

 

 

 

 

 

Amish Teenage Brothers and Horse Cart Near Holton, Michigan by David Leland Hyde.

Amish Teenage Brothers and Horse Cart Near Holton, Michigan by David Leland Hyde. Amish people do not pose, nor will they give permission to photograph them if they are asked for it. However, if they happen to be passing by and you capture them going about their regular routine as part of another photograph, they do not object. These boys with whom I exchanged names upon meeting them, were all under 18 except for the oldest. I mentioned what I had learned about photographing Amish. They said they could pose if they wanted to and that it was up to each person to interpret their faith in that regard. While they drove by, I photographed and made a number of good images.

 

 

 

 

 

 

 

 

 

 

 

Cloudy Sunset, Olsen Barn, Lake Almanor Near North Fork Feather River, Chester, Northern Sierra, California by David Leland Hyde.

Cloudy Sunset, Olsen Barn, Lake Almanor Near North Fork Feather River, Chester, Northern Sierra, California by David Leland Hyde. I drove to Lake Almanor four different days and stayed into the evening waiting for a good sunset, but this one from the first evening after the Feather River Land Trust day tours, turned out better than any from subsequent nights. The Feather River Land Trust used this photograph of Olsen Barn in their campaign to acquire the land and begin to restore the barn. The FRLT completed the land purchase transaction in October and by November we had the first meeting for a stewardship committee to research how best to restore the barn. I am researching the pros and cons of being on the National Register of Historic Places.

 

 

 

 

 

 

 

 

 

 

 

Barn Skeletons in Soybean Field Near Oslo, Minnesota by David Leland Hyde.

Barn Skeletons in Soybean Field Near Oslo, Minnesota by David Leland Hyde. I was on my way off the main US Highway toward another historic barn when I looked back and saw these barn remnants dappled by late sun through the trees. I made a number of exposures at different focal lengths, but chose this one as my favorite as it includes all three barns and some of the setting, but also gives a sense of the immense size of the large barn.

Stage From Balcony, Historic Eastown Theater, Detroit, Michigan by David Leland Hyde. Alas, the iconic theater is no more. It was demolished this year. My photograph may become historically significant someday, especially if I am one of the few to make prints.

Stage From Balcony, Historic Eastown Theater, Detroit, Michigan by David Leland Hyde. Alas, the iconic theater is no more. It was demolished this year. My photograph may become historically significant someday, especially if I am one of the few to make prints.

 

 

 

 

 

 

 

 

 

 

 

 

Hole Broken in Wall, Screw and Bolt Factory, Gary, Indiana by David Leland Hyde.

Hole Broken in Wall, Screw and Bolt Factory, Gary, Indiana by David Leland Hyde. I do quite a bit of street photography on the West Coast. I have always wanted to photograph the ruins of the Midwest and Eastern Rust Belt. Gary, Indiana was one of Lake Michigan’s thriving industrial centers for many decades, but has fallen into disrepair with loss of over half of its peak population at a rate exceeding 22 percent per decade.

 

 

 

 

 

 

 

 

 

 

 

Psychadelic Wall Mural, Chicago, Illinois by David Leland Hyde.

Psychadelic Wall Mural, Chicago, Illinois by David Leland Hyde. Driving past this wall along an elevated roadway in Chicago, all that meets the eye are murals as far as you can see. This one caught my eye with the bright variety of colors.

 

 

 

 

 

 

 

 

 

 

 

Shawn Lee Opening the Door to Urban Renewal Through Art at Artist Village, Detroit by David Leland Hyde.

Shawn Lee Opening the Door to Urban Renewal Through Art at Artist Village, Detroit by David Leland Hyde. Shawn Lee said the ruins of Detroit are old news and overblown by mainstream media. He said the relevant story now is the rebuilding of Detroit. He took me to see downtown gentrification and thriving upscale neighborhoods, but showed me recovering middle-class neighborhoods too. Artist Village is one place that encourages artists occupying low rent studios and helping to re-establish neighborhoods. Recovery is evident on other fronts as well. All over Detroit, neighborhood gardens are helping to rebuild communities and economically reclaim the city street by street.

 

 

 

 

 

 

 

 

 

 

 

Racing Team Practice, Stanford Red Barn Equestrian Center, Stanford, California by David Leland Hyde.

Racing Team Practice, Stanford Red Barn Equestrian Center, Stanford, California by David Leland Hyde. Meanwhile, with the wealth of dot.com startups and new innovations in technology, the Stanford area will continue to grow richer for a long time to come, possibly until the land goes under the ocean due to climate change.

 

 

 

 

 

 

 

 

 

 

 

My Mother’s Christmas

December 24th, 2015

HAPPY HOLIDAYS!

My Mother’s Christmas

By David Leland Hyde
Written March 12, 2005

"Happy Holidays," Electric Snow Couple, Milford, Utah by David Leland Hyde 2009.

“Happy Holidays,” Electric Snow Couple,” Milford, Utah by David Leland Hyde 2009. (Click on Image to See Larger.)

On the ground in East Quincy I found a palm-sized Christmas stocking labeled Mom.
I picked it up and began to spin back through my days.
I fell like piles of sand through an hourglass.
I heard the music of “Silver Bells, It’s Christmas time in the city,”
My mother sang and played piano.
It was Christmas time in the country.
Her voice a melody of tinkling glass.
The turkey in the oven,
Pumpkin pie spice floated from the kitchen.
Sparkling eyes,
Eyes so wise, knowing why.

Her mother, my grandma, grew up on a ranch,
One of four sisters with all that work.
The stuffing, a recipe handed down.
My mother never slowed down,
“Work, we must work, work, work.”
Only on Christmas breaking the spell with Carols.
Always with me through the night:
Her singing, “It’s Christmas time in the city.”
At midnight, I sneak out to see if Santa has come yet.
In the morning I play with a stuffed tiger around the tree.
My dad sets up for a picture of the three of us.

The stocking has a snowflake on the toe that looks like a star.
It brings me my mother, guiding me.
When she was alive I took her for granted.
She smoothed my way and held life together.
Now she is a benevolent force floating in the stars.
Holding a larger home.
“Silver Bells, Silver Bells, It’s Christmas time in the city.”

Do you have any special childhood memories of Christmas or another holiday you celebrate?