Posts Tagged ‘David Leland Hyde’

Forgetting Winter

April 10th, 2019

Elusive Memories, Snowfall, Weather and Climate at home in the Sierra of Northern California

Mt. Hough From North Arm of Indian Valley, Northern Sierra, California, 2015 by David Leland Hyde. In this image, the snowline from the most recent storm can be seen clearly at about 5,000 feet in elevation. The top of Mt. Hough, the giant rock outcropping jutting out of the right middle, is just over 7,000 feet and the top of Arlington Ridge in the left middle of the whole mountain, is 7,232. (Click image to see large.)

Plumas County, where I am writing from, is the transition zone between the Sierra Nevada and Cascade Mountain Ranges. Here the Sierra is much lower in elevation overall, while we also have much more volcanic activity, defunct volcanoes, hot springs, geothermal vents and old lava flows weaving in among the Ponderosa Pine and Douglas Fir Forests growing out of Sierra granite terrain.

In our milder Northern Sierra Nevada, most mountain peaks are 6,000 to 8,000 feet in elevation, unlike the High Sierra farther south, where the peaks range from 11,000 to 14,000 feet. Our mountain valleys, where most of the people live in the Feather River Region, usually range between 3,000 and 5,000 in elevation. By the time you drive two hours south of here to Lake Tahoe, you are in the Sierra proper, which usually receives much more snow, mainly due to higher altitude.

Bear in mind that the base lake elevation of Tahoe is 6,225 feet. This means that most of the tops of our mountains reach only as high as the bases of most of the mountains in the Lake Tahoe Basin. Many of the winter snowstorms that dump the heaviest in the Tahoe area bring us nothing but rain. Some years most of the Sierra receives heavy snowfall, while we do not, and other years it is vice versa. Consequently, we do not follow the various long-range forecasts all that closely, as they do not always apply.

This year was different though. We heard from many sources about the coming long, heavy and cold winter. Most of my neighbors braced themselves by getting in extra wood and supplies, putting on snow tires and updating vehicle maintenance, though we all remained skeptical. The weather itself did not seem to care whether we were skeptical, or whether the predictions were dire, either one. Winter came on very gradually and much the same as it has arrived most of the last 15 years. Our contemporary pattern, no different this year, for at least 15 years has been a little rain in October with Halloween being unseasonably warm and essentially an extension of what we used to call Indian Summer.

Following the current pattern, this season we received a little more rain in November, several flurries of snow that were just enough to stick in the first week of December and finally about one foot in one storm shortly after. This brought on hopes of a White Christmas, as well as fears we might be buried by then. However, it warmed up and dried out again for most of the month until it clouded up and threatened either rain or snow just before the big holiday. It snowed just after the Winter Solstice, just a skiff, which we thought might last a bit to give us a White Christmas, but the only weather that lasted beyond the holidays was the cold, which after all showed up with enough mojo to provide ice skating on the local pond during the weeks on either side of New Year’s Day.

Toward the end of the first week of 2019, weather reports had people talking again. The big snows were coming. Most of us went right on ahead with what we were already doing in disbelief. Then about January 5th or so, it snowed a foot in one night. Ok, we had seen this lately here and there, but then it snowed about a foot the next night. Here we go, or not? The weather skipped a few days just for dramatic effect and then snowed a foot again and again and again, not necessarily every day, but frequently enough that everyone knew this was already a series of storms more like we used to have and possibly the beginning of an old-fashioned winter, as officially expected.

Since the winter of 2011, we have not had more than a foot of snow on the ground at one time. Before that 2002 was the last heavy winter where we had more than one foot at a time. Also, besides 2002 and 2011, I do not remember the last time snow stayed on the ground more than a week at a time. From the beginning of the New Millennium and probably earlier, onward to today, the snow melted quickly, even in mid-winter. Long, cold, snowy winters require different skills and different thinking than snows that always melt in a few days. They require different patterns of grocery shopping, woodbin filling and snow shoveling prevail.

When I was a boy, I remember us getting six feet of snow in one storm more than once. It happened in 1968 when I was three years old and one or two other times. Dad made photographs of me at age three in a red snowsuit sliding down piles of snow he had shoveled in the driveway that were taller than the flat roof of the house. Once in the late 1970s, it snowed four feet on April 1st. This event we forever after called the April Fool’s snow. I also remember the snow sticking for months in the dead of winter. Most years, the snows started in October and even sometimes in September. Many winters we had snow on the ground continuously all season. Once the snow had been on the ground a while, lasting right through temporary warm spells, it usually melted a little each day warm enough to get above freezing and refroze at night. The deeper the snow and the greater the range between nighttime lows and daytime highs, the bigger the icicles grew that hung from the eves, the deck railings, water drains and spouts and any other horizontal surface close enough to the house to thaw out temporarily. I remember Dad photographing the largest icicles that grew up to six or more feet long. Usually, the icicles never got a chance to grow that long though because he either followed along after his photographing with a shovel and knocked them down, or just knocked them down without photographing them.

Dad had a rule that I followed when I took over the snow shoveling duties: always shovel all the snow off the decks every day, if at all possible. If you do not do this and the snow piles up in subsequent storms, the bottom layer of snow, or whatever portions of it you did not shovel, turns to ice. Considering we have thousands of square feet of decks, clearing them after every snowfall is not necessarily an easy or even convenient task.

I left home to go away to boarding school at age 15 in 1980 and never came back for longer than a few weeks on vacations and holidays until 2002 when Mom passed on. After moving back home to be Dad’s primary caregiver in 2002, I became lazy about shoveling snow. The average winter temperatures were warmer and cold spells lasted for less time. After any storm of less than a few inches, I hardly shoveled, if at all. This was rarely a problem since the snow tended to melt long before more snow fell. If a storm did drop more snow before the previous storm’s accumulation melted off, it never mattered much either because both would either melt or at least stay warm enough that the bottom layer never converted completely to ice. In the last few decades, there has just been a lot less ice in general. Shoveling off the front walkway between the house and driveway once eliminated the possibility that much ice would build up there. In the “old days,” that same walkway usually turned to ice even if shoveled off because more snow would inevitably fall and turn to ice, sometimes before it could be shoveled.

With so many mild winters in a row, I forgot about these nuances of snow conditions and the differences between heavy snow years and light ones. This year in early January, I still doubted we would have much snow when the first series of storms hit. I shoveled a path around the inside edge of the decks next to the house, the usual first shoveling pass, but left over a foot of snow on most of the decks. I was busy and needed to get back to work rather than spending an entire day shoveling. I also neglected to use the shovel to cut the snow back off the edge of the roof in the front of the house, where melting snow usually dripped to form ice on the front walkway.

As more and more storms came through, I began to realize this was a more serious error than it had been even back in my youth. As snow does, it compacted down over time and soon I had about 18 inches of close to solid ice on my decks. The sheer weight of this could cause damage to the deck, but the longer it stayed, the harder it would be to remove and more snow kept arriving all the time. It took me about five days of shoveling over four hours a day to get all of the decks cleared. I also spent many hours chipping, scraping and chopping away at the ice on the front walkway.

I began to realize that what was happening to me and my snow management in regard to the severity of the winter in the microcosm was the same thing that had happened to mankind in relation to climate change in the macrocosm. Winter had changed from what it was 20 years ago and I had forgotten what it was like to have to remove the ice from the front walk, or how critical it was to get it off the decks right away. I had been lulled into shoveling complacence, had forgotten how we used to go about it and what the consequences were of neglect. I marveled how soon I had forgotten and felt happy to be chipping and pounding away at the ice again. All was well. Then I remembered that all is not well.

When someone in a room with a dimmer switch that is gradually being turned down does not notice how much darker the room is than before, one of the main reasons they do not notice is inaccurate or wishfully driven memory. Here in the Northern Sierra, we are generally ok with winter being less harsh. It means less work and less hardship. It makes life in the winter easier. In a dimming room, we may be happy with the room darker. Memory is an elusive critter and what it consists of is often distorted by what we want or what we like. This means that one of the main reasons we do not notice the room is darker is that we do not remember how bright it was. We do not notice or remember that the first spring flowers, snowdrops, daffodils and lupine, have been blooming steadily earlier every decade. We tend to delight in signs of spring coming earlier, even though when we pause and reflect, we know something is systemically wrong with Mother Nature. We also do not notice or remember when we have no specific markers for comparison. The particular muscle memory I have of pounding away at ice with a shovel, when I performed the act again many years later, made me realize I did not even miss doing this task. I did not ever think, “Wow, I haven’t had to chip ice off the front walkway for 20 years.” The memory was gone and with it, the awareness of any of it ever having happened.

Without the marker or any other specific records or information, I could easily have forgotten how much winter has changed. My mother’s home logs and father’s weather records kept for over 40 years tell us that in the mid-1960s the snowdrops bloomed in the second week of April. Going through the logs, over the years the bloom dates gradually shifted until, by the time I moved back home here in 2002, the snowdrops came out at the beginning of March. The last couple of years it has moved to the end of February. Thanks to logbooks and records we can circumvent our own mistaken memories. Thanks to science, we do not have to rely on our own often mistaken faculties, but we can rely on solid facts.

Selling Out Environmentalists or Offering a Wake Up Call?

February 22nd, 2019

Have My Feature Blog Posts, Overall Message and Published Articles Been Selling Out Environmentalists or Offering Suggestions for How to Change Failing Methods? What do you think? Agree or Disagree?

What Is the Best Way Forward? How Can We Begin to Attain Mainstream Buy-In to Collectively Reduce Carbon Use?

Expanded from an email originally sent to 45 neighbors 12-17-18

“Every Day Is Earth Day on My Ranch,” Indian Valley, Winter, Sierra Nevada, California, 2017 by David Leland Hyde.

Last July I wrote a blog post that turned out to be controversial, not because of what it contained, but because of how people interpreted it in relation to the rest of the contents of Landscape Photography Blogger, recently renamed Landscape Photography Reader, and people’s perception of the legacy of my father, pioneer conservation photographer Philip Hyde. Normally I find it a waste of time to draw attention to myself and whether people are understanding me or not, or whether they believe I do think or I should think exactly like my father. However, this is as good a time as any to clear up some misunderstandings for clarity and perspective as we move into the future direction of this platform and discussions here and elsewhere of why it matters.

The Hyde Legacy Mission Remains the Same

My mission statement did not change or waver during the last two years. It is available for all to read under the “Goals” tab above in the banner at the top of this page. Or to read it with one click now go to, “Hyde Fine Art Mission Statement.” My old and new blog readers and followers from all over the world have found and read it by the hundreds every day. I am mystified that those who made sniping comments or questioned my motives somehow missed it. This Mission/Goals statement is essentially a summary of Dad’s legacy, though there may be more nuances that come all along the way here at Landscape Photography Reader.

People sometimes ask me if I am happy, or if I am living someone else’s life, or they suggest that I ought to do whatever fulfills me. In some situations, these certainly are important concerns and suggestions. Following your bliss or your heart can be a useful idea or course correction if you have never done it. However, in this civilization, we all have perhaps followed our own desires a bit too much and not thought enough about the collective of all life on this planet, or about where we are headed and why. We have neglected, denied or ignored the big picture and pursued our individual happiness for many reasons, not least of which because we felt this easier to impact and manage.

My father’s goals in life were never about him. He was a man of service. What kind of service do you offer each day? How are you helping? What are you doing to make the world better? These are the kind of questions he tended to ask himself. His priorities were God, family, nature, and photography, in that order. My mother, self-taught naturalist Ardis King Hyde, filled in the social piece with her priorities being God, family, nature, and community.

Where the Controversy Started and the Value of Self-Evaluation

The blog post, “How Environmentalists Get in Their Own Way,” came out of a number of experiences I had in the last few years and some actions by a small few of my neighbors in the Northern Sierra in Plumas County. Even more controversial, was an opinion piece called, “In Defense of the Palmaz Family and Genesee Valley Ranch,” that I wrote for the local newspapers: Feather River Bulletin, Indian Valley Record, Chester Progressive, Portola Reporter, Lassen County Times and Westwood Pine Press with the online version appearing on Plumas News under a slightly different title.

“It seems to me that the good the Palmaz family is doing for the land far outweighs any impact from landing a helicopter,” said a prominent progressive property owner in Quincy, California, the Plumas County Seat, after he read the article and the 109 thoughts from readers at the end. “The comments get a little ugly, but they are a fascinating study in human psychology,” he said.

After I wrote the article for the local newspapers, a rumor began to circulate that I had “sold out environmentalists” by taking the position I did and pointing out the flaws in the logic of certain local activists in the newspaper. Sometimes people, including myself, have a hard time taking criticism, whether constructive or not. However, sometimes a review of current methods can help anyone fine-tune and improve. Self-evaluation can help you discover blind spots and areas where you may not be getting the results you want, making you far more effective and efficient in the long run.

Why and How Environmentalists Have Failed

Environmentalists individually and environmentalism as a movement, have both had some major successes, especially in the 1960s and 1970s when my father’s photography played a major role in the development of the modern environmental movement, and while land conservation enjoyed the most popularity and support from the general public. However, the same methods and approaches that worked then do not necessarily work now. More importantly, the methods that did NOT work then, work even less now. I suggest anyone who is serious about truly making a difference and not just appearing to do so enough to make yourself feel better, make a study of Dad and his associates, Ansel Adams, Eliot Porter, Wallace Stegner, David Brower, Martin Litton and many others and their methods and all other successful strategies for making real change and attaining significant impact. The last 20 years have seen environmental law weakened, water and air safety regulations undermined or revoked, the dismemberment of the Environmental Protection Agency down to a shadow of itself, not to mention little to no major advances or wins in the movement. Stopping the second half of the Keystone XL Pipeline through the US has been the largest environmental achievement of the new Millenium. Even major environmental leaders have declared the Death of Environmentalism or the Death of the Environmental Movement? Two other leaders, even wrote a follow-up book on the subject reviewed by the New York Times and called Break Through: From the Death of Environmentalism to the Politics of Possibility. Meanwhile, over 70 percent of Americans in polls say they care about environmental issues. Why the disconnect? What is missing? Can it all be blamed on corporate spin and criticism by Right-Wing politicians?

The Far Right Smear Campaign

Certainly, Right-Wing extremists have been smearing and labeling the green movement as the new Red, ever since the Reds were no longer a threat after the Berlin Wall fell and the U.S.S.R. disbanded. Right-Wing media and talk show hosts have been likening environmentalists to the devil, Satan and their followers. This tactic has worked to large extent. Still, there must be effective ways to remind conservatives across the spectrum that Republicans played a major role in the establishment of modern environmentalism. President Nixon and his cabinet oversaw the passing of most of the 20th Century’s most significant environmental laws. Beyond law though and even more fundamental, Republicans, Democrats, Independents and all others like to eat safe, unpoisoned food and drink clean water.

Even so, Environmentalists, including myself when I still called myself one, generally have failed to persuade society as a whole to mobilize regarding a number of disastrous environmental and human health issues, the foremost of these being Climate Change. Our politics have so become polarized and environmentalists have often taken positions just as extreme as their opponents that obtaining mainstream buy-in appears close to impossible regarding action to stave off the melting of the Polar Ice Caps. We need to get people more interested in how they can do more and why it matters, rather than vilifying various people and organizations and telling them they are wrong, especially when what they are doing may have been a way of life for many generations. Nobody is going to change overnight, especially if they are put down or marginalized. Think about it in your own life. Do you tend to want to change when someone tells you what you are doing is wrong?

While Out on the Land Photographing Ranches and Farms, I Ran Across A New Concept

One subsection of this I am currently making my focus for research and future publication is Agriculture. Despite ingrained beliefs among the anti-beef lobby that all meat is bad for the planet and that Industrial Agriculture is a major contributor to Climate Change, new and ongoing research is starting to show that small, ecological agriculture is the most effective way of counteracting the ills of Industrial Agriculture and feeding the whole world. Animal waste is not only one of our biggest problems and greenhouse gas contributors, it is also one of the best ways to regenerate soil. The seeds of the solution are within the problem.

I highly recommend that anyone who cares about keeping our Earth liveable for people and the other life forms on which we depend, anyone with an open mind and anyone who puts our continued future above any ideology such as environmentalism, veganism, and so on, if solutions are more important to you than maintaining your current world view exactly as it is, read the book, Defending Beef by Nicolette Hahn Niman. In Defending Beef, the author, an environmental lawyer and former vegetarian, not only makes the case that cattle can be raised sustainably, but that overall, depending on how they are managed, they can have a net positive impact on our atmospheric carbon problem by taking carbon out of the air and sequestering it in the ground. Cows are not only one of the best ways to rebuild our depleted soils, but they can be one of the best ways to slow down and possibly reverse Climate Change. This is not greenwashing, not Beef Industry hyperbole, but statistical fact backed up by studies and research from all over the world. One of the frontrunners of these innovations is Allan Savory, who wrote Holistic Management: A Common Sense Revolutions to Restore Our Environment, and explains his world-renowned system in his TED Talk, How to Fight Desertification and Reverse Climate Change.

A Recipe for Optimism and My Philosophy

Also, for anyone who has become pessimistic about the future of the world or who is afraid to slip into pessimism, I highly recommend reading The Upcycle by William McDonough and Michael Braungart for a fresh perspective on how radical innovation can change how we use everything so profoundly that it is possible we could eliminate pollution, repurpose waste and keep our water plentiful and pure. For more on how we can change not just policy, but our consciousness and thus have the biggest impact on healing the planet, I suggest the audio CD: Miracles for the Earth by Sandra Ingerman.

For those very few who have spread rumors and made fools of themselves by saying I have sold out environmentalists, here is your chance to find out what I really am doing, saying and writing on the subject and why it is being followed in over 70 countries:

I Would Apologize Too: A Letter To Mother Earth

Mission Statement: Goals for Landscape Photography Reader/Philip Hyde Photo/Hyde Fine Art

Art, Earth and Ethics 1 – The Abuse of Nature and Our Future

Art, Earth and Ethics 2 – Climate Change, Religion, John Muir and Leave No Trace

How Environmentalists Get In Their Own Way

Plumas County Museum: First Venue for Agriculture West and Midwest

January 24th, 2019

The Plumas County Museum: Exhibiting Talented Artists and Serving Plumas County for 60 Years

David Leland Hyde’s First Museum Show, “Agriculture West and Midwest: Visual Stories of a Fading Traditional Way of Life From 17 States,” Raised Thousands of Dollars for the Plumas County Museum Association. The Museum Staff Chose Hyde’s Large 2017 Fine Art Print, “Horse Barn, Tall Grass, Genesee Valley Ranch” for Their Permanent Collection.

Horse Barn, Tall Grass, Genesee Valley Ranch, Spring, Northern Sierra, California, 2017 by David Leland Hyde. Part of the Agriculture West and Midwest Museum Show and the Plumas County Museum permanent collection. (Click to See Image Large.)

This feature blog post I originally intended for the purpose of promoting my art exhibition at the Plumas County Museum of over 110 archival photographic prints, all of which I printed and over 60 of which I personally matted and framed. However, I am now posting this as a thank you to the museum and it’s staff for all of their hard work and support of my project and to promote them going forward independent of my show as it moves on to new venues.

Some people believe museums are unnecessary. Many shun art museums in particular. Our current Oval Office Occupier abolished public support for the arts not realizing that his most successful business towers owe much prestige and high value to the neighborhood, the home of Manhattan’s premier museums. The National Endowment for the Arts website materials in 2017 stated that less than 10 percent of Americans have ever set foot in an art gallery or art museum. Why? Is it partly because schools teach the appreciation of art less and less? Are people turned off by perceived snobbery?

Is it because we are not taught in school that art adds to:

  • Community Culture
  • Business Profits
  • Neighborhood Property Values

The art of nature specifically:

  • Decreases Stress and Anxiety
  • Increases Mental Clarity
  • Improves Productivity
  • Improves Overall Health
  • Lowers Blood Pressure
  • Lowers Risk of Cancer

Museums are important institutions in any location, but a county museum that assists and supports other area museums and preserves and catalogs the artifacts, memoirs, court records, events, history, knowledge and whatever else mattered to the people and way of life in a county is an indispensable storehouse of treasures kept in trust for all of us to enjoy and help perpetuate.

The Plumas County Museum began as an idea instigated by restaurateur Bob Moon and bankers William Skaggs and Ward Ingersoll on behalf of Stella Fay Miller, a descendant from Plumas County pioneers who left a bequest that arranged for the purchase of the land and the construction of a museum. These three community leaders gathered together a Plumas County Museum Committee that later became the Board of Trustees for the museum. Philip Hyde, a Trustee and committee member hired the architect for the museum building, Osborne and Stewart from San Francisco. Both Hyde and Ansel Adams had done architectural photography for the related prestigious firms Spencer and Lee, and Stewart, Osborne and Lee. Bill Barlow submitted the lowest bid and became the contractor for the project in early 1968, completing the building in just over a year for a dedication ceremony on June 7, 1969.

Philip Hyde donated giant 32×40 and 40×50 darkroom black and white silver prints to the museum to hang around the inside of the Mezzanine. These silver prints were part of a series called, “The Four Seasons in Plumas County.” Dad wrote about the series that the photographs “Were selected not so much to show specific places in the county, as to represent in a more general way the landscape of the county—the setting of which has changed in details, but has remained overall impression substantially as it was when the first pioneers found their way into the mountains and valleys of the upper Feather River country. These large photographs are still on view today and can be seen from either upstairs or downstairs.

Throughout the 1970s, the museum sold Philip Hyde prints. Dad’s well-known photograph “Spanish Creek,” of which original Dye Transfer prints today sell for $6,000 to 8,000 and more, in 1970 were priced at $22.50 at the Plumas County Museum. Bob Moon wrote a letter to Dad in July 1970 explaining that sales had been brisker than expected and that the prints needed to be restocked. Incidentally, Bob Moon also helped Dad get on TV for the first time during the early days of the museum. The Sacramento Public Television Station filmed a half-hour special at our home near Taylorsville. Plumas County promoted Dad’s work and this in turn brought in sales at the museum that contributed to the operating funds.

In a 1974 fundraising letter Norma J. Carr, then Secretary-Treasurer of the Board of Trustees, reported that in the first five years “the multi-purpose Plumas County Museum and Chamber of Commerce Building hosted over 300 different historical, cultural, educational and informational exhibits and functions viewed by over 80,000 visitors. With a paid staff of two persons and a great deal of volunteer help, the Plumas County Museum has already gained statewide attention and notoriety.” Today, the museum has diversified even further.

“We are an all-encompassing facility for the whole county,” Lawson said. “This is the Plumas County Museum not the Quincy Museum.” He explained that the entire region, the whole Feather River Watershed and its history are important to the museum:

Whether you use anything in the museum on a regular basis or not, the memoirs and papers of the pioneers are here, but we are not here just for people to check out information, we also hold tangible objects passed down through generations from the pioneer families. People gave us the objects and records, for us to take care of and know they will be here for future generations. A lot of these are things we may never see again. Maybe a lot of people had the item years ago, but they have been thrown away, given away, burned up or lost in floods. We have everything from textiles: clothing, shoes, hats, household items, kitchen utensils, furniture, industrial tools, cameras, photography components and darkroom equipment. We have a little bit of everything that represents what life was in Plumas County over the last 170 years for Euro-American culture, plus items that represent the life ways of the Indigenous Maidu.

Lawson said the various museums around the county each serve an important purpose as well.

We can’t do it all here. I don’t feel we are in competition with the other museums around the county at all. I’ve worked with a lot of them to help them hone their accessioning and curatorial skills: so we aren’t throwing things in a corner or letting them get damaged. I help them pick out computer systems and help them get going. We are lucky to have that brochure that shows we have 11 museums now in the county. It could be promoted more than it is, but the county doesn’t spend money on things that bring money in like museums and the chambers of commerce. A lot of people move here because of us, or after seeing our information.

He also filled me in on the history of the Plumas County Museum before it moved into the current building.

The museum has been part of County Courthouse planning since the courthouse opened in 1921. The room where the recorder’s office is now, that was called the memorial room. A lot of the cases in the County Museum now, were in that room. We were one of 19 departments. The county-funded everything: the electricity, heat and so on. After we moved to Jackson Street, they formed a non-profit group to accept donations, so they are giving us less of the general fund now. Things are better than they were for a while, but not ideal because I still have the same extended workload, I’m behind from having no help for a couple of years. I used to have three people and I’m still trying to do the work of three people. With part-time people, you don’t have as much continuity as with full-time folks. I have to spend more time running around making sure they are getting everything done.

Besides cataloging and developing a database and system for looking up everything, the museum undertakes many other endeavors. Having local people and children enjoy the museum Lawson said was one of the most satifying aspects of his job.

We have other projects like maintaining the historic buildings we care for like the Hall-Lowry House and the Old Taylorsville School. If you saw the faces of fourth-graders when they come here for their living history program where they have hands-on heritage skills: making candles, washing clothes on a washboard, making butter, cooking biscuits on a wood stove, and how excited they are about it. It makes it feel like it is worth it to do this. When I see them again 20 years later, they say that was one thing they remembered about the museum and how much fun they had. They then bring in their kids. When you get a little older you start thinking about your roots and the people before you. A lot of people who live here came from somewhere else and don’t have as much of a tie to the history here, but they still want to know, ‘Who had the house before me?’ or ‘Who lived in this valley before.’ We have that information to share.

Today, besides the museum’s many exhibits, it also offers a wide variety of services and programs including:

  • School Tours
  • Bus tours throughout the county featuring historical and cultural highlights
  • Historical and cultural presentations
  • Exhibit design and implementation
  • Local artist shows and receptions
  • 1878 Variel Home tours and restoration work
  • Maintenance of the 1860 Goodwin Law Office
  • Archival Library research and resources
  • Artifact accessioning and conservation
  • Civic and community presentations
  • 4th Grade Living History program
  • Women’s History Luncheon program
  • Spanish Peak Lumber Co. Railroad project
  • Tourism information and referral services
  • 1888 Peppard Cabin tours
  • 1857 Pioneer School tours

In 2017, museum director Scott Lawson led a group tour of Historic Sierra Valley Ranches. The tour visited the Dotta Ranch, Goss Ranch, Smith Ranch, Folchi Ranch, Beckwourth Masonic Hall and other points of interest. The museum also recently put together a grant application and received funding from the Wahl Foundation to help restore the Historic 1864 Taylorsville School, which Plumas County bought from the Native Sons of the Golden West in 2000. Furniture maker Richard Davis of Quincy rebuilt and restored the windows, among other repairs in 2018. The Plumas County Museum today remains a vital and active part of historic preservation and maintaining archives all over the county.

Details:

Plumas County Museum

500 Jackson Street (Behind the County Courthouse)

Quincy, California

Contact Info:

Scott Lawson, Director and Curator

Paul Russell, Assistant Director

530-283-6320

pcmuseum@psln.com

Trustees:

Ken Bernard                       530-283-3965                Graeagle

Charlie Brown                     283-3416                        Quincy

Don Clark                            836-2586                       Graeagle/Mohawk Valley

Pat Cook                             836-4029                        Graeagle (President)

Pete Dryer                          283-2130                         Twain

Bob Edwards                     283-1728                         Quincy

Jerry Holland                     283-5328                         American Valley

Sandra Lee                         927-7442                        Quincy

Gaye Porter                        283-0777                        Quincy

Jerry Thomas                     283-4231                        Quincy/American Valley

Diane Uchytil                     283-3305                         American Valley

Best Photographs of 2018

January 5th, 2019

The Work of Pioneer Conservation Photographer Philip Hyde Continues Through His Son, David Leland Hyde and His Favorite Images for 2018

Some Americans may not recognize my father, Philip Hyde’s name, but most have seen his iconic landscapes from the 1940s through the 1990s, which helped make many of our national parks, appeared in a solo show at the Smithsonian and with Ansel Adams, Eliot Porter, Martin Litton, David Brower, and others through Sierra Club Books, popularized the coffee table photography book and played a central role in the birth of the Modern Environmental Movement.

This year I was fortunate to hang my own conservation photographs in my first museum show at the Plumas County Museum in Quincy, California, which Dad co-founded in the late 1960s. The exhibition was called, “Agriculture West and Midwest: Visual Stories of a Fading Traditional Way of Life From 17 States With Special Emphasis on Plumas and Sierra Counties.” Below, please find some of the images from the show, as well as other photographs made this year. I have selected my favorite 18 photographs of the year in accord with the 12th Annual Blog Project by Jim M. Goldstein.

In addition to landscapes, my conservation photography focuses on agriculture for a number of reasons:

  1. People like images of old barns, farms and ranches
  2. Agriculture is a hot and controversial subject currently because industrial agriculture is putting simpler methods and smaller farms out of business across the country, leaving American rural areas and small-towns destitute and abandoned.
  3. Industrial agriculture is also controversial because it is the primary producer of climate change triggering greenhouse gases worldwide, while small, sustainable agriculture is the most effective way to regenerate soil and reverse the damage done to public health and ecosystems by industrial agriculture.
  4. One industrial agriculture myth is that it is the only way to feed the world, whereas small, sustainable agriculture already successfully feeds over 70 percent of the world, while industrial methods only feed 30 percent.
  5. Besides striving to bring to light the differences between industrial agriculture and smaller, more sustainable ways, I also have been photographing our disappearing agricultural history.
  6. The highest purpose of an artist is to be a bellwether of the times.
  7. The art of agriculture has a rich tradition going back to the Dustbowl and Great Depression and including Ansel Adams, Dorothea Lange, Philip Hyde, Edward Weston, Minor White, Imogen Cunningham, Morley Baer, Claude Monet, Georgia O’Keeffe, Grant Wood, George Stubbs, Peter Paul Rubens, Claude Lorrain, Andrea Sacchi, Théodore Rousseau, Hendrik Meyer and many other luminaries.

While my landscapes have also been used in land conservation campaigns and on behalf of various environmental causes, my primary focus currently is on artfully depicting cultural restoration, declining historical resources, as well as sustainable farming and ranching. At the same time, early in 2018, I decided to cut back on making images and focus much more on getting my work out to the world. Therefore, the photographs you see below come from a much more limited selection of frames made during the year overall, compared to previous years.  I am building out my website and adding more images all the time: HydeFineArt.com

Barn on North Valley Road, Indian Valley, Northern Sierra, California by David Leland Hyde. From “Agriculture West and Midwest” Museum Show. (Click twice to see large.)

Old Barns, Grizzly Peak, Genesee, Genesee Valley Ranch, Winter, Northern Sierra, California by David Leland Hyde. From “Agriculture West and Midwest” Museum Show. (Click twice to see large.)

Horses Standing in Snow, Old Mormon Barn, Saddlehorn Ranch, Winter, Northern Sierra, California by David Leland Hyde. From “Agriculture West and Midwest” Museum Show. (Click twice to see large.)

Wagyu Cattle Near and Far, Genesee Road, Palmaz Hangar, Genesee Valley Ranch, Winter, Northern Sierra, California by David Leland Hyde. From “Agriculture West and Midwest” Museum Show. (Click twice to see large.)

Horse Barn Detail, Genesee, Genesee Valley Ranch, California by David Leland Hyde.

Stumps, Forest and Reflections, Shore of Snag Lake, Fall, Lakes Basin Recreation Area, California by David Leland Hyde. (Click twice to see large.)

Looking Down Indian Creek at Mt. Hough, Winter, Genesee Valley Ranch, California by David Leland Hyde. (Click twice to see large.)

Indian Creek, Wheeler Peak, Early Winter, Genesee Valley Ranch, California by David Leland Hyde. (Click twice to see large.)

Leaning Tree Detail, Upper Sardine Lake, Lakes Basin Recreation Area, California by David Leland Hyde. (Click twice to see large.)

Sunset, Maddalena Barn, Sierraville, Sierra Valley, California by David Leland Hyde. (Click twice to see large.)

Broken Gate Shadows, Willow, North Barn, Lemmon Canyon Ranch near Sierraville, Sierra Valley, California by David Leland Hyde. From “Agriculture West and Midwest” Museum Show. (Click twice to see large.)

Snowmelt Lake, Cows and Large Western Barn in Shade, Thompson Valley near Quincy, California by David Leland Hyde. From “Agriculture West and Midwest” Museum Show. (Click twice to see large.)

North Wall, Renovated Genesee Store, Night, Genesee, Genesee Valley Ranch, California by David Leland Hyde. (Click twice to see large.)

Ranch Manager Connecting With Wagyu Cows, Winter, Genesee Valley Ranch, Northern Sierra, California by David Leland Hyde. Color Version From “Agriculture West and Midwest” Museum Show. (Click twice to see large.)

Roping and Branding, Openshaw Ranch, Mt. Hough, Indian Valley near Taylorsville, Plumas County, California by David Leland Hyde. From “Agriculture West and Midwest” Museum Show. (Click twice to see large.)

Fence Posts and Collapsed Filippini Barn, Sierra Valley, California by David Leland Hyde. (Click twice to see large.)

Rider and Horse, Galloping West, Long Valley Ranch Near Cromberg, California by David Leland Hyde. (Click twice to see large.)

Wagyu Cattle, Genesee Road, Grizzly Ridge, Genesee Valley Ranch, Winter, Sierra Nevada, California by David Leland Hyde. Color Version From “Agriculture West and Midwest” Museum Show. (Click twice to see large.)

Blog Project Posts From Years Past:

Best Photographs of 2017

Favorite Photographs of 2016

My Favorite Photographs of 2015

Best Photographs of 2014

Best Photographs of 2013

My 12 “Greatest Hits” of 2012

Best Photos of 2011

My Favorite Photos of 2010

 

My Mother’s Christmas

December 22nd, 2018

Feliz Navidad! Mele Kalikimaka!

My Mother’s Christmas

A Poem by David Leland Hyde
Written March 12, 2005

"Happy Holidays," Electric Snow Couple, Milford, Utah by David Leland Hyde 2009.

“Happy Holidays,” Electric Snow Couple,” Milford, Utah by David Leland Hyde 2009. (Click on Image to See Larger.)

On the ground in East Quincy, I found a palm-sized Christmas stocking labeled Mom.
I picked it up and began to spin back through my days.
I fell like piles of sand through an hourglass.
I heard the music of “Silver Bells, It’s Christmas time in the city,”
My mother sang and played the piano.
It was Christmas time in the country.
Her voice a melody of tinkling glass.
The turkey in the oven,
Pumpkin pie spice floated from the kitchen.
Sparkling eyes,
Eyes so wise, knowing why.

Her mother, my grandma, grew up on a ranch,
One of four sisters with all that work.
The stuffing, a recipe handed down.
My mother never slowed down,
“Work, we must work, work, work.”
Only on Christmas breaking the spell with Carols.
Always with me through the night:
Her singing, “It’s Christmas time in the city.”
At midnight, I sneak out to see if Santa has come yet.
In the morning I play with a stuffed tiger around the tree.
My dad sets up for a picture of the three of us.

The stocking has a snowflake on the toe that looks like a star.
It brings me my mother, guiding me.
When she was alive I took her for granted.
She smoothed my way and held life together.
Now she is a benevolent force floating in the stars.
Holding a larger home.
“Silver Bells, Silver Bells, It’s Christmas time in the city.”

Do you have any special childhood memories of Christmas or another holiday you celebrate?

(Originally posted December 24th, 2015.)

Happy Thanksgiving From Hyde Fine Art and Philip Hyde Photography…

November 22nd, 2018

Happy Thanksgiving!!!

Fall Indian Rhubarb in Spanish Creek Near Quincy, California, 2017 by David Leland Hyde. (Double click on image to see larger.)

 

 

 

 

 

 

 

 

 

 

I am grateful for warm wood stoves on cool Fall days.

I am grateful for a good, reliable roof,

For a strong, well-made house that my father designed and built.

I am grateful for and to all of my friends,

Those far away and those who have sat at my table, shared a meal and raised a glass with me.

I am grateful for rain, snow, lakes, rivers and the whole water cycle on Earth that sustains life.

I am grateful for the wilderness around me, home to my animal and plant friends.

Thank God we live in a country with a Constitution and where the spirit of the law keeps us free.

I am grateful for the internet, as much as I like and dislike it, it gives power to the people,

It helps us communicate, show photographs, organize and keep our rights and freedoms.

I am grateful that people here and everywhere are willing to fight for our way of life.

Thank Heavens we are willing to fight to have economic equality, clean water and air.

I am grateful that in this country so far, I do not have to fight all the time,

I am fortunate to have peace of mind, quiet and a place away from the worst troubles of the world.

(Originally posted November 23rd, 2017)

Renowned Photographers Son Carries on Historic Legacy With the Art of Small Agriculture

August 2nd, 2018

For Immediate Release

August 2, 2018

Contact Info:

Scott Lawson or Paul Russell
530-283-6320
pcmuseum [at] psln [dot] com

David Leland Hyde
info [at] hydefineart [dot] com

Renowned Photographer’s Son Carries on Historic Legacy With the Art of Small Agriculture

Dogs, Farm Hand, Horse, Overlees Farm Near Franklin, Nebraska, 2015 by David Leland Hyde. (Click on image to see large.)

Even if some Americans today do not recognize his name, most are familiar with Philip Hyde’s iconic 1960s and 1970s natural landscapes that appeared in a solo show at the Smithsonian, spearheaded conservation campaigns to establish many US national parks and helped popularize the large coffee table photography book. With Bob Moon, Philip Hyde also co-founded the Plumas County Museum, which now fittingly will host the first show of David Leland Hyde’s exhibition, “Agriculture West and Midwest: Visual Stories of a Fading Way of Life from 17 States with Special Emphasis on Sierra County and Plumas County,” from September 7 through December 29, 2018.

David Leland Hyde set out to make historically significant, yet aesthetic and artful photographs to preserve the memory of barns, farms and ranches that are vanishing all over the country. He also has brought out some of the differences between industrial agriculture and more sustainable or traditional methods. The art of agriculture is also a rich tradition itself, particularly going back to the Dust Bowl and the Great Depression. Hyde said one of his father’s teachers from photography school, Dorothea Lange, has had a profound influence on his work and on the genre. Ansel Adams, who founded the photography program at the California School of Fine Arts, now the San Francisco Art Institute, Minor White, the lead instructor and other renowned guest lecturers such as Edward Weston and Imogen Cunningham photographed agriculture. Also another Adams protégé, Morley Baer photographed barns in California particularly well, as did Carr Clifton, a neighbor and protégé of Philip Hyde.

Philip Hyde himself photographed cauliflower field’s and other agrarian subjects in a number of Bay Area Counties as early as the mid 1940s. By 1948, Philip Hyde photographed barns and ranches for the first time in Plumas County. He also gave his only son a Pentax manual only film camera and taught him the basics of how to use it when David was just 10 years old. For decades the younger Hyde made no more than a few hundred images. However, after 2009 when he bought a Nikon digital camera, David Leland Hyde has made over 80,000 images, more than one third of which depict agricultural subjects. He produces archival prints in limited editions of only 100 from single capture master files. He uses Photoshop mainly for the same adjustments film photographers like his father used in the darkroom.

D. H. Day Barn From North, Sleeping Bear Dunes National Lakeshore, Michigan, 2015 by David Leland Hyde. (Click on image to see large.)

“I strive to observe mundane scenes, everyday objects and simple beauty in an unusual and more present, mindful way,” Hyde said. “I look not just for light contrast, but psychological. I look for redemption in ruin, rebirth with decay, tolerance next to hate, yin within yang.” In 2015, he traveled over 10,000 miles around the US Heartland photographing for three months in a 1984 Ford van his dad converted when new from a cargo van to a specialized field photography camper. In the Midwest a reporter told him the state of Minnesota alone loses more than 300 barns a year. Meanwhile, in the West it has become common to use chutes to hold calves still for branding. However, David photographed local ranchers this year in Indian Valley who still do it the old way, roping and rustling the calves by hand.

Restoration has stabilized the base of the Olsen Barn in Chester, preventing potential collapse under heavy snow or wind. However, many old farm structures no longer get much use to justify the high costs of maintaining them. Hyde hopes his project can bring awareness and funding for historical restoration efforts. Additional shows of his agricultural work and a book are also in the works.

“We are excited to have a fund-raising exhibition here,” said Scott Lawson, Plumas County Museum Director. “It is noteworthy that David’s work will be displayed on the Mezzanine Gallery near his father’s 40×50 darkroom prints which have graced our walls since 1969.” David Leland Hyde plans to donate to the museum half of all proceeds from the sale of his fine art prints and other collectibles. Please enjoy the show and support the museum. The first 50 people to arrive at the opening will receive a keepsake gift.

Details:

Opening Reception: First Friday, September 7, 5 to 7 pm

Artist’s Talk: 6 pm, September 7

Exhibition: September 7 through December 29, 2018

Plumas County Museum
500 Jackson Street
Quincy, California
530-283-6320
pcmuseum [at] psln [dot] com

 

More Photographs From the Show:

Open Gate and Big Red Barn on Chandler Road near Quincy, California, 2013 by David Leland Hyde. (Click on image to see large.)

Amish Teenage Brothers and Horse Cart Near Holton, Michigan by David Leland Hyde (Click on image to see large.)

Cloudy Sunset, Olsen Barn, Lake Almanor Near Chester, California, Sierra, 2015 David Leland Hyde. This photograph has been actively used by Feather River Land Trust in the Olsen Barn Campaign. (Click on image to see large.)

Horse Barn, Tall Grass, Genesee Valley, Spring, Northern Sierra, California, 2017 by David Leland Hyde. (Click on image to see large.)

Ranch on North Side of Sierra Valley, Plumas County, California, 2017 by David Leland Hyde. (Click on image to see large.)

Horses on the Run, Central Wyoming, 2016 by David Leland Hyde. (Click on image to see large.)

Farm Workers, Strawberry Fields Near Oceano and Guadalupe, California, 2014 by David Leland Hyde. (Click on image to see large.)

Spanish Peak and Dyrr Barn, American Valley, Quincy, California, 2015 by David Leland Hyde. (Click on image to see large.)

Broken Gate Shadows, Willow, North Barn, Lemmon Canyon Ranch Near Sierraville, Sierra Valley, California, 2018 by David Leland Hyde. (Click on image to see large.)

Amish Horse & Buggy, Menno-Yoder ‘Brown Swiss Dairy’ 12-Sided Concrete Barn, Shipshewana, Indiana, 2015 by David Leland Hyde. (Click on image to see large.)

Keith Round Barn Under Tornado Skies, North Platte, Nebraska, Black and White, 2015 by David Leland Hyde. (Click on image to see large.)

Old Farm Machines, Outlaw Trail Ranch Near Escalante, Utah, 2014 by David Leland Hyde. (Click on image to see large.)

Fritz & Andy Roping, MH Branding, Openshaw Ranch, Mt. Hough, Indian Valley, California, 2018 by David Leland Hyde. (Click on image to see large.)

How Environmentalists Get In Their Own Way I

July 16th, 2018

How Environmentalists Get In Their Own Way, Part One

Ways Environmentalists Sabotage Their Own Protection of the Planet

Spring Snow, Grizzly Ridge, Heart K Ranch Pond, Upper Genesee Valley, Sierra Nevada, California, 2015 by David Leland Hyde.

Environmentalists and environmental organizations often sabotage their own causes in many ways. Even while serving a vital role in protecting natural places, decreasing the use of carbon-rich products and increasing the awareness of alternatives, environmentalists also at times adversely affect nature as much as anyone else. The following is just a short list. I am not saying by any means that all environmentalists take these actions all the time. A few do and all of us do sometimes. I know about many of these by making mistakes myself, to the detriment of the planet. I have also made a life-long study of influence and persuasion, as well as what has been effective and ineffective in the modern environmental movement. Perhaps people reading this, whether they are conservationists or environmentalists, care about nature but do not consider themselves environmentalists, or the type who typically oppose environmentalists, can think of points to add to the following list:

  1. Environmentalists often assume the worst about the people involved in a given situation, who may not be maliciously destructive of nature, but may inadvertently be having an adverse effect.
  2. Environmentalists come into scenarios operating only out of their own mindset, rather than seeing others’ views, or going to where the people are who are involved.
  3. They believe all wealthy people are evil and judge people by net worth.
  4. They judge people by good intentions and words, rather than actions.
  5. Rather than trying to understand other’s backgrounds in a situation and being tolerant of others’ knowledge or lack of knowledge of ecology and natural systems, they put people down who do things differently.
  6. They forget that we are all learning how to be more Earth-friendly.
  7. The minute they purchase a hybrid vehicle or other green technology, they immediately start confronting and putting down those who are still using older, less efficient or less effective products or methods.
  8. They believe high tech is automatically bad for the environment.
  9. They start interactions attacking and confronting, with an “us versus them” mindset, rather than listening and gathering information about people’s motivations and goals before addressing them.
  10. They assume that an enemy of a friend is always an enemy.
  11. They assume that a friend of an enemy is always an enemy.
  12. They assume that a friend who disagrees with their viewpoint then becomes an enemy.
  13. They assume all Capitalists, all Republicans, all religious people, or all of the people from any given group are the enemy of preserving nature.
  14. They use fear as their primary tool to move people. They paint doom and gloom scenarios, cite perilous natural events, natural disasters and distressing statistics to scare people into decreasing their environmental impact. Educating the public about pending catastrophe or warning of dire circumstances is important and necessary to keep people informed, but over and over tests and studies have shown that used as the primary persuasion method, fear can be paralyzing and discouraging, or easily ignored while people and corporations continue destructive business as usual.
  15. They attack environmentally destructive organizations and corporations from the outside, rather than infiltrating, educating and changing them from the inside.
  16. A few of them chose to remain ignorant of the law, believe it does not apply to them, but generally believe that through mere force of thinking they are right, they can bend the law or obtain exceptions.
  17. They believe that justice and what they think is right prevails in court, rather than existing laws.
  18. They believe that hiring good lawyers means they will win, even if they are wrong or in violation of the law.
  19. Some of them believe that all good lawyers are infallible, always tell the truth, never oversell, do not mislead, and will not lead them astray.
  20. They believe that environmental issues are policy problems, rather than problems in thinking and consciousness.
  21. They think that if they disagree with a legal definition, all they have to do is dredge up a definition by a source that is more in line with their own idea of the definition and the legal definition will no longer apply.

Other Ways Environmentalists Fail

As an example of just one major issue, environmentalists and the major environmental groups, have largely failed to convince individuals, companies and governments both large and small to take enough significant, consistent action to thwart the increasing pace of climate change. We have also failed to instigate sweeping changes that could protect water supplies into the future and have also been ineffective in slowing down the mass extinction of species that has been escalating for the last 100 years. Most environmentalists have refused to make any major changes personally that would lead to a smaller carbon footprint. People say they are afraid to go back to caveman days.” However, Naomi Klein in This Changes Everything said we would only need to go back to the living standards of the 1970s to avert the worst effects of climate change. Yet we perpetuate the illusion that we can continue to live much as we always have and not change any of our wasteful or bad habits, but rather avoid our own destruction merely by changing energy sources. Meanwhile, most of us keep blaming the problem on other people, the government and any other scapegoats we can find.

For example, I know people who condemn their wealthy neighbors for using a helicopter for transportation, while they themselves do a tremendous and far above average amount of driving per year just so that they can live far out on the edge of a wilderness surrounded by vast forests and an almost pristine valley, while also working in the nearest major city to earn a higher income.

One major mistake these seven neighbors, who call themselves the Genesee Friends, made in Genesee Valley in relation to the helicopter, besides espousing many fallacies and made up arguments with little to no factual basis, they failed to obtain the support of the majority of people in the area before launching an activist campaign. By far the majority of neighbors stand with the helicopter owners and their sustainable ranching, historical restoration and philanthropy benefitting local organizations.  The Genesee Friends also mistakenly claimed to represent all of us in the entire Genesee area, while also attacking anyone who disagrees with them.

Even more troubling, like the worst of environmentalists, this small minority of people give activism itself a bad name. When my father, pioneer photographer Philip Hyde and his associates: Ansel Adams, Eliot Porter, David Brower, Howard Zahniser, Olas and Margaret Murie, Martin Litton and many others set out to make the many national parks they did in the 1960s and 1970s, when they embarked on a major campaign, they made sure they had the support from the majority of the public, or a definite plan to obtain it. Not only were the national park projects more popular than the projects to exploit the resources in the places in question, but the popularity of the parks has only increased over time. Meanwhile, the few so-called activists in Genesee only render themselves less and less popular all the time. More on this in future blog posts and in my article linked to below.

Agricultural Adventures in the USA Heartland and an Unusual Experience

Over the last two years I went through an unusual experience that has changed my perspective on who protects the environment and who impacts it adversely. Leading up to this experience and affecting how I perceived it tremendously, in 2015, I traveled to the Midwest to photograph what is left of traditional small farming. I went to the heart of the country to take its pulse and capture it as it is because I discovered that industrial agriculture has taken over. Old historic barns, equipment and methods are going fast. With the rise of industrial agriculture, our factory farms have drained our aquifers, lakes and rivers down to dangerous levels, turned many small farming settlements that thrived for 100-150 years into ghost towns and transformed our farms from one family operations into colossal corporate giants sustained by heavy doses of deadly chemical spraying and cancer-causing genetically modified crops.

When I came home from the Midwest, the unusual experience of having one of the one percent most wealthy families move into my neighborhood changed my life forever yet again. In the print newspaper and online version of my article, “In Defense of the Palmaz Family and Genesee Valley Ranch,” I explain in more detail how I came to support this well to do family and stand behind their sustainable agricultural practices, organic farming and restoration of the old barns and other buildings of our local Genesee Valley Ranch, rather than siding with a small minority faction of my neighbors who have tried and failed to obstruct, ostracize and turn public opinion against the Palmaz Family. Fortunately for our county and for the welfare of Genesee Valley, the family’s kindness, good character and generous philanthropy in our community won over most of my neighbors and the majority of people in surrounding towns. I wrote the article originally for the weekly “Where I Stand” column on the opinion page of the local newspapers printed by Feather Publishing including the Feather River Bulletin, Lassen County Times, Chester Progressive, Portola Reporter, Indian Valley Record, Westwood Pinepress and the internet Plumas News version of all six papers.

Laying Everything on the Line, Being Attacked by Environmentalists and Trolls and What Exactly Is Entailed in Defending Natural Places Like Genesee Valley?

Also important to this subject, attached to my online Plumas News article about Genesee Valley Ranch, are  100+ pertinent, wise, and also contentious and trolling comments, along with my responses and further discussion to help people understand some of the finer points of the related issues. Check it out. When you get to the article internet page, sometimes randomly from there may be a short marketing survey by which Plumas News helps pay their bills. Take a look: “In Defense of the Palmaz Family and Genesee Valley Ranch.”

Stay tuned for the unusual personal story and sequence of events that led to me writing the above opinion piece, as well as outspokenly supporting and contracting to photograph for the Genesee Store and Genesee Valley Ranch. For more general background and the Genesee Friends side of the story see the Los Angeles Times article, “In a Rural Northern California Valley, a Development Battle Asks: Is a Helicopter a Tractor?” The main worry expressed by Elisa Adler in her statements for this article is that masses of wealthy people will move to Genesee Valley and “gridlock the skies” with helicopters. Out of the private land still possibly for sale in the entire watershed though, excluding of course the Heart K Ranch and Genesee Valley Ranch, I am curious how much of that land is zoned for agriculture? The land that is not zoned for ag, will be harder to make into sites for helipads, now with Plumas County’s new ruling. Read my article above to understand more about this. With less chance of gridlocked skies over Genesee, the only real gridlock may be in Ms. Adler’s argument. Besides, since thousands of wealthy people have not moved here yet, it is doubtful they will, perhaps possible, but probably improbable. I do not know the exact acreage of the watershed or private land in it, but from having grown up here, my guess is that most of the private land besides the two big ranches is not zoned for agriculture. The ruin of Adler’s entire life by the helicopter, as she has claimed, is perhaps more due to how she is looking at it and purposely straining her ears to hear it, than the actual noise level or potential as a gateway to further development. I suggest reading both articles above and judging for yourself…

Art, Earth And Ethics 3 – A Photographer’s Code of Ethics

October 3rd, 2017

Art, Earth And Ethics 3 – A Photographer’s Code of Ethics

Art, Earth And Ethics, Part Three

Photography and Ethics in General and My Code of Ethics for Photography

(Continued From the blog post, “Art, Earth And Ethics 2 – Climate Change, Religion, John Muir and Leave No Trace.”)

“The self-indulgent man craves for all pleasant things… and is led by his appetite to choose these at the cost of everything else.” ~ Aristotle

Cloudy Sunset and Runner on Dirt Road Near Oslo, Minnesota, 2015 by David Leland Hyde. #HeartlandUSA #Midwest (Double Click Image to See Large.)

Aristotle wrote extensively about ethics. He argued that the best reason to study and develop a sense of ethics is not to avoid punishment from God, the church or some other ethics watchdog, but to feel the best we can about ourselves. In a number of writings, Aristotle recommended the study of ethics, not as a pathway to righteousness, sainthood or rewards in the afterlife, but as the best path to happiness.

In light of what Aristotle had to impart about the pursuit of an ethical life as a worthwhile practice and because there is an online trend toward ethics statements by photographers and other artists, I have been pondering my answers to some ethical questions, as well as considering what questions are worthwhile answering. My questions run from basic to esoteric. My first question relates to my first ethics feature post, “Art, Earth and Ethics 1 – The Abuse of Nature and Our Future.

  1. Can a person who destroys a unique rock formation by vandalism feel good about him or herself after such an act?
  2. What if the destruction of a formation is done not for the sake of mere vandalism, but for the sake of profit, performing a job, or building a company to feed your family?
  3. Do nature photographers have an ethical responsibility to the natural places they photograph?
  4. Do artists whose artworks publicize natural places have any ethical obligations?
  5. Do artists have obligations to the law?
  6. When photographers know they are one of many who will photograph an area, do they have any obligation to those who may come after them whether artists or non-artists?
  7. Do artists have an ethical responsibility to show nature in a natural state?
  8. What is Art? Is a work of art just like any other widget in any industry?

To better understand yourself, consider your answers to these questions. Also consider developing more questions of your own.

Here are my short answers…

  1. This person is motivated primarily to seek attention, good or bad. This person may be angry or expressing other negative emotions that trigger the acting out of childhood traumas. This person may feel ok about himself or herself because of denial. On further self-examination odds are this individual will admit to self-loathing, especially if projecting arrogance.
  2. Same answer.
  3. Photographers seem to be more motivated after they experience the destruction of one or two of their favorite places, or they become inspired by an energetic leader.
  4. I act to protect the places I love, the water I drink, the soil that produces my food and food I eat, as well as the air I breathe. I will minimize my impact by photographing primarily in my own geographic region.
  5. Myself and other artists can guard our peace of mind in the short and long term by abiding by the law, asking permission, getting signed releases, watching for and obeying all “No Trespassing” signs, paying taxes, reporting sales tax and otherwise running an honest business and kindly encouraging others to do the same.
  6. I follow the philosophy of Leave No Trace. Read more on the psychology and benefits in my feature blog post, “Art, Earth and Ethics 2 – Climate Change, Religion, John Muir and Leave No Trace.”
  7. I like photography and other art that shows nature naturally, but I also like photography that changes nature. I feel the sky is the limit in altering images, but it is unethical to present an image as unaltered when it is. I believe in honesty and lack of deception regarding camera work and post processing. In my opinion, photographers are wiser to disclose alterations or not say anything, but not to fabricate.
  8. I will answer this in a post to come…

What are your answers? What other questions do you suggest?

Continued in the future blog post, “Art, Earth and Ethics 4 – Challenges of the 21st Century.”

Favorite Photographs of 2016

January 2nd, 2017

David Leland Hyde’s Personal Favorite Photographs of 2016

Jim Goldstein at JMG Galleries Blog first started this group photoblog project in 2007. The blog project has run every year since. I have participated each year since 2010. The concept is simple: each photography blogger who wants to take part, near the end of each year, puts together his or her “best” or “favorite” photographs from that year. Once each respective photoblogger posts a blog post of his best photographs of the year, he then fills out a small form on Jim Goldstein’s blog. After a certain date, Jim then makes another blog post containing a list of all of the “best of the year” blog posts along with a link to each of them.

During the year 2016, while I concentrated on writing and other projects, I made fewer exposures than in any other year since 2009 when I switched to digital. I made about 10 percent or less of the number of images I made in 2015. Not only did I photograph less often, I made far fewer images each time I went out. Still, I discovered that not only did the overall quality go up, I made a much higher ratio of portfolio worthy or near portfolio worthy images than ever before when I was less selective. My hard drives and extra disk spaces are thanking me. It is satisfying and confidence building to know you do no have to make hoards of images to “get the shot,” or to make meaningful photographs, whichever of the two you prefer.

The below photographs are all single-exposure, no bracketing, no HDR, no blends. I am not against these processes per se, but I find I do my strongest work without them. Particularly when photographing people, in the field I work intuitively, more often quite slowly with faster lurches when necessary. My nature images come from a deeper, tranquil place, both outside and within, but even with landscape photography, I like a less-perfected, rougher and quicker approach to post-processing. I do bracket for exposure, but rarely end up using the resulting files in combination. I often find a single image within the bracket works just as well in much less time, or I end up using a different photograph.

I replace the traditional film darkroom methods of dodging and burning, that is, lightening and darkening certain areas, by using Photoshop for post-processing. I control contrast, shadow and highlight intensity with Photoshop levels, curves and a hopefully tasteful limited application of vibrance and saturation. In this way, I use the tools of the digital darkroom for similar purposes as film photographers use traditional post-processing. However, I generally have much more control over all areas of the image and the resulting archival chromogenic and digital prints than even the old large format masters like my father, conservation photography pioneer Philip Hyde. For more information about each image and to see them even larger visit my new website: Hyde Fine Art at http://www.hydefineart.com/ . Not all of these “Sweet 16 for 2016” photographs are up on the site yet, but they all will be soon.

Mt. Lassen From California Highway 89, Winter by David Leland Hyde. I have always wanted to make a photograph from this spot, but this was the first time I could get up there after a fresh snow and under the right conditions for a decent image. I was on my way to a meeting and stopping to make a few exposures made me late, but it was a “now or never” situation.

Fall on Spanish Creek Near Quincy, California by David Leland Hyde. I love roaming Spanish Creek and Indian Creek with or without camera in the autumn of the year. Fall in Plumas County in the headwaters of the Feather River is like no other place on Earth. Certainly there are no other “California rivers” quite like Spanish and Indian. As much as I love it, my life is usually in high gear coming out of the summer and I often miss the peak Indian Rhubarb moment, which lasts just a few days and varies as much as a week or two on arrival each year. This year I caught it a little past the peak, but the bright colors were still going strong and worked well with the dogwoods, willows and alders that were already turning. This year more than others, everything seemed to peak at different times, so this idyllic blue sky day on tranquil Spanish Creek represented the happiest medium possible. If there was ever a place to get lost in time and drift away to another world, this was it and will hopefully long be it. It has changed little since the days of the California Gold Rush.

Empowered at the Waterfall on Ward Creek, Sierra Nevada Mountains, California by David Leland Hyde. One of my best friends I grew up with and two of his boys and a friend of theirs went on a secret hike near my home. I say “secret” because it is on gated, fenced private property that nobody else can enter, unless you know the owner. We hiked past a spooky old falling down mine we used to visit as kids to the waterfall on Ward Creek, a tributary of Indian Creek. I photographed the group standing in front of the waterfall, the waterfall by itself and the boys in various poses and clowning around. At one point Landon stepped up onto that rock in the center and made a pose facing the camera, then turned and faced the waterfall. Though the falls were so loud in the narrow gorge that none of us could hear each other, Landon clearly had a feeling come over him as he faced the falls. His pose here was the spontaneous result.

Yoga-Like Poses, Bonneville Salt Flats, Great Salt Lake, Utah by David Leland Hyde. Towing a U-Haul trailer loaded to the gills with fire safes and stuff from Colorado to Northern California, I stopped for a much needed rest from the road at this rest stop on Interstate 80. At first I had my camera on my tripod photographing the salt flats and the distant mountains. However, I soon got more interested in the people who kept walking out on the jagged rough salt and making all sorts of stretching and other strange motions. This group was off to the far side, but started doing exercises like pilates or yoga. I panned back and forth making a series of images of the various tourists against the white lake bottom background.

Wild Mustangs, Hazy Morning, Tall Grass, Central Wyoming Open Range II by David Leland Hyde. Somewhere in Central Wyoming this herd of wild horses grazed peacefully along the freeway. I stopped and walked back toward them with camera off my tripod and ready for action photographs. At first they were skittish and ran a little ways away, but slowly and seemingly curious, they came back toward me as I waited in silence. I made my best attempt at horse whispering to get them to walk toward me. After a little time went by, they were playful in front of the camera and acted as though they were familiar with being photographed. I was able to make some exposures of them walking, standing, grazing and on the run. Thank you Wyoming and my new four-legged friends. This was a special gift because throughout my summer 2015 17-state, 10,000 mile trip to the Midwest photographing farms, I came back with only a few photographs of horses. Though these Wyoming wild mustangs’ coats were a little scrappy and their tails had burrs, they were big and lean and more muscular than most domestic animals.

Storm Surf, Point Pinos, Pacific Grove, Monterey County, California Beaches by David Leland Hyde. With only an afternoon left in Monterey, a local large format photographer recommended I check out Point Pinos. The surf turned out to be larger than usual, which made for a number of interesting frames.

Fall Alders, Indian Creek and Grizzly Peak From the Taylorsville Bridge by David Leland Hyde. One afternoon coming home from Quincy and having photographed fall color on Spanish and Indian Creek most of the afternoon, as I crossed the Taylorsville Bridge, I saw what could be a keeper image. This is probably one of the most, if not the most photographed place in Indian Valley. My father made a number of large format photographs here in different seasons, going back as far as the early 1950s. If I was going to stop, it had to be good. I still would like to get a lot of snow on the mountain with fall color sometime, but the timing here turned out well with the interesting light and shadow in the middle distance and the lines and shapes that echo from the foreground beaver dam, beach and reflection to the distance.

Fields of Flowers With California Poppies, Mokelumne River Near Jackson, California, Sierra Nevada Foothills by David Leland Hyde. Though my father was crazy for photographing wildflowers, I have not been big on it so far, though flower photography is growing on me. This year a photographer friend in Jackson who helped me scan some of Dad’s collection, also showed me the wildflower mother lode near town. People say this type of photograph makes good wallpaper or large wall decor. Maybe this could even work for a matted and framed fine art photography presentation as well…

Olsen Barn and Meadow, Evening Sierra Mist, Winter, Lake Almanor, Chester, California by David Leland Hyde. This photograph has special meaning to me because I am a member of the Stewardship-Management Group for this Feather River Land Trust property. I made this photograph as a plume of smoke or Sierra mist came in low across the meadow just after a cloudy sunset several hours after a meeting of our committee at the barn. I made several images over the space of about 10 minutes and suddenly the mist or smoke was gone.

Wall Murals, Detour Sign, Carpet Warehouse, Oakland, California by David Leland Hyde. One morning driving out of Alameda I saw this wall mural on a carpet store and had to stop because of the vivid colors. I made quite a few exposures of details and from different angles, but this one stood out most. I wonder if a certain photographer friend who lives in Alameda has photographed this store…?

Fund Raising, Haight-Ashbury Neighborhood, San Francisco, California by David Leland Hyde. I love street photography. Here I just roamed up and down the Haight and surrounding streets at night with camera hand-held, photographing whatever I liked. This young hippie couple had obviously just eaten. He was reading the Bible and she was rocking the electric guitar… and I do mean rocking. She started out very slow with acoustic-like finger picking and gradually built up energy until she was standing up and blasting the neighborhood with her bell-clear voice and grungy bar chords. What a great smile too. All the time I was connecting with her and making a lot of photographs, her companion hardly moved, but just kept his head down reading away.

Hippie With Coffee and Phone, Haight-Ashbury Neighborhood, San Francisco, California by David Leland Hyde. This man had a warm smile and agreed right away to let me make his photograph. What a scene with the cafe windows, colors, coffee, red chairs, his backpack and the gray, spot stained sidewalk. I wish I had talked to him more. He seemed as though he had great tales to tell, like a Hobbit, Elf or some other traveler from distant lands.

Sunset Clouds, Carmel Mission a.k.a. Mission San Carlos Borromeo del río Carmelo, Carmel-by-the-Sea, California by David Leland Hyde. This trip I arrived at the Carmel Mission less than half an hour before closing. By the time I got in, made a donation and started photographing I had 15 minutes to catch what I could of the Basilica interior and grounds of the Mission. I thought to myself that I could chose to get stressed out, cry, moan, complain, swear a lot, leave without trying or think of it as an exercise. Ok, 15 minutes, go… I was off. I made quick decisions, photographed the key subjects and most important angles. Surprisingly enough, all of my images were strong with few throwaway frames between. All in all a good exercise. Try it sometime. It is important to note that this approach is the exact opposite of what I typically use or recommend. However, mixing it up now and then, shaking up the routine, breaking all rules, including your own, builds not only photographic skills, but character and a sense of humor as well.

Sunset, Barn Skeleton and Playground Equipment, San Mateo County Coast, California by David Leland Hyde. I saw this rundown barn silhouetted against the setting sun, but there was no place to stop or turn around. I had to jog back over half a mile while the sunset was in motion. Still, all turned out ok. I even made it further down the coast to San Gregorio for more photographs before daylight faded all the way to night. Anyone who believes online jpegs do photographs justice compared to prints is probably looking through the wrong end of the kaleidoscope of history, or at the very least the distorted viewpoint of a throwaway device. Possibly they are being fooled by new screen technology on a computer with a perpetually outdated updating agenda.

Twilight, San Gregorio State Beach and Lagoon, San Gregorio, California by David Leland Hyde. I arrived at San Gregorio Beach with little more light than an orange glow on the horizon. I kept going for longer and longer exposures as I photographed the beach and lagoon from different angles into complete darkness. The people on the beach were the biggest challenge and asset to the images. I tried to catch them while standing still, but some exposures show them in motion on the whole spectrum from slightly blurry to transparent ghost figures.

“You Are Beautiful,” Central Wyoming by David Leland Hyde. Somewhere in Central Wyoming off Interstate 80 there is a lonely service exit with some road building materials and a good wide gravel area to park for a nap when tired on a long drive. I slept for a few hours from around 4:00 am to daybreak. I photographed the sunrise over a corrugated shed and saw this scene behind my van just before getting back on the road. It reminded me of the beautiful cinematography and hand-held imagery of a plastic bag blowing in the wind in the film American Beauty. To me this scene contains warmth in coolness, humanity in loneliness and beauty in the mundane. It is a reminder to find beauty in yourself and in even the most plain or “ugly” of places. Ugly is only in the eye of the judge. It is not “real” in any sense, except that given to it.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Blog Project Posts From Years Past:

My Favorite Photographs of 2015

Best Photographs of 2014

Best Photographs of 2013

My 12 “Greatest Hits” of 2012

Best Photos of 2011

My Favorite Photos of 2010