Archive for ‘Events’ category

The Golden Decade: California School Of Fine Arts Photography

August 12th, 2010

The Golden Decade: Photography at the California School of Fine Arts, 1945-55

September 4 – October 15, 2010

Opening Reception September 4, 2010, 6-9 pm

Golden Decade Poster. Students at the California School of Fine Arts during the first Golden Decade of Ansel Adam's photography department while Minor White was lead instructor, Edward Weston was field instructor and guest lectureres included Imogen Cunningham, Dorothea Lange, Lisette Model and other definers of the medium.

The Golden Decade Group Exhibition and Book Preview

Smith Anderson North Gallery

20 Greenfield Avenue

San Anselmo, California  94960

415-455-9733

The Golden Decade: California School of Fine Arts Photography

From the Smith Anderson North website:

The California School of Fine Arts (CSFA) in San Francisco (renamed the San Francisco Art Institute in 1961) was among a handful of institutions in the nation to offer an extensive program in photography and film during the period immediately following WWII. The importance of the school and its influence, not only on West Coast Photography but on photography as a whole, has been far-reaching, lasting well into the 21st century.

Set up in 1945 by Ansel Adams and administered and taught by Minor White, the California School of Fine Arts photography program was the first academic department in the country to teach photography as a profession. The program raised the dialog around photographic practice, before limited to local photo clubs scattered about the country, to the level of a serious, focused study. Golden Decade Students were not only expected to be technically adept and informed, but thoughtful and intentional about how they approached the world with a camera. Golden Decade teachers were among the most influential figures in photography of the day; they included Edward Weston, Dorothea LangeImogen CunninghamLisette ModelHomer PageAlma Lavenson, and Bill Quandt.

The First Decade at the California School of Fine Arts

The first decade of the program, 1945-1955, gave rise to a unique group of photographers who went on to become accomplished artists and important contributors to visual culture. The Golden Decade focuses on 32 of these students and how they influenced and supported each other during, and in the years following their time at the California School of Fine Arts. The California School of Fine Arts Golden Decade artists include Pirkle JonesRuth Marion Baruch, Philip Hyde, William Heick, Pat Harris, Bob Hollingsworth, Cameron Macauley, Ira LatourBenjamen Chinn, Rose MandelDavid MyersJohn Upton and others. Their work has been represented in important photographic historical events such as The Family of Man Exhibition (1955, New York and international venues) and The Perceptions Exhibition (1954, San Francisco), and many of these California School of Fine Arts photographers were prominently featured in the early issues of Aperture magazine. A number of Golden Decade photographers have had books published, notably Pirkle Jones with his wife, Ruth Marion BaruchPhilip Hyde, and John Upton.

For more about the Golden Decade of photography in San Francisco and the California School of Fine Arts see the blog post, “Photography’s Golden Era 6.” For more information and a follow-up review of the Golden Decade Opening Reception see the blog post, “Over 500 People Attend Golden Decade Opening.”

Scott Nichols Gallery Summer Show

July 6th, 2010

The Scott Nichols Gallery Presents

THE SUMMER SHOW

Jeanne And The Longboard, circa 1963, by Ron Church.

The Scott Nichols Gallery is proud to present The Summer Show, a selection of photographs from the gallery’s collection. The exhibition features over 100 vintage and contemporary fine art prints by Berenice Abbott, Ansel Adams, Ruth Bernhard, Wynn Bullock, Harry Callahan, Paul Caponigro, Ron Church, Imogen Cunningham, Monica Denevan, William Garnett, Lucy Goodhart, Rolfe Horn, Philip Hyde, Mona Kuhn, Dorothea Lange, Barbara Morgan, Rondal Partridge, Michael Rauner, George Tice, Brett Weston, Edward Weston, Don Worth and others.

CLICK HERE TO VIEW THE EXHIBITION

July 1 – September 4, 2010

Let Liberty And Freedom Ring…

July 4th, 2010

Happy 4th Of July!  Independence Day…

United States Of America 13-Star Betsy Ross Flag, courtesy of Wikimedia Commons.

This is the original rebel flag…

Did you know that Thomas Jefferson and John Adams both died on the 4th of July, 1826? There was something deeper and more profound going on with these two men and the other founders of this country than is easily seen. Have you ever looked carefully at a dollar bill? The structures that made our nation were fashioned as precisely as the pyramids and in a state of perfection as precise as the temples of any ancient people, both physically and metaphysically. They conceived a system that would last and keep the people in power. They designed the three branches of government to limit each other. They built the system to support business, but also warned us to be wary of business interests corrupting the system.

Here are some of the insights and admonitions of our founding fathers:

Power is not alluring to pure minds. –Thomas Jefferson

What country can preserve its liberties if its rulers are not warned from time to time that their people preserve the spirit of resistance?  –Thomas Jefferson

A free people claim their rights as derived from the laws of nature, and not as the gift of their chief magistrate. –Thomas Jefferson

Banks have done more injury to the religion, morality, tranquility, prosperity, and even wealth of the nation than they can have done or ever will do good.  –John Adams

Government is instituted for the common good; for the protection, safety, prosperity, and happiness of the people; and not for profit, honor, or private interest of any one man, family, or class of men; therefore, the people alone have an incontestable, unalienable, and indefeasible right to institute government; and to reform, alter, or totally change the same, when their protection, safety, prosperity, and happiness require it.  –John Adams

Guard against the impostures of pretended patriotism.  –George Washington

If the freedom of speech is taken away then dumb and silent we may be led, like sheep to the slaughter.  –George Washington

When the people find that they can vote themselves money, that will herald the end of the republic.  –Ben Franklin

Freedom is not a gift bestowed upon us by other men, but a right that belongs to us by the laws of God and nature.  –Ben Franklin

Only a virtuous people are capable of freedom. As nations become more corrupt and vicious, they have more need of masters.  –Ben Franklin

They that can give up essential liberty to obtain a little temporary safety deserve neither safety nor liberty.  –Ben Franklin

Photography Of Philip Hyde At Mountain Light Gallery

April 15th, 2010

Galen Rowell and Philip Hyde met only a few times in life briefly, but if they could meet again now, what would they talk about? Would they disagree about equipment and photography styles? Would they change the subject to something they had in common? Would they discuss their approaches to photography, that are similar in some ways and different in others? Both men were friendly and liked to tell of their adventures. Would they entertain each other with tales of their travels? Would Galen Rowell and Philip Hyde strike up a friendship based on their shared feelings about wilderness and the preservation of wildlife and the lands of indigenous peoples? For more on the methods of Galen Rowell and Philip Hyde see the blog post, “Galen Rowell, Philip Hyde And Outdoor Photographer Style.”

Throughout his career, Philip Hyde tenaciously stuck with large format cameras while Galen Rowell’s bywords were, “fast and light.” Philip Hyde pioneered color landscape photography, whereas Galen Rowell invented the adventure photography genre. Both men saw photography as the means for a life in the backcountry and a tool for preserving the natural state of wild places.

Today history is in the making again with the work of the two famous photographers on display together in the same building for the first time beginning May 8, 2010 and running through August 31, 2010 at Mountain Light Gallery in Bishop, California. For more information and a discussion of the exciting never before seen prints on display see the blog post, “New Philip Hyde Releases At Mountain Light Gallery Exhibition,” and visit Current Exhibitions–Philip Hyde Photography.

‘Our National Parks’ Exhibition Now at Scott Nichols Gallery in San Francisco

February 20th, 2010

February 4 — March 27, 2010

(See photograph full screen: Click Here.)

Mt. Denali, Reflection Pond, Alaska Range, Denali National Park, Alaska, 1971, by Philip Hyde. First published in Alaska: The Great Land by Mike Miller and Peggy Wayburn, 1974, Sierra Club Books. Helped expand Denali National Park and other wilderness in Alaska. It is a matter of record that Philip Hyde's photographs helped make more national parks than any other photographer, but Ken Burns did not mention this in his PBS Special that prominently showcased Ansel Adams' photographs. Gregarious Ansel Adams was a strong proponent of Philip Hyde's work and reserved Philip Hyde was happy to see Ansel Adams receive more recognition. Mary Street Alinder, Ansel Adams biographer, just today wrote in an e-mail that Ansel Adams thought Philip Hyde did not get what he deserved even from the Sierra Club.

The Scott Nichols Gallery is proud to present ‘Our National Parks‘. Photographs by Ansel Adams, William Bell, Wynn Bullock, Anne Brigman, Harry Callahan, Paul Caponigro, Imogen Cunningham, William Garnett, Rolfe Horn, Philip Hyde, William Henry Jackson, Rondal Partridge, Eliot Porter, Michael Rauner, Alan Ross, Don Ross, John Sexton, Carleton E. Watkins, Brett Weston, Edward Weston and others. The exhibition will be on view through March 27, 2010.

On August 25th, 1916, President Woodrow Wilson signed into law an act creating the National Park Service. Photographs made as early the 1860s by Carleton E. Watkins and his contemporaries, brought about recognition and preservation of our national treasures. This exhibition celebrates the beauty and majesty of our country’s landscape from Yosemite National Park to the Cape Cod National Seashore. Nineteenth century photographs are represented by Carelton E. Watkins’ grand Yosemite views, William Henry Jackson’s dramatic Yellowstone scenes, and William Bell and the Kolb Brothers southwestern vistas. H.C. Tibbitt’s photograph, The Fall Of The Monarch With Troop F, Sixth Cavalry, United States Army, Mariposa Grove, 1899, illustrates how the military was used to protect Yosemite before the National Park Service.

El Capitan, Winter, Yosemite National Park, California, 1948, by Ansel Adams. Courtesy Scott Nichols Gallery.

Ansel Adams’ early photographs are prominent in this exhibition, “From Glacier Point,” 1927 and “Monolith and The Face of Half Dome, Yosemite National Park,” also 1927, plus classic images from Yellowstone National Park, Grand Teton National Park, Denali National Park, and Cape Cod National Seashore. Adams received a camera and made his first trip to Yosemite in 1916. Inspired by the splendor and overwhelming sensory experience of Yosemite, Ansel Adams wrote, “a new era began for me.” He later joined the Sierra Club, became a life member and served on the board of directors. His photographic book, Sierra Nevada: The John Muir Trail influenced the creation of Kings Canyon National Park further south in California’s Sierra Nevada.

Best General View, Yosemite Valley, Circa 1867, by Carleton Watkins. Courtesy Scott Nichols Gallery.

In 1955, at the request of the National Park Service, Ansel Adams and Nancy Newhall curated an exhibition for the Sierra Club’s Le Conte Memorial building in Yosemite Valley. The exhibition and subsequent book, This Is the American Earth, first in the Exhibit Format Series, became a popular success. Exhibited across the country and Europe, the exhibition included the photographs of Wynn Bullock, William Garnett, Philip Hyde, Eliot Porter, Brett and Edward Weston, and many others featured in ‘Our National Parks’. The Exhibit Format Series expanded to dozens of books, many of which helped in campaigns to create new national parks. Ansel Adams, Eliot Porter and Philip Hyde were the primary contributors of the series.

See photograph full screen: Click Here.

Lava, Flowers, Craters of the Moon National Monument, Idaho, 1983, by Philip Hyde.

The National Park mission remains the same today as it did one hundred and fifty years ago to those inspired by the magnificence of our country’s natural wonders — to make the parks accessible to all and to preserve them for future generations.

Scott Nichols at the Scott Nichols Gallery next to Philip Hyde's "Mt. Denali, Reflection Pond" under the title script for the exhibition, by Alex Ramos with i-Phone.

Scott Nichols Gallery
49 Geary Street #415
San Francisco, California 94108
415-788-4641
www.scottnicholsgallery.com
Hours: Tuesday through Saturday, 11-5:30 and by appointment.