Archive for ‘Activist Photography’ category

Save The Historic Olsen Barn: Campaign by Feather River Land Trust

August 13th, 2015

Olsen Barn and Meadow Campaign

A Number of Photographers and Other Local Artists Including Jan Davies, Betty Bishop, Sally Yost, Sally Posner, David Leland Hyde and Many Others Have Donated Rights to Use Photographs, Originals and Prints to Feather River Land Trust to Help Save A Northern Sierra Legacy

September 17, 2015 Update:

Individual donations are now up to $379,447 as of 9-17-15. This leaves only $18,553 remaining to be raised by September 25, 2015 to complete the land transaction.

The Imminent Demise of the Olsen Barn, a Plumas County Cultural Treasure

Cloudy Sunset, Olsen Barn, Lake Almanor Near Chester, California, Sierra, copyright 2015 David Leland Hyde. This photograph has been actively used by Feather River Land Trust in the Olsen Barn Campaign.

Cloudy Sunset, Olsen Barn, Lake Almanor Near Chester, California, Sierra, copyright 2015 David Leland Hyde. This photograph has been actively used by Feather River Land Trust in the Olsen Barn Campaign. (To see large click on image.)

Barns die in many ways: they are crushed by falling trees, blown down by high winds, dismantled for wood, demolished, set on fire and sometimes pushed over by bulldozers. However, the majority of barns don’t burn out, they just rot slowly away.

More barns give up the ghost each year than people build in the US. Around the West and Midwest dismantling barns is big business, but fortunately for historic barns there are also many friends of barns who are in the business of preservation.

One historic structure already falling apart is the Olsen Barn on the East edge of Chester, California on the shores of Lake Almanor where the Northern Sierra meets the Cascade Mountains. This cultural and community icon is one of the largest barns in Plumas County and the surrounding counties. For many years it has been restored in fits and starts, but mainly left to decay and crumble away if significant reconstruction does not occur soon.

Olsen Barn, Chester and Mt. Lassen Near Lake Almanor, California, copyright 2015 David Leland Hyde. (To see large, click on image.)

Olsen Barn, Chester and Mt. Lassen Near Lake Almanor, California, copyright 2015 David Leland Hyde. (To see large, click on image.)

Besides stunning views of Lake Almanor and Lassen Peak, the 107-acre Olsen Barn property includes lush stands of trees and a riparian creek corridor where the North Fork of the Feather River flows through from Chester into Lake Almanor. Norwegian pioneer settler and carpenter, Peter Olsen, originally built three barns for his dairy farm, of which today’s Olsen barn is the last one standing, but it is getting more shaky all the time. One major beam has fallen destabilizing one end of the structure. Also, many windows and doors are open and in other places the wooden walls are wearing thin, disintegrating and in danger of collapse.

Feather River Land Trust Tour Group, Interior Olsen Barn Near Chester, California, copyright 2015 David Leland Hyde. (To see large, click on image.)

Feather River Land Trust Tour Group, Interior Olsen Barn Near Chester, California, copyright 2015 David Leland Hyde. This photograph has also been used in the Olsen Barn Campaign. (To see large click on image.)

Still, several owl species continue to live in the barn. The meadow around the barn provides habitat for many species of wildlife and wildfowl, including a number of endangered species. Collins Pine owns an old railroad grade that runs through the property West of the barn and connects the fields around the barn to other areas of Chester Meadow. Collins Pine plans to restore the old railroad trestle crossing the North Fork Feather River and convert the railroad grade into a walking, hiking and possibly a biking trail. This will improve public access if the property owner is cooperative to such land use. A developer could wipe out the barn and fill the land with houses, as has been done so many times all over the west.

Fundraising Video Shows Historic and Natural Values

In a YouTube video raising funds to acquire the property for preservation, Paul Hardy, Executive Director and Founder of Feather River Land Trust said:

The property and barn are for sale on the open market and the right to public access could be lost forever. The barn has survived fire, floods, heavy snows, but most of all, development. Feather River Land Trust will keep the space open to everyone who wants to enjoy nature right outside their door. We also want to ensure that the Olsen Barn is standing for another 150 years.

Olsen Barn Across North Fork of Feather River and Riparian Area, Chester, California, copyright 2015 David Leland Hyde.

Olsen Barn Across North Fork of Feather River and Riparian Area, Chester, California, copyright 2015 David Leland Hyde. (To see large click on image.)

Since before the arrival of White settlers, the Chester Meadow has been a resource for people of the community to fish, picnic, explore and enjoy access to the shore of Lake Almanor. Originally the open grassland around the barn was part of the Maidu settlement now under Lake Almanor called Big Meadows. The area is now the last remaining remnant of Big Meadows, a Maidu trading and cultural center.

“Development of the Olsen Barn property would permanently erase an important village site of the Mountain Maidu people,” said Kenneth Holbrook, Maidu Summit Consortium Director, also in the Olsen Barn Campaign fundraising video.

Lenticular Clouds, Mt. Dyer and Chester Meadow Near Olsen Barn, Chester, California, copyright 2015 David Leland Hyde. (To see larger click image.)

Lenticular Clouds, Mt. Dyer and Chester Meadow Near Olsen Barn, Chester, California, copyright 2015 David Leland Hyde. (To see larger click image.)

The property is for sale for $798,000. The total Save Olsen Barn Campaign with pre-acquisition costs, restoration and management of the property will total about $1.2 million. Partly by meeting an early fundraising deadline, the project received $400,000 from Plumas County through California Proposition 50 on behalf of the Chester River Parkway. The current total fundraising from Feather River Land Trust private donors, as of August 4 is $243,108. This amount added to the $400,000 from the Prop 50 Grant makes a grand total to date of $643,108, leaving $154,892 needed by September 26 to successfully complete the purchase.

How You Can Make A Difference

Olsen Barn Through The Willows Across The North Fork Feather River, Chester, California, copyright 2015 David Leland Hyde. The Mountain Maidu used willows to make baskets that were unique in all the world. (To see larger click on image.)

Olsen Barn Through The Willows Across The North Fork Feather River Near Lake Almanor, Chester, California, copyright 2015 David Leland Hyde. The Mountain Maidu used willows to make baskets that were unique in all the world. (To see larger click on image.)

Time is running out on this gem of the Sierra. Here are some ways you can be part of this historical restoration project and support the Feather River Land Trust Olsen Barn Campaign:

Help Out By Check: Please make checks out to FRLT or Feather River Land Trust and Mail to: FRLT, P.O. Box 1826, Quincy, CA 95971 or take to the Chester branch of Plumas Bank.

Online Contribution: Go to Olsen Barn Fundraising page, scroll down, click on the large orange link button and under Donation Type choose Olsen Barn Campaign.

Stock or Mutual Fund Donation: Call Karen Klevin at 530-283-5758. It’s easy to make a stock donation and it is particularly beneficial if you have appreciated stock.

FRLT is a 501(c)(3) non-profit organization and all donations are tax-deductible.

To find out more about the Olsen Barn Campaign and the Feather River Land Trust directly from Paul Hardy, Executive Director and Founder, attend The Common Good Community Foundation hosted talk and dinner (optional).

Almanor Legacy, a Talk by Paul Hardy
August 13, 2015
Lake Almanor Tavern (Next to Dollar General)
384 Main Street, Chester, CA   96020
Hors d’Oeuvres, No Host Bar: 5:00 pm
Talk: 5:30 pm
Dinner: 6:00 pm
(Call to make reservations for dinner by August 11, 2015)

New Grand Canyon Battle Over Tusayan Development

May 19th, 2015

New Threat To Grand Canyon: Mega Mall at Tusayan Just Outside Southern Boundary of National Park

New David Leland Hyde Photograph: Clearing Sunset Near Vista Encontada, Grand Canyon National Park, Arizona

Time Is Running Out: See Petition Below to Take Action Now to Stop Development That Will Alter Grand Canyon National Park Forever

2. Clearing Sunset Near Vista Encontada, North Rim, Grand Canyon National Park, Arizona. I exceeded the national park speed limit to get to this unnamed stop after photographing Point Imperial with the sun still above the horizon. I set up my camera and tripod as quickly as possible as the light was fading to dark fast. The howling strong wind required me to make a number of exposures before I got a sharp one.

Clearing Sunset Near Vista Encontada, North Rim, Grand Canyon National Park, Arizona, copyright 2014 by David Leland Hyde. I rushed to get to this unnamed stop after photographing Point Imperial with the sun still above the horizon. I set up my camera and tripod as quickly as possible as the light was fading fast. The strong howling wind required me to make a number of exposures before I got a sharp one. (Click on the Image to see the photograph large.)

Growing Up Wild

Starting when I was age four, my father, American conservation photographer Philip Hyde, and my mother, a self-trained ornithologist and botanist, took me on backpacks often more than a dozen miles into the wilderness in search of photographs to help establish national parks and wilderness areas.

(To see the photograph even larger or to order prints, go to “Clearing Sunset Near Vista Encontada, Grand Canyon, Arizona.”)

Dad also grew up watching his father compose and interpret wild places. My grandfather, Leland Hyde, a regionalist painter, depicted local scenes near the family home in Northern California. The Hydes also visited national parks when they took a drive across the rural countryside from San Francisco to New York. Dad first saw the Grand Canyon on that trip at age 11. With this first impression vivid in memory, during World War II on a furlough, he visited the Grand Canyon again with his sister, my aunt Betty. Dad later worked on a number of campaigns that took him down the Colorado River by Grand Canyon Dory, cousin of the drift boat, for the first time in 1956 and into the canyon on foot, mule or by riverboat at least a dozen more times in following decades.

A year before I was born, my parents explored the flooding Colorado River and side canyons after the completion of Glen Canyon Dam in 1964. That same year, Dad and a coalition of photographers, scientists, writers and filmmakers took a dory trip through the Grand Canyon to make a book to help save the canyon from two proposed dams, one just above the National Park and one below. With Time and the River Flowing: Grand Canyon landing on desks in Congress, full page ads in the New York Times and other major papers, an international letter-writing campaign and a groundswell of public support like the young environmental movement had not yet seen, the Bureau of Reclamation abandoned its plans to build the Grand Canyon dams.

Having had a childhood immersed in wilderness, I am a believer in wild country and silence for the power it has to build character. It is what has built the American character since before our Declaration of Independence.

The Wild Grand Canyon As Shaper of Character

If you take a helicopter or airplane into the Grand Canyon, it is more convenient, but less memorable. If I could take any of the tourists up on the North or South Rim behind the railings, making snapshots and give them all that I discovered about sedimentary rocks, erosion, myself and the world by investing the time to hike in the canyon, if I could give them the memory of what it was like to have a caring father hike the Bright Angel Trail with me as a teenager, they too would keep a piece of the Grand Canyon in their hearts forever.

My experiences on a river trip and hike from Phantom Ranch to the South Rim on the Bright Angel Trail happened at the right moment to shape me as a young man defining my outlook on the world. Grand Canyon National Park worked on me, but the place we visited in the spring of 1979 has already changed and may not be the same as it was for much longer. Already overcrowding, airplane noise and wear and tear on trails, natural features and park infrastructure are overwhelming the underfunded National Park Service in Grand Canyon. For the majority of guests, their experience has diminished from immersion in a life-altering challenge and an up-close view of grandeur to the passive observation of a soon forgotten curiosity, like those found at a carnival or behind glass in a museum.

New Threats to The Wilderness Experience in the Grand Canyon

Today, three major threats surround the Grand Canyon: uranium mining, a proposed development with a gondola tram to the bottom of the Canyon at the eastern border of the national park, and the largest of all, a mega mall and resort larger than the Mall of America just outside the southern park boundary in the town of Tusayan. Because of these threats and water mismanagement, American Rivers has named the Colorado River the number one endangered river in the U.S. for three years in a row.

Though the Department of Interior banned new uranium mining claims in the Grand Canyon area for 20 years, pre-existing claims like the Canyon Mine carry on, despite opposition based on risks to groundwater, wildlife, endangered species and sacred sites of the Hualapai, Kaibab Paiute, Zuni, Hopi and Navajo tribes.

The pending Grand Canyon Escalade development and tramway on Navajo lands bordering the national park on the east has divided the tribe and is currently in debate in the tribal council. The tramway would slice through Navajo, Zuni and Hopi sacred land at the confluence of the Colorado and Little Colorado Rivers. Nearly as great a travesty would be the visibility of the top of the tram and development from one of the most iconic views of the Grand Canyon, ironically called Desert View. The developer, R. Lamar Whitmer, said he wants to make this special part of the canyon easily accessible to the world. Next someone will want to build a tram to the top of Everest to allow everyone to experience the summit.

(To read more about the confluence and hiking over 32 miles to Cape Solitude where the confluence is best viewed, see these superb accounts by two online friends of mine: “Through The Grama” by Greg Russell of Alpenglow Images and “Pilgrimage To Solitude” by A. Jackson Frishman of Crest, Cliff and Canyon.)

The Marketing of The Grand Canyon Tourist Experience as the Ideal

Meanwhile, south of the national park boundary the U. S. Forest Service has opened a public comment period to end June 2, on whether it should approve the rights-of-way to pave and widen access roads providing for an 80 foot wide utility and footpath corridor through the Kaibab National Forest on the way into sections of speculative private land. The improved roads will pave the way for the quiet, recently incorporated company town of Tusayan to transform into a resort complex with three million square feet of commercial space including hotels, a luxury spa, a Western dude ranch, a Native American cultural center and boutique retail shops; as well as hundreds of private homes at a mixture of prices and a staging area for bus and air tours of the national park. These additions would greatly increase the burden of travelers in the already over-crowded national park with crumbling facilities.

For most of two decades, Italian owned Stilo Development Group has been quietly buying up private land around the village of Tusayan. About a decade ago, Stilo made a first attempt to build a resort at Tusayan, but Coconino County residents voted it down. Stilo then convinced the Arizona legislature to make an exception to the minimum population requirement of 1,500 residents for town incorporation. The village of Tusayan, population 558, incorporated and formed its own town council and planning board. Stilo and local air tour companies campaigned successfully to pack the elected town council with development supporters, who then approved a resort plan three times as large as the original voter rejected Canyon Forest Village.

Strategy Forty-Eight, the public relations firm for Stilo, on its website says it “helped Stilo develop a long-term strategy to build a positive corporate identity in town…” The PR firm’s “approach included targeted messaging, grassroots organizing, event planning and the production of a series of popular web videos during a successful political campaign funded by Stilo to incorporate the town in 2010.” Currently, on Tusayan’s Future Facebook page, Stilo is offering free tacos and the opportunity to “Learn more about the Tusayan Roadway Application and how to file a comment with the Forest Service.” Despite similar enticements by Silo several times a week, the majority of the Forest Service comments so far have been from all over the US, opposing the road improvements that will make possible a massive development close to the Grand Canyon.

Another Development in the West With No Plan for Water

The current proposed vacation complex still has no specific plan to supply the vast amount of water it will use. Drilling wells to tap groundwater could bring future lawsuits, but has not been ruled out. Arizona law requires that 100 years of water be available for any development in sensitive thirsty areas like Tucson, Scottsdale and Phoenix, but no restrictions exist around the vulnerable South Rim where most groundwater, seeps and springs source from two aquifers underlying the Coconino Plateau. Arizona law historically has separated surface and groundwater, but recent litigation in central Arizona along the San Pedro River has now legally established that surface and groundwater may be related, said Robin Silver, founder of the non-profit Center for Biological Diversity.

Silver also cited discharge analyses of two ecologically important Grand Canyon springs. Discharge flows from Cottonwood and Indian Gardens Springs have been decreasing since at least 1994. Though direct correlation has been difficult to establish because of the complexity of the two underlying aquifers, researchers have measured parallels between the small settlement already built at Tusayan and decreasing flows of the springs in the national park. National park officials and Havasupai tribal leaders have voiced concern that even small increases in groundwater pumping by any or all wells on the Coconino Plateau could deplete the more than 500 springs vital to life between the South Rim and the Colorado River. The aquifer-fed springs are also critical to the flow in Havasu Creek and its five waterfalls at the core of survival and tourism for the Havasupai Nation. The Forest Service is required to consider all of this in its cumulative effects analysis before approving the road rights-of-way.

Water for hotels and amenities at the South Rim inside the park comes by pipeline from Roaring Springs on the North Rim. Due to rock cracks, shifts, falls, traffic on the Bright Angel Trail surface above the pipeline and the age of the pipe, it breaks, leaks and has to be repaired six to 30 times a year, said Tim Jarrell, park maintenance chief.

Fishing Around For Water Options

Stilo representative Tom De Paolo said that other water supply possibilities for its mega resort include reversing and re-using the abandoned Black Mesa Pipeline that once carried coal slurry, coal mixed in water, from the Hopi Reservation to a power plant near Laughlin, Nevada. Water could also be trucked in or delivered by train, as done in other remote desert locations. Stilo has retained former U. S. Senator John Kyl as legal counsel to look into options.

“Pipeline is number one,” De Paolo said. “Rail is number two, truck is number three, groundwater is number seven. I haven’t thought up four, five or six yet.”

Endangering Endangered Species and Impacts to the National Park

Even if Stilo puts together a water scheme, the proposed development would infringe on wildlife and habitat and could jeopardize endangered species such as the California Condor, Northern Goshawk, Bald Eagle, Mexican Spotted Owl, American Peregrine Falcon and several species of bats and squirrels. Over 20 types of plants are listed on the Grand Canyon special status lists. Also threatened are a few flowering plant and animal species found only in the area.

The Center for Biological Diversity recently filed an emergency petition with the U.S. Fish and Wildlife Service seeking Endangered Species Act protection for the Arizona wetsalts tiger beetle and Macdougal’s yellowtop, a flower in the aster family found nowhere else on Earth besides the wet areas around South Rim seeps. The wetsalts tiger beetle is an important insect predator also endemic to springs of the Western Grand Canyon.

Besides threats to native flora and fauna, present national park facilities cannot sustain more visitors. Park facilities are currently $330 million underfunded and behind in key upgrades and maintenance. The National Park Service has considered cutting back the number of park visitors and indicated it may need to cut back air traffic over the canyon.

“It is a World Heritage Site, one of the Seven Wonders of the World—and that is not a place that needs additional development,“ said park superintendent David Uberuaga. “It is not a place to be entertained, but a place to come to connect to creation and this experience.” Uberuaga said the Tusayan development is the greatest threat in the 96-year history of the park.

Killing The Local Economy

The Stilo complex is expected to hurt the economy of neighboring Northern Arizona communities. The Flagstaff Council passed a resolution opposing the application to the Forest Service by the town of Tusayan for the road easements that would make expansion possible.

“Our hoteliers and our restaurateurs, our businesses here, we are the gateway to the Grand Canyon,” said Greater Flagstaff Chamber of Commerce government affairs director, Stuart McDaniel. Representatives from Williams, Cameron and Valle, Arizona also believe their communities will be adversely affected by a massive center at Tusayan.

With opposition from surrounding towns, the National Park Service, the Havasupai Nation, a conservation coalition consisting of Earthjustice, the Sierra Club, the Center for Biological Diversity and Grand Canyon Trust, not to mention comments and letters from around the world condemning the expansion of Tusayan; will the Forest Service listen? The Kaibab National Forest has a track record of taking any opportunity possible to widen or pave roads. The Center for Biological Diversity is also currently commenting on and opposing a proposal by the Kaibab National Forest to open 291 miles of roads across 30,000 acres in the forest to motorized dispersed camping.

Take Action: Write the Forest Service or the White House

The Forest Service has a mandate to support many uses of its forests, not to allow forests and wildlife to be destroyed to pave the way for one use. It also has a mandate to consider all impacts. Regarding the Stilo development, the Forest Service must be mindful of spillover impact into the adjacent national treasure.

“The Kaibab National Forest continues to promote tribal participation in establishing agency management goals and activities,” said the 2013 Yearly Management Report. Readers who care about preserving the Grand Canyon and our national parks as they are, now is the time. Write the Forest Service before June 2, to make sure it lives up to its own publicity, or just fill out this handy, easy to fill out petition by the Center for Biological Diversity.

Perhaps with enough input from citizens, the Forest Service at the Grand Canyon will support the National Park Service in fulfilling its mission: “To conserve the scenery and the natural and historic objects and the wildlife therein and to provide for the enjoyment of the same by such means as will leave them unimpaired for the enjoyment of future generations.”

A Grand Canyon Watershed National Monument may also be possible. Arizona Congressional Representatives Raul Grijalva, Ann Kirkpatrick and Ruben Gallego wrote a letter in January to President Obama stressing the natural and economic importance of the Colorado River watershed and the serious threats it faces. Letters from readers to the White House would also help build momentum for a national monument. Future generations deserve to explore the Grand Canyon as it has been. Each visitor who is willing, deserves to experience the challenge and elation of immersion in the rugged wild of the Grand Canyon, like I did with my family growing up.

Dinosaur National Monument Today, Part Three

July 3rd, 2014

Dinosaur National Monument, 2013 Visit

Part Three: Down To The Green River And Up To Ely Falls

(Continued from the blog post, “Dinosaur National Monument Today, Part Two.”)

Upper Jones Hole Near Fish Hatchery, Dinosaur National Monument, Utah, copyright 2013 David Leland Hyde.

Upper Jones Hole Near Fish Hatchery, Dinosaur National Monument, Utah, copyright 2013 David Leland Hyde.

Into Jones Hole

As we ambled down the trail away from the Diamond Mountain Fish Hatchery and into Jones Hole, we began to see signs of what Randy Fullbright and the Park Ranger had been talking about: the recent rock slide. High on the cliff we could see the fresh, unstained light tan undercut where giant sandstone boulders, just weeks before, had peeled away from the cliff and come tumbling nearly straight down at least 1,500 feet, landing like bombs in Jones Creek and rolling through the forest smashing trees and everything else in their path.

The Boulders ranged from small house size down to bowling balls and had badly broken up the deciduous forest and riparian undergrowth on both sides of Jones Creek. Jones Creek contained many of the light tan boulders, as did the entire surrounding area in about half a mile radius of the main devastated area. It must have been quite a sight to observe all that sandstone raining down from high on the cliff above–and the noise must have been deafening. The trail had been closed for weeks as the Park Service was still nervous about allowing anyone to hike into Jones Hole. They were afraid more sandstone would come tumbling down and crush unknowing hikers and fishermen. Park Rangers had re-routed the trail to skirt safely around what looked much like a war zone. Randy and I walked into the heart of the devastated area and approached the creek to see the damage. After observing the current effects of geology in action and making a few documentary snapshots, we moved back to the detoured trail and on down the canyon.

Fishing, Hiking And Photographing

Jones Hole attracts fishermen from all over that part of Utah and Colorado. The Park Service still plants Jones Creek with Rainbow Trout from the Fish Hatchery upstream. While Jones Hole generally appeared dry and desert like, cottonwood trees, willows, tamarisk and other riparian plants grew thickly along Jones Creek. Besides, on that day at times it felt like rain could overtake us any minute as the sky brooded overhead. Other times the ceiling thinned and the sun grew brighter trying to break through. The light greens of sage and sagebrush offset by the deeper greens of the larger trees along the creek, with dried yellows and beiges of meadow grasses provided a good mixed palette of colors and textures against the reds, browns and tans of the sandstone cliffs behind.

We mainly hiked, but stopped for photographs occasionally. Randy made only a few photographs the entire day, while I stopped more frequently and he waited in his courteous, quiet way. Photographing Jones Hole took some adjustment as I am used to the lush river canyons of the Northern Sierra in California, or the more complete desert scenes of other parts of Utah further south. Much of the views of Jones Creek were a wild tangle, but the creek itself had character, as did the cliffs all around, if we looked closely. Randy took me on a detour off the trail and over to the cliff across the creek at one point to show me the petroglyphs and pictographs he had promised. These were not large or overly striking, but they were impressive in how well preserved and distinctly they stood out in red-brown against the tan cliffs at that spot. Few people know where they are and Randy said he and the Park Rangers intend to keep it that way.

Back on the main trail, we stopped for lunch along the creek where there were a couple of giant 10X20 foot natural granite “tables” and a good spot for photographs up and down the creek. It was good to sit in the shade or what was trying to be sunshine, stop and breath in the warm desert air with the more fecund smell of mud and life along the water. After a good break from hiking and a dunk of our shirts in the stream, refreshed we set off again. Except for a few sections moving over boulders along Jones Creek, most of the trail was fairly smooth, though a bit sandy in places. The hike still felt fairly strenuous to me at four miles each way, down to the Green River and back to the Fish Hatchery. Across and high on the canyon wall, Randy pointed out where a spring came out of the rock and made a waterfall and place to “shower” and get refreshed high above the trail. Though the spring was only a trickle at that time, we could see a thin silver ribbon of falling water high up against the far cliff.

Green River, Rafting Party, Harpers Corner From Jones Hole, Dinosaur National Monument, copyright 2013 David Leland Hyde.

Green River, Rafting Party, Harpers Corner From Jones Hole, Dinosaur National Monument, copyright 2013 David Leland Hyde.

Dinosaur’s Main Character–The Green River And Its Canyons–Now And Then

Not long after, we emerged from the trees to find ourselves finally at the Green River. Almost immediately after we walked out on the gravel shore, a herd of bighorn sheep passed us. Randy told me some stories of the males being less than friendly in rutting season, but this day the herd passed close by us without much concern. We looked around behind us at a tall, cone shaped promontory towering above Jones Creek. When we got out in the open and could see upstream, we noticed a rafting party beached on a rock and gravel spit above the riffle at the mouth of Jones Creek. Way up the Green River past the rafting party we could make out the outlines of the rock outcropping called Harper’s Corner that I had driven to in 2005 from the Colorado entrance to Dinosaur National Monument. My father, pioneer landscape photographer Philip Hyde, made a black and white photograph, published in 1955 in the National Geographic, from Harper’s Corner looking down over 3,000 feet at the upturned strata typical of the Green River and Yampa River canyons. Harper’s Corner also overlooks Echo Park and Steamboat Rock farther upstream, the proposed site of one of the dams slated for Dinosaur that Dad’s photographs helped prevent. Dad was the first photographer ever sent on assignment for an environmental cause to Dinosaur in 1951 to help prevent two proposed dams that would have flooded 96 out of 104 river miles in the monument. Dad’s photographs and those by river guide and journalist Marin Litton became the illustrations for the first book ever published for an environmental cause, This Is Dinosaur: Echo Park Country and Its Magic Rivers, edited and with introduction by Wallace Stegner.

The sky had been darkening most of the day and here at the Green River, it finally began to rain lightly. Our shirts we had soaked just an hour earlier were already dried out and the cooling rain felt rejuvenating, even though it passed after only about 15 minutes and everything dried out again quickly. Having worked for the last two months moving furniture and packing boxes at my townhouse in Boulder, Colorado, and having minimal sleep for a number of days, I was already tired, but because this was one chance that might not come again for years, if ever, I agreed to hike with Randy up Ely Canyon to Ely Falls on the way back to the Fish Hatchery.

Ely Canyon was interesting and narrower than the Jones Hole canyon. There were a lot of small dead Juniper tree skeletons dotting the landscape. Ely Creek and Ely Falls were both small, Ely Falls only being about 12 feet high, while the creek was only a foot or two wide in most of its course. However, the falls were set in a greenery-surrounded oasis. Randy and I talked about conservation and my father’s work in the area, as well as the present day prospects of Dinosaur National Monument becoming a national park. More on Ely Creek, Ely Creek Canyon and the movement to form a national park in the next blog post.

(Continued in the blog post, “Dinosaur National Monument Today, Part Four.”)

Have you ever been to Dinosaur National Monument? Have you seen bighorn sheep or any other large wild animal up close?

Dinosaur National Monument Today, Part Two

April 2nd, 2014

Dinosaur National Monument, 2013 Visit

Part Two: Across The Misty Ranching Highlands

Jones Creek In Jones Hole, Dinosaur National Monument, Utah, copyright 2013 by David Leland Hyde.

Jones Creek In Jones Hole, Dinosaur National Monument, Utah, copyright 2013 by David Leland Hyde. Archival Chromogenic Prints Available.

 Arrival In Vernal, Departure For Dinosaur

(Continued from the blog post, “Dinosaur National Monument Today, Part One.”)

Even with sporadic rain and spring virgas dotting the horizon, the high open mountain passes of Rocky Mountain National Park, shining with stark beauty, already felt dry like the deserts of the interior and Western side of Colorado. Coming from the drizzle of a wet summer on the Colorado Front Range in Boulder, the high desert plains north and west of Steamboat Springs were warm and welcoming with the smell of sage and sun cracked earth all the way to Vernal, Utah.

After arriving indestructible at Randy Fullbright’s house at 4:00 am, I followed his previous instructions for where to catch a few hours of sleep. After waiting as long as he could, Randy woke me up somewhere between 7:00 and 8:00 am, and I found I was no longer indestructible. Indeed, with the night’s caffeine worn off, I was bone tired. Not only did I have very little sleep that night, I had just spent two weeks with minimal sleep moving all of my belongings. Weariness finally caught up with me here, in Vernal, the very morning I was supposed to rise to the occasion for a long hike in Dinosaur National Monument.

Well, I couldn’t exactly drive all that way, show up on Mr. Fullbright’s doorstep and then try to explain why I was too tired to go, especially with excitement in the air and him already well into his coffee that was making him increasingly indestructible by the minute, not that he wasn’t tough as nails even in his sleep. Everything I began to say about being tired sounded like a feeble excuse on the way out. So, I abandoned that line for the time being. Somewhere in the back of my mind, I must have reasoned that there might be opportunities for complaining later, but fortunately that would prove not to be the case.

Just then it was all about gathering my hiking boots, socks, camera gear, day pack and other items for our outing that seemed determined to rock on whether my body was ready or not. Randy and I had been talking on the phone about exploring Dinosaur for weeks, if not months, and the day had arrived. It was overcast so far. We wrestled our gear into Randy’s Ford 4×4 pickup, made lunches, reshuffled my cooler and other food into a cool place in the house and jumped in the truck ready to rumble.

The Approach: Diamond Mountain Road

Dinosaur lies east of Vernal. You can take the road to the Dinosaur Quarry on the Utah side before you get back into Colorado, or take Highway 40 across the Colorado border, turning left on the Harper’s Corner Road near the park headquarters and Colorado side visitor’s center, or enter the national monument on dirt roads that cross the prairie ranch lands just east of Vernal. We took Diamond Mountain Road. It jarred us around here and there with a few rough spots, but generally was smooth graded gravel that turned to pothole-riddled pavement in the national monument. Diamond Mountain Road meandered through dry washes and over low mesas that melted together as one open mesa top and faded into the mist in the distance. The sun nearly broke through in a few places, but mainly the clouds kept the sage-dotted sparsely grass-covered earth draped in mystery.

This land stage is battleground not only to the interests of Dinosaur National Monument, wealthy ranchers, developers, speculators and miners in a new energy boom. It is a battleground for idealists wishing to grow wealthy as Vernal develops as a mecca for fracking and other dirty mining approaches. Some special interests believe the only obstacle to Vernal’s rise to economic stardom and wealth would be Dinosaur becoming a national park and thereby imposing higher air quality standards on the area, limiting industrialization. Tourism interests and others on the other side of the issue believe the opposite. They argue that it is exactly Dinosaur’s conversion to national park status that would bring more new prosperity to the region than any other short-lived or even long-lived mineral or oil and gas extraction boom.

Randy and I had discussed many of these issues in the weeks and months leading up to my arrival in the area. Randy had also told me stories about photographing many of the remote and little known parts of Dinosaur, some that my father, pioneer wilderness photographer Philip Hyde had also photographed in 1951-1955, many that he had not. Randy spoke of places like Island Park, Echo Park, The Chairs, Jones Hole, Harper’s Corner, Mantle’s Ranch, Old Roundtop, Split Mountain, Whirlpool Canyon, Gates of Ladore, Hell’s Canyon, Yampa Bench, Rainbow Park, Douglas Mountain, Blue Mountain, Cub Creek, Deer Lodge Park and many others in the canyons of the Yampa and Green Rivers. For more on remote places to photograph see the blog series beginning with, “The Battle Over Dinosaur: Birth Of Modern Environmentalism 1.”

Many Ranchers And Other Groups Are Against Dinosaur Becoming A National Park

“Many of the ranchers, who also happen to be old friends of mine, are against Dinosaur becoming a national park,” Fullbright said. “They are afraid that they will lose their rights to grazing on the national monument if it becomes a national park.” This has happened over time in several national parks of the west. In Canyonlands, for example, grazing rights and leases were written to run out after 100 years. Randy said that in contrast the National Park Service in Dinosaur would be willing to offer grazing rights in perpetuity. “It wouldn’t be that hard for the National Park Service to give each of the old ranching families a grandfather clause for running livestock as long as their blood lines last, but they don’t trust that.”

Later, after I returned home to Northeastern California, Randy suggested I contact Dan Johnson, Dinosaur’s Chief Interpretive Ranger, to hear more about the potential for a change in Dinosaur’s park status. More on the issues involved in the next blog post in this series…

As we crossed the high plateaus approaching the canyons of the Green River, the signs of grazing were apparent and an occasional lonely fence angled off into the distance to join others. The mood of austerity was accentuated by washed out skies, white mists and lands colored by a limited palette of grays and beiges. Even in these drab conditions, the desolate wind-swept near-raw land had a presence and nature that only brought joy rather than loneliness to the heart of long-time desert travelers and dwellers like Randy Fullbright and me. The ceiling began to lift as we drove. By the time we came up over a hill and could look down on the fish hatchery and see ahead the impressive 10-15 mile long escarpment of Diamond Mountain. The skies remained gray overhead, but we could see as far as the land allowed in every direction.

I made a few photographs before we plunged down toward Diamond Gulch on the road that began to wind sharply with the contours of the hillsides. We stopped once again before a longer stop for more photographs where the road turned to parallel Diamond Mountain. At that spot, the views up at the eroded sculpting of the strata of Diamond Mountain in subtle reds, oranges, tans and beiges, were well worth photographing.

Randy drove us on down just a little ways to the Fish Hatchery, where we parked, talked to the park ranger for a while, then hoisted day packs and set off down the fishing trail into Jones Hole along Jones Creek. More on the story of our hike, some of it’s highlights and surprises,  conservation photography, spiritual experiences in nature and more in the next blog post.

(Continued in the blog post, “Dinosaur National Monument Today, Part Three.”)

Are you a desert lover? Why?

Dinosaur National Monument Today, Part One

December 5th, 2013

Dinosaur National Monument, 2013 Visit

Part One: Introduction And Setting

Diamond Mountain And Diamond Gulch Near Fish Hatchery, Dinosaur National Monument, Utah, copyright 2013 David Leland Hyde. Nikon D90.

Diamond Mountain And Diamond Gulch Near Fish Hatchery, Dinosaur National Monument, Utah, copyright 2013 David Leland Hyde. Nikon D90.

Early Travels To Dinosaur

When I was a boy of about nine, I visited Dinosaur National Monument with my parents. Later, in my early teens my father, pioneer landscape photographer Philip Hyde, and I stopped through Dinosaur on the way back from a Fastwater Expeditions Sportyak trip down the Green River with famous river guide Bill Belknap.

The second short visit, I do not remember much. From that trip, besides the vivid memories of the river run, the only memory I have of the Dinosaur area is of looking down on Flaming Gorge Reservoir in Wyoming upstream on the Green River. From the earlier trip with my parents, I recall only the visitor’s center and Dinosaur Quarry on the Utah side of the Colorado-Utah border that runs through Dinosaur National Monument. This is what most travelers to Dinosaur remember too, because it is all that most travelers see. However, there is much more to Dinosaur than fossilized bones or an interpretive building. The national monument consists of over 209,000 acres of sandstone bluffs, monuments, rolling hills, outcroppings, shale, slate and the most diverse and interesting feature of all, the labyrinthine canyons of the Yampa and Green Rivers. The highlight of these canyons is an oasis called Echo Park, where the two rivers come together and the canyons open up into a small valley between 1,000-foot cliffs. In the center of Echo Park rising straight out of the rivers at the confluence is a gigantic sandstone rock fin that on the near end looks like the cut off end of a loaf of bread. This 900 foot tall sandstone loaf end is called Steamboat Rock because from the side angle it looks like a steam ship.

Stories Of Our Fathers

Steamboat Rock figured prominently in discussions I had with my father after my mother passed away in 2002. After she was gone, I left a high paying job and moved from Upstate New York back home to Northern California. I moved in with Dad in the house I grew up in to help him out because he had not only lost the first love of his life, but had also lost his eyesight two years before and thus lost the second love of his life, photography. Dad explained how Steamboat Rock had become a symbol in the 1950s and 1960s of the then fledgling modern environmental movement and its first big success in defending Dinosaur from the invasion of dam builders, who wanted to erect two dams within the national monument, thereby flooding 96 out of 104 river miles of the Yampa and Green Rivers. For more about the battle over Dinosaur as well as conservation leader David Brower and photographer Philip Hyde’s roles in it, see the blog post series, “The Battle Over Dinosaur: Birth Of Modern Environmentalism.”

We talked much about Dinosaur and I poured over the maps and photographs. The series of blog posts above I originally wrote as a chapter in a book about my father’s life that I am still interviewing people for who knew Dad. By 2005, I could not wait to get up to the remote northern border of Utah and Colorado and see the place for myself. On the way back from a visit to Boulder, Colorado, I took the road less traveled, US Highway 40, and rolled across the open desert. A description of the approach and entry into Dinosaur can be found in the blog post, “The Battle Over Dinosaur: Birth Of Modern Environmentalism 2.” In summary, I traveled the long pothole infested paved road out to Harper’s Corner, stopping at overlooks along the way and ending with a one mile hike out on a thin slice of sandstone 2,000 feet above the Green River at Harper’s Corner, where a large portion of Dinosaur’s geology and canyons can be seen all at once. I also took a risk going into Echo Park, made a tribute to my father at Split Mountain and had all sorts of other adventures, all fueled and inspired by my first listening to Jack Kerouac’s quintessential Beat Generation novel, On the Road. Kerouac’s lyrical, poetic prose lifted me and put a lilt in my step and my writing. For more on my journey as well as Dad’s explorations of the same territory and much more in the dusty, wild past of 1951, see the blog posts, “The Battle Over Dinosaur: Birth Of Modern Environmentalism 3” and “The Battle Over Dinosaur: Birth Of Modern Environmentalism 4.”

Randy Fullbright And A New Dinosaur Campaign

I came back from Dinosaur changed, more on that and my profound experiences in future blog posts. The sad irony is that I did not have my camera with me in 2005 to record it all. Needless to say, this irony has been poking at me ever since I bought a Nikon D90, my first digital camera, in 2009. I have been hankering to go back, but never had the chance. Enter artist, goldsmith, gallery owner, gem and fossil expert, photography collector, photographer and impromptu wilderness guide Randy Fullbright.

I first started talking to Randy Fullbright via e-mail and phone in July 2011 when he introduced himself through comments on my blog post, “The Battle Over Dinosaur: Birth Of Modern Environmentalism 9.” Ever since then we have talked from time to time about his extensive photographic explorations of Dinosaur and about my dad’s work there too. Randy has two goals: 1. To photograph all of Dinosaur, no easy feat, and 2. To help Dinosaur become a national park. To these ends he has worked tirelessly and become well acquainted with many of the park rangers and management of the monument, as well as the local politics of air quality, oil and gas exploration and drilling, mining, tourism, recreation, ranching and the boom time explosion of the population of Vernal, Utah. Randy operates Fullbright Studios in Vernal, is active in the community and knows just about anyone who is anyone in town and all over the West.

While I spent this last summer in Boulder, Colorado for the first time again after a two year absence, I began to talk seriously about taking Randy up on his offer to take me into Dinosaur to some of the places few to no one else has photographed and locations my father photographed in the 1950s. Isn’t that a great offer? Again on my way home to Northern California, I took Highway 40, the road less traveled, and raged across the desert to Vernal, where I arrived at Randy’s house behind his gallery at 4:00 am. I did not see him until the morning when we embarked on a dirt road romping, camera carrying trip in to Dinosaur and an unforgettable hike into Jones Hole. Stay tuned for the whole story in blog posts to follow in this series, plus more about the mystical canyons, people, politics, fishing and simple freedom of Jones Creek and the Green River in Dinosaur…

(Continued in the blog post, “Dinosaur National Monument Today, Part Two.”)

Big Wild, iLCP RAVE Sacred Headwaters By Paul Colangelo

November 29th, 2010

Big Wild Raises Funds and the International League of Conservation Photographers (iLCP) Sponsors A Rapid Assessment Visual Expedition (RAVE) To The Coal Bed Methane Threatened Sacred Headwaters In Northern British Columbia…

By Paul Colangelo

In March, Paul Colangelo received the North American Nature Photography Association’s 2010 Philip Hyde Grant to help with photography of the Sacred Headwaters in Northern British Columbia, Canada. Paul Colangelo gives us an update on progress since in his own words. Please support the protection of the Sacred Headwaters with YOUR VOTE BY DECEMBER 7. (See below.)

Juvenile Stone Sheep, Todagin Mountain, Sacred Headwaters, British Columbia, Canada by Paul Colangelo.

The Sacred Headwaters is the shared birthplace of three of British Columbia’s greatest salmon-bearing rivers, the Stikine, Skeena and Nass. The Sacred Headwaters supports one of the largest intact predator-prey systems in North America, and it has been the territory of the Tahltan Nation for thousands of years. It is now under threat of industrial development, but a moratorium has given us two years to decide the fate of this land. We have until December 2012 to protect the Sacred Headwaters.

The Sacred Headwaters is a remote mountainous region in northern British Columbia, at the intersection of two of the continent’s major wildlife corridors: the Yellowstone to Yukon region and the boreal forest. In this subalpine basin, three of British Columbia’s salmon-bearing rivers – the Stikine, Skeena and Nass Rivers – are born among mountains and vast meadows. The Sacred Headwaters, known as the “Serengeti of the North,” supports one of the largest intact predator-prey systems in North America.

Volcanic Cone and the Headwaters of Maitland Creek, Sacred Headwaters, British Columbia, Canada by Paul Colangelo.

The Sacred Headwaters has been the traditional territory of the Tahltan First Nation for thousands of years. The Tahltan consider this land sacred for its hunting, cultural, and spiritual values. The health of the rivers’ salmon and trout populations are vital to the ecosystems, culture and local economies of the northwest.

In 2004, the British Columbian government granted Royal Dutch Shell tenure for nearly one million acres in the Sacred Headwaters for a Coal Bed Methane development. This would result in thousands of Coal Bed Methane wells, connecting roads and pipelines, turning the heart of the Sacred Headwaters into an industrial maze. Not only would this fracture critical habitat, but the process risks contaminating the rivers and altering water levels.

Members of the Tahltan Nation, environmental organizations, and concerned citizens of Northwestern British Columbia united in opposition to Shell’s Coal Bed Methane development and pressured the government to end resource development in the Sacred Headwaters. Tahltan elders blockaded road access, and every First Nation and municipal council downstream of the Sacred Headwaters called for a moratorium on development. Renowned environmentalist David Suzuki and National Geographic Explorer-in-Residence Wade Davis spoke out against the Sacred Headwaters development. Ali Howard from Smithers, British Columbia swam the entire 610 km Skeena River over 28 days to raise awareness.

Bobby Brush Readies Horses, Yehiniko Valley, British Columbia, Canada by Paul Colangelo.

In 2008, as a result of this pressure, the British Columbian government issued a temporary moratorium on Coal Bed Methane development in the Sacred Headwaters. This only delayed the Coal Bed Methane development, as the moratorium will expire in December 2012, allowing Shell to commence drilling. Conservation efforts are now aimed at increasing public pressure on the British Columbian government to establish a permanent moratorium on Coal Bed Methane development within the Sacred Headwaters.

Few people, however, have witnessed this remote landscape, and without a comprehensive body of visual work, campaigns cannot visually connect the public to the place they are being asked to protect from Coal Bed Methane destruction.

To aid in the conservation effort, I began shooting Sacred Headwaters, Sacred Journey, a photography project aimed at taking people on a journey through the Sacred Headwaters and presenting the issues that surround it. I have spent the past year and a half shooting and campaigning to raise awareness of this relatively unknown region. A big part of the project has been collaborating with environmental organizations, providing them with imagery for their campaigns to raise enough public support to permanently protect the Sacred Headwaters in our last window of opportunity.

Klappan Range, Sacred Headwaters, British Columbia, Canada by Paul Colangelo.

This project was made possible by the generous support of foundations, companies and private donors. The NANPA Foundation or North American Nature Photography Association Foundation supported the project with its 2010 Philip Hyde Grant, which is awarded annually to an individual NANPA member who is actively pursuing completion of a peer-reviewed environmental project that is consistent with the missions of NANPA and the NANPA Foundation. [For more about the 2010 Philip Hyde Grant see the blog post, “NANPA Philip Hyde Grant 2010.” See also the blog post about the 2008 Philip Hyde Grant recipient, Amy Gulick, and her work in the Tongass National Forest, Alaska, “Salmon In The Trees: Amy Gulick’s Conservation Photography.”]

The International League of Conservation Photographers (iLCP) joined me in the Headwaters this past summer to conduct a Rapid Assessment Visual Expedition (RAVE). Go HERE to read what a RAVE is. The iLCP is made up of the world’s top conservation photographers and has a mission to further environmental and cultural conservation through ethical photography. Their RAVE initiative sends a group of conservation photographers to a threatened region to create a body of work to be used to raise awareness. This summer, iLCP photographers Wade Davis, Carr Clifton, Joe Riis and Claudio Contreras spent three weeks photographing in the Sacred Headwaters.

Moose, Sacred Headwaters, British Columbia, Canada by Paul Colangelo.

Sacred Headwaters, Sacred Journey was awarded Mountainfilm’s inaugural Commitment Grant, which supports five individuals who are producing film, video, photography, book, art, and multimedia projects intended to move audiences to action on issues that matter. The Mountainfilm Festival in Telluride, Colorado from May 27 – 30, 2011 will include an exhibit on the Sacred Headwaters, and Wade Davis will speak about the issue.

How You Can Help…

There are a number of ways you can support the Sacred Headwaters campaign. Visit to learn more about the issues and tell the BC government that you support the protection of the Headwaters from Coal Bed Methane and other destructive uses by signing an online petition and emailing the Premier.

Grand Canyon of the Stikine River, Sacred Headwaters, British Columbia, Canada by Paul Colangelo

Vote Here Please…

You can also help the project win funding by voting for it in a competition sponsored by The Big Wild, an organization aimed at protecting half of Canada’s public land. The Big Wild will award $10,000 to three conservation projects out of a group of five finalists, and Sacred Headwaters, Sacred Journey is in the running under the North West Watch Society. Please visit to cast your vote. A vote for the North West Watch Society is a vote for the Sacred Headwaters.

Paul Colangelo specializes in editorial assignments and conservation efforts. His work has been exhibited at the Smithsonian Institute, was awarded an honorable mention in the International Photography Awards, and named a finalist in BBC’s Wildlife Photographer of the Year. Paul Colangelo lives in Vancouver, British Columbia.

Salmon In The Trees: Amy Gulick’s Conservation Photography

July 15th, 2010

A Profile Of Amy Gulick’s Work In Conservation Photography And An Announcement Of Her New Book… Salmon In The Trees: Life In Alaska’s Tongass Rain Forest

Amy Gulick Won the NANPA Philip Hyde Grant in 2008 for her work in the Tongass National Forest beginning in 2007.

(See also the blog post, “NANPA Philip Hyde Grant 2010” about Paul Colangelo’s conservation photography in Northern British Columbia)

Tongass National Forest, Alaska, by Amy Gulick, from the project Salmon in the Trees: Life in Alaska's Tongass Rain Forest

The Philip Hyde Grant’s 2008 recipient, Lowell Thomas Award winner and founding fellow of the International League of Conservation Photographers, Amy Gulick, recently launched her new book Salmon In The Trees: Life In Alaska’s Tongass Rain Forest.

Amy Gulick’s photographs in Salmon in the Trees, document the cycle of life in the Tongass National Forest in Southeast Alaska. The Tongass National Forest contains one-third of the world’s remaining rare temperate rain forests and the largest reserves of old growth forests in the United States. The Tongass rain forest, like other old growth forests, is an intricately balanced ecosystem and a chain of interactions with links that are weakening due to increasing outside pressures.

Continuing In The Tradition Of Conservation Photography Pioneered By Philip Hyde

Salmon In the Trees: Life In Alaska’s Tongass Rain Forest deepens and expands the work of Philip Hyde, whose landscape photographs helped expand portions of the Tongass National Forest and protected it from destruction nearly 40 years ago. The threats today are greater as the delicate balance of the ecosystems within the Tongass rain forest are at risk. Yet Salmon In the Trees: Life In Alaska’s Tongass Rain Forest, “portrays a hopeful story,” said the website text of the publisher, Braided River. The text continues:

…The Tongass is one of the rarest ecosystems on Earth. Humpback whales, orcas, and sea lions cruise the forested shorelines. Millions of wild salmon swim upstream into the forest, feeding an abundance of bears and bald eagles. Native cultures and local communities benefit from the gifts of both the forest and sea. But the global demands of our modern world may threaten this great forest’s biological riches. With camera and rain gear in hand, photographer Amy Gulick paddled and trekked among the bears, misty islands, and salmon streams… she met bush pilots, fishermen, guides, and artists…

Black Bear Paws and Salmon, Tongass National Forest, Alaska, by Amy Gulick, from the project Salmon in the Trees: Life in Alaska's Tongass Rain Forest

Amy Gulick also wrote about her Tongass conservation photography project in Outdoor Photographer in an article with the same title as her book, Salmon In The Trees. The following is from a caption to one of her photographs of the Tongass National Forest in Outdoor Photographer:

At 16.8 million acres, the Tongass is the largest national forest in the U. S.; about 40% of the Tongass consists of glacial ice fields, alpine tundra, wetlands and water, [the rest is temperate rain forest]. Bears play a significant role in spreading nutrient-packed salmon carcasses throughout the forest—the bodies of the salmon decay into the soil, and trees absorb the nutrients through their roots.

Amy Gulick’s Outdoor Photographer article continues:

Salmon live on in frolicking spring cubs, plump blueberries, new growth rings in tree trunks and downy eaglets perched in their nests. And the next generation of salmon is swaddled in the streams and incubated by the forest. The fertilized eggs will soon hatch, ensuring that the cycle of life is a circle, always flowing, never broken…. But we’re on our way to carving up this extraordinary forest. We only have to look south to the once-magnificent salmon rain forests of Washington, Oregon and northern California to see how quickly we can decimate ancient trees, wild salmon and a rich way of life…. Continued threats include logging, mining, industrial-scale tourism, energy development and global climate change.

Salmon In The Trees: The Culmination Of A Three-Year Conservation Photography Project

When I heard about Salmon In The Trees, I asked Amy Gulick if her new book was a culmination of the conservation photography project she was working on in 2008 when she won the prestigious North American Nature Photography Association’s 2008 Philip Hyde Grant. She explained that part of the criteria for the NANPA Philip Hyde Grant is that the conservation photography project already be in progress. She explained:

When I won the 2008 Philip Hyde Grant, I was halfway through completing the photography for my Tongass project. I started the project in the spring of 2007, applied for the grant in August 2007, and was awarded the grant in winter 2008. I then spent the spring and summer of 2008 completing the photography. It took most of 2009 to design and produce the book, web site, YouTube videos, and exhibit in Juneau, Alaska.

Caribou Crossing, Arctic National Wildlife Refuge, Alaska, by Amy Gulick, from the project Arctic National Wildlife Refuge: Wilderness or Wasteland?

Besides her conservation photography work in the Tongass rain forest, Amy Gulick’s Internet story “Arctic National Wildlife Refuge: Wilderness or Wasteland?” won a Lowell Thomas Travel Journalism Award presented by the Society of American Travel Writers Foundation. Also, the Alaska Conservation Foundation named Amy Gulick the 2008 recipient of the Daniel Housberg Wilderness Image Award for Excellence in Still Photography. The award recognizes conservation photography projects that advance the protection of Alaska’s wilderness environment, further discussion of issues relating to habitat and stewardship of the state’s natural resources, and enhance greater public education relating to these areas. For more news about Amy Gulick and her conservation photography Click Here and to view the book trailer go to YouTube.

NANPA Philip Hyde Grant 2010

January 27th, 2010

NANPA Foundation Announces 2010 Recipient of the Philip Hyde Grant

Award Highlights Use of Photography in Conservation

Bald-faced hornet, Vespula maculata, emerging from nest, Ontario, by Paul Colangelo. (Finalist in the BBC Wildlife Photographer of the Year competition.)

Wheat Ridge, Colorado – The NANPA Foundation has announced that Paul Colangelo of Vancouver, British Columbia, Canada is the recipient of the 2010 Philip Hyde Grant for his work in British Columbia. This $5,000 peer-reviewed grant is awarded annually to an individual member of the North American Nature Photography Association who is actively pursuing completion of an environmental project.

Sacred Headwaters, Sacred Journey is a documentary project of the Sacred Headwaters. Wildlife and nature photographer Paul Colangelo and writer Amanda Follett plan to raise awareness of this remote land and the issues surrounding it. See and for more information about Paul and the project in the northern reaches of North America.

Forest fire remains, Kootenay National Park, British Columbia, Canada, by Paul Colangelo. (In the group exhibit at the Smithsonian.)

Paul Colangelo specializes in editorial assignments and conservation efforts. His work has been exhibited at the Smithsonian Institute, was awarded an honorable mention in the International Photography Awards, and named a finalist in BBC’s Wildlife Photographer of the Year. Paul Colangelo lives in Vancouver, British Columbia.

In northern British Columbia, three of the province’s greatest salmon-bearing rivers (the Skeena, the Stikine and the Nass) are formed in the subalpine basin known as the Sacred Headwaters. The land has one of the largest intact predator-prey systems in North America, earning it the nickname, “Serengeti of the North,” and is the traditional territory of the Tahltan First Nation. It also is the location of natural resources such as coal and coal-bed methane and gold.

Headwaters of the Skeena River, Sacred Headwaters, British Columbia, by Paul Colangelo. (From the Sacred Headwaters, Sacred Journey project.)

The Sacred Headwaters are at the center of a dispute between the Tahltan First Nation, resource development industries, government and environmental groups. Competing interests concerning land use, mining and hunting have created divides and put the future health of the Sacred Headwaters at risk.

The NANPA Foundation develops, supports and implements nature photography projects jointly with the North American Nature Photography Association and other organizations. It initiates, partners, operates and generates funding for projects that advance awareness of and appreciation for nature through photography. For information about the NANPA Foundation, visit its website at For information about NANPA and the Annual Summit, visit